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I’m back for Part 2 of my NY 2017 SCBWI Conference Recap!!!
And like these two guys, I’m a bit confused…
(Scott Hammon and Justin Brancato)
I can’t remember exactly when, during the conference a few of these pictures happened.
So–I’m gonna go with it and just kick off with them.
This is just a shot giving you an idea of how big the conference tribe is.
Some of our SCBWI Faculty getting ready to go on stage and take a bow!
And over in the corner was all our fabulous RA’s who volunteer their time and experience. <3
We love you RA’s!!! How did I not get my conference picture with my RA Nancy Castaldo?
And then it was officially the Sunday Morning Conference Kick-off…
I love the awards!!!
Art Portfolio Honors
Art Portfolio Winner
Then we had the Jane Yolen Mid-List Author Grants for talented Mid-List authors who have stalled in their publishing career. This is to remind them of their talent and how much we all still believe in them.
Only one of our Mid-List Author Grant Winners was in attendance. I think the weather kept many people from making it. But you can see what this kind of recognition from your peers can mean. <3
We were all choked up.
Next up was the Tomie dePaola Award for Illustrators. I’ve been watching talented artists receive this award since I’ve been coming to the NY SCBWI Conference and I was shocked to learn this was going to be the last time it’s given.
Moving forward, it will now become the Narrative Arts Award and it will still have “Assignments” <3
So, for this year’s winners–it must be extra special.
And there was another big announcement. On the horizon, the SCBWI will be doing a new project called BOOKS FOR READERS.
Two times a year, the tribe will come together to bring books to readers in need. The room was energized at the idea and now we are all waiting to hear more about the new project.
And then it was time to get down to the business of the day–The Current Landscape of Children’s Books
KG–Ken Geist (VP, Publisher, Orchard Books, Scholastic Press Picture Books, Cartwheel Books, Readers, Branches and Little Shepherd)
AH–Andrew Harwell (Senior Editor, Harper Collins)
CH–Carrie Howland (Senior agent, Empire Literary)
EK–Eileen Kreit (Vice President and Publisher, Puffin/Penguin Young Readers Group)
EN–Edward Nescarsulmer IV (Agent, Dunow, Carlson & Lerner Literary Agency)
Here’s the highlights…
AH–Yes, literally everything about children’s books is more important than ever.
EK–Pointed out the changes (cuts) occurring related to the NY Times Best Seller List are due to relocated resources needed to meet the current demand for political news. (I guess the politicians are getting us coming and going.)
KG–Authenticity matters. You can’t lift a flap on an ebook. Picture Books are here to stay.
AH–MG and YA readers are already discerning. Many of 2016’s award winners were already becoming best sellers before their win.
EN–Your brand is your name connected with excellence.
KG–Ha! We “actually” have a wrestling mat in Acquisitions. (On fighting for books you love)
EN–Mergers in publishing have happened for a reason–Penguin/Random–they were digging in. They were announcing to everyone–“we are here to stay.”
And, much to my delight, I found a friend of friend in the audience while waiting
for my next breakout session to start. His name is Hamlet <3
Next up was a Sunday Workshop–this was something we hadn’t done before and I really enjoyed having another fabulous break out session added to the conference.
This session was two pronged and packed in a HUGE amount of intense information.
Writing Within and Across Identity Elements with Cynthia Leitich Smith
How to Write About Difficult Subjects with Ellen Hopkins
Can brought her information at a fast and furious pace in order to give us as much knowledge as she could in a short time. Here are some of the things I was able to capture…
*51% of children today are people of color.
*We are all related.
*When writing, non-human characters are sometimes the ultimate diversity.
*Everything you write will be criticized. Be diligent–be brave.
*Books that feature diverse characters are not there just for a specific type of reader. And the diversity is not there just to teach you something.
Then Ellen mesmerized the audience with her personal stories, letters from readers and samples of her own writing…
*These are the kids we don’t wan to believe exist, but it’s true.
*Never self-censor–tell what needs to be told.
*Be TRUE TO CHARACTER!
Sara and I signed in at the front desk right after the UPS delivery LOL!
And for the last Keynote of the conference we were privileged to hear from Sara Pennypacker. And I was even luckier than most, because Sara made a stop at my boy’s school before the conference and I got to see her in action during a school visit and got some quality time to hang out with her and my friend and Pop-up Engineer Courtney McCarthy who was the book fairy for all the magic that happened for Book Fair an Drop Everything and Read Week.
I wrote like a fiend, trying to capture the best of Sara–here it is…
*We are all doing the same thing–in our own way we are trying to make order out of chaos.
*People who are passionate about what they do (in any area of life) never fail to inspire me. Surround yourself with people who walk with light instead of darkness.
*Write a HELL, YES manuscript–one that makes the agent, editor, publisher and reader say HELL, YES–I must have this!
*Creation is a river and rivers become stagnant if blocked. The best thing a river does is flow. We are all part of the river.
*Story illuminates in a way facts never can.
*Children are the best audience–children are free of adult boundary issues.
*Kids build bonds through characters they love. If an author loves a character. And a kid loves a character. Then ergo–the kid loves the author. This is why Ellen Hopkins stays in the parking lot for 2 hours after school visits because those teens know she doesn’t judge her characters–that she loves them–meaning they can trust her because they will be safe with her. They find her in the parking lot. <3
*Writing Tip–leave room for the reader. Don’t do it all yourself, it’s not a monologue.
*Writing Tip–The story is the boss.
*It’s not about me–story serves the reader.
-Say it with Sara…”If I were God’s own spiritual advisor–I would understand it’s not my job to preach.”
-Authors are not parents.
-Our job is to allow children to safely experience things we don’t actually want them to experience.
*Kids need to hear stories.
*Sometimes the problem exposes the wound that is REALLY the problem.
*Story is a template for kids.
*Children need to tell their stories.
-“There is an evil in the world because people aren’t allowed to tell their stories.” Carl Jung
-I write for children because they can’t write their own stories for themselves. Now I write to give the child a template to use to say…THIS is my story.
-All those people who allow children to to tell their stories may never know what a great and impactful thing they have done. (Thank you librarians and teachers and those who encourage voice)
*Join the SCBWI and then go out and persist!
*Go out and subtract a measurable amount of evil in the world. <3
And get your books signed by the authors and illustrators who have spent the conference teaching you and inspiring you…
Illustrator, Brian Floca and MOONSHOT
Love his art work in this book!
Totally, NOT BORED hanging out with my bud Debbie Ohi <3
Me and Sonya Sones
Signing for the readers at GUFS
The fierce and fabulous Ellen Hopkins!!!!
And Tomie DePaolo…an incredible picture book team
And as we were leaving the autograph room one of my friends pointed to the floor and said…
“this is where the magic happens.”
And my response was…
“then let’s be where the magic happens.” <3
Never be afraid to put yourself where the magic happens.
And that doesn’t change when the conference is over and you head back home…
Remember there will be snow on your windshield and a million other things that would like to keep you from your work.
But don’t let it stop you.
Every conference I attend, I realize that a word or a theme usually floats to the top of my conscious and reminds me what I need to know about myself, my writing and my process.
My take away from New York is PURPOSE AND PERSISTENCE!
I have a purpose in this writing world and I must work to fulfill that.
I believe that the myriad of obstacles that have been put in my path are not there to dissuade me from my work, but have rather been designed to ensure I do my BEST work.
I know I might never reach my own excellence if the world accepts my mediocrity.
This means my challenges are my gifts.
I believe I have a purpose and I will persist and my world will be a better place because of it.
In the comments, feel free to share your own writing manifesto.
Remember–your words have power and magic happened when you put them into the world.
And if you are able–come and join me in LA in July. There can never be too many Lobby Rats at a conference. <3
It’s time for the NY 2017 SCBWI Conference!!!!
I just got back and of course I wanted to share the awesomeness with you.
Just so you know, it wasn’t exactly easy to get there this year…
On Thursday we got hit with a winter storm. My house got just over 10 inches of snow–resulting in a very happy puppy.
With a day off of school, I was kind of lucky because I got some extra sleep and had plenty of time to pack for the next day.
But not everyone was so lucky. I know of several people who couldn’t get their flights sorted out and missed the conference all together. That was a huge disappointment.
I knew I was going to be running a little late for Friday’s Intensive, but my train schedule got pushed back even more due to the boys having 2hr delays. I decided not to stress and go with the flow.
Chilling out and day dreaming while looking out the train widow really paid off. I got to see 4 adult and 4 juvenile American Eagles! And I even captured one on my camera and that made me extra happy.
While I missed most of the morning portion of my Friday Intensive–WRITING THE VERSE NOVEL–but made it for the first half of the round table sessions. Despite being late, I still had an amazing experience and learned a ton. I’ve never attempted a novel in verse before, but I’m intrigued, I enjoy reading them and I always feel that learning new things brings depth and color to anything I’m working on. So it was a great opportunity. And the good news was that I was able to get the handouts and I have access to the notes.
The lovely Bonnie Bader facilitated the Intensive.
Listening to Sonya Sones—The Nuts and Bolts and Safety Pins of Writing the Novel in Verse
*Don’t write a poem that makes a teenager feel stupid. It must be accessible.
*Our goal is to move people with our words–create an emotional response.
*Teens are present tense human beings.
*Read your work out loud with ear plugs. It allows you to hear your own voice.
We also did some fun exercises with Ellen Hopkins‘ session Balancing Verse with Story
Do you want to get your creative descriptions flowing? Try asking yourself some interesting questions like…
What does anger smell like?
What does happiness taste like?
What does sorrow sound like?
What does boredom feel like?
What does love look like?
You should have heard all the interesting and varying responses in the room.
And after another session of round tables, there was even time for a Q & A session with the intensive faculty.
(Sonya Sones, Andrea Davis Pinkney, Ellen Hopkins and Emma Dryden)
Done for the day, it was time to meet up with my friends (old and new) and fellow Lobby Rats for a yummy Italian dinner and lots of catching up in the–you guessed it–lobby!
Then on Saturday morning–despite how comfortable my roomie and best bud, Jodi Moore and I were in our cozy beds at the Hyatt Grand–we rolled on downstairs for coffee, bagels and the kick-off of the conference.
Starting off the day was some birthday singing for the one and only Jane Yolen!
This was followed by Lin Oliver‘s famous SCBWI State of the Conference Address.
Here’s how it all went down…
*40% Published and 60% Pre-Published
*States not representing? North Dakota and Wyoming 🙁
*Attendees came from 61 different countries to include Hong Kong, Australia, Spain and Egypt.
*Some of this year’s interesting Professions/Day Jobs were…
-Costume Shop Supervisor
-Attorney/Voice Over Actor
-Chairman of the Book Selection Committee (everyone was looking for this person LOL!)
-Crime Scene Detective
The first Keynote of the day was the always moving and inspiring Bryan Collier
Here are some of the things you should know…
*When he was 4yo–he saw HIMSELF in the picture book Snowy Day by Ezra Jack Keats. He became obsessed with art and headed to NY–there was no plan B
*Be careful who you share your dreams with, even the people who love you will tell you to get a job.
*Your dreams should be so outrageous they scare you.
*Everything your awkward about is the very thing that makes you special. <3
*Creativity is not just a pond–it’s a river. We are moving!
*The world is waiting for you to dream.
*Sometimes our readers aren’t standing in the doorway. They are in a ditch–behind bars. And they are waiting for you.
Want to check out some of Bryan’s amazing work? Look for his illustrations in KNOCK KNOCK.
Next up was a Panel Discussion–Four Types of Picture Books: A Closer Look
Moderator LL-Laurent Linn
DS–Daniel Salmieri (Illustrator)
GP–Greg Pizzoli (Author/ Illustrator)
ADP–Andrea Davis Pinkney (Author/Editor)
AB–Andrea Beaty (Author)
There was so much great information offered by this panel, so I’ve picked my favorite pieces of advice and inspiration to share with you…
ADP–Bringing non-fiction to readers is like spinach. You have to keep serving it up until they get a taste for it.
ADP–I’m under the belief that if something excites you–it can excite the child.
DS–Don’t be afraid to draw ANYTHING–you’re in a constant state of getting better.
GP–Picture book advice 1. a picture book can be anything 2. it should be direct 3. keep it short.
LL–Ballet look so easy. Effortless. But those ballerina’s have bloody stumps for feet. Rhyme has to look equally effortless.
Next up was my first Break Out Session–World Building with Arianne Lewin
This was a fabulous workshop and very relevant to what I’m working on in my WIP. Here’s what you need to know…
*Creating a world that’s immersive will keep the reader reading.
*The world should unfold organically.
*World building applies to ALL books–it’s the anchor for your story.
*The world has to be believable and manageable.
*1st build atmosphere–it make the reader feel comfortable slipping in.
*If the character believes it–the reader will believe it. It’s in the details.
*Great examples of world building–The Lion, the Witch and the Wardrobe and The Golden Compass.
*The world is revealed by what your character does–show it!
The Lobby Rats taking a lunch break
One for me and one for my roomie <3
Then it’s back to work…
After lunch it was back to another breakout session.
This one was Writing Middle Grade Fiction with Andrew Harwell, Senior Editor at Harper Collins
*MG readers ages 8-12 (grades 2-6)
*This means that the middle grade section in bookstores houses a WIDE variety of books in one area–Captain Underpants to The Golden Compass.
*MG readers are extremely sophisticated–but keep your eye on the main character–that is the story anchor.
*Never talk down to your readers.
*There is no one, right gold standard voice or style in MG. Do what works for you and your character.
*Plant seeds –details in the earlier part of your book that you can catch again at the end.
*If you have the details clear in YOUR head, you don’t have to over explain anything to the reader. It will make sense. Make your plotting masterfully done.
*Make sure you give your characters a breathing moment–hit different emotional registers.
*The specific details are anchored in the universal themes.
*Be prepared to use sensitivity readers.
The afternoon keynote by Tahereh Mafi is STILL giving me goose bumps.
Everything about this keynote was incredible. I’m sorry, but I couldn’t capture it all. It was her words, which flowed non-stop. It was her elegant demeanor. It was her power and resilience. It was her history and her goals for the future. If you ever get a chance to hear her speak–know you are in for an altering experience.
This is what I was able to capture…
*A thick skin will only insulate you from pain, and act good is a writer who doesn’t feel anything?
*Speaking of her mom, who had her skull fractured on the streets of Iran: grief was a luxury she was never able to afford.
*My thin skin helps me to exhale emotions onto the page.
*Those rejections keep you hungry.
*Not everyone will know our stories and back stories–our inspirations and aspirations–but SOMEONE will find it.
*Lean into your pain and let it shape you.
*If you don’t give up, you can’t fail.
*She wrote and queried FIVE novels before the one that sold.
This year, the walls between the ballroom and the bookstore were opened. I loved it! This is everyone rushing to get Tahereh’s book after her moving keynote.
Next up was the afternoon panel–Children’s Books and the Social Media World: A Panel of Influencers
Moderator by Martha Brockenbrough MB
TJ–Travis Jonker (blogger) @100scopenotes and @TheYarnPodcast
CLS–Cynthia Leitich Smith (author/blogger) @CynLeitichSmith and www.cynthialeitichsmith.blogspot.com
MW–Mathew Winner (librarian/podcast host/blogger) @MatthewWinner and @AlltheWonders
Here’s a sample of what we got to hear…
TJ–I love when a voice we love in a book carries over into the authors social media.
CLS–Calls out Debbie Ohi as someone who is doing it RIGHT! She has take aways for her audience, snippets of her art, a positive and friendly attitude.
CLS–Write your mission statement as an author.
CLS–Know when to step away from social media and write your book.
CLS–Author profiles with animals–especially quirky animals get more love.
Worth a try, right?
MW–I never set out to have an audience. I set out to share what I love.
MW–Being nice makes you cool!
Usually book signings are on Sunday, but every once in awhile we have a couple people who need to sign on Saturday.
My roomie, Jodi Moore talking to Andrea Davis Pinkney!!!! She was the sweetest to cast with and I’m constantly blown away by what an intelligent woman Andrea is. You must read her work–it’s incredible. I fell in love with this picture book and got a signed copy for my school library…
A Poem For Peter
And I also got to speak with Tahereh Mafi and tell her what an impact her keynote had on me. <3
And then it was time for the Gala with it’s the SCBWI MASHED POTATO BAR!!!
As if it was meant to be–I walked by and they opened this particular Mashed Potato Bar and I was the first one to use it ROTFL!
Hope you enjoyed my NY 2017 SCBWI Part 1 Recap. I’ll be sure to get you Part 2 as soon as I can.
Any questions about the conference? I’ll do what I can to answer them. Planning on going to the LA conference in July and want to be in the Lobby Rat know? Let me know and I’ll add you to the FB group. Or if you’re planning to attend a different SCBWI conference and would like to make sure the Lobby Rats are represented–let me know. We can arrange that <3
And if you want to play along in the comments and give Ellen Hopkins’ exercise a try, here’s your question…
What color was the NY conference and why?
You can answer this as an attendee or as an arm chair conference follower.
My conference was green like a leafy vine, because many of the ideas that were floating around in my head, were finally able to be connected because of what I learned and the people who were inspired me.
Sometimes we forget it’s okay to do YOUR work, YOUR way.
Everywhere I look there are people standing up.
They are using their super powers for good instead of evil.
And what I’m noticing is that no two heroes look alike.
There are those who are loud and brash–shouting from the roof tops. They stand up in front and demand to be seen and heard. They are a force of nature. They don’t only hold the line–they push it forward.
Some work quietly. They are industrious even though they are never in the spotlight. They work with slight of hand and relentless focus. You might never know they were there–but you would absolutely feel their loss if they didn’t show up.
We also have level headed mediators. Those who walk with one foot in two different worlds–breaching divides and listening for the opportunities to change a tide from the other side. They have cool heads, warm hearts and an almost endless capacity for empathy.
And then there are heroes that live in the places we fear the most and understand the least. They are pushed down relentlessly. Their power is waking up and doing life over and over again–despite the resistance. They lead by living.
There are so many of us.
And we are so different from each other.
But we are ALL needed.
Be careful in this electrically charged climate that we don’t alienate each other, believing there is only one way to fight for right.
No super hero should be made to feel as if they are less because their power isn’t the same as someone else’s.
There is no manual on how to fight evil and support love.
When we are fighting for equality for everyone–it seems silly to judge HOW someone uses their best self to create a better world. We are all unique and that is our true strength.
Today I’m taking a moment to remind myself that I bring something special to the moment and the movement. Sometimes I don’t even know exactly what it is, but I know it’s there.
I’m reminding myself that I don’t need outside validation from other people to know my true heart and my true soul and my true intentions.
I know I won’t always get everything right, but it will not keep me from both trying and always reevaluating how I can do a better job and be a better person.
I’m taking a moment to remind YOU that in this time of great energy and emotion…
it’s okay to do YOUR work, YOUR way.
And I’m reminding myself not to judge what is unfamiliar. I believe no one should judge a person for helping in the way that feels the most organic to them.
We need ALL the people and ALL their super powers. And I don’t want you to think that what you have to offer isn’t important. If you love and you try and you care and you are doing the best that you can–then you are necessary. Don’t get discouraged.
“I am the one thing in life. I can control. I am inimitable. I am an original”
-Aaron Burr, Wait For It
Don’t give up–do YOUR work, YOUR way.
NaNoWriMo with a Tini Twist
It’s been a long time since I’ve written a blog post. It’s been a conscious decision–one I’m happy with. Although I will tell you, I do miss blogging from time to time.
Where have I been?
I’ve been writing and growing. It’s that simple. I’ve come to realize that my blog (no matter how much I love it) takes time away from two very important components of life as a writer.
- Improving craft
So, I made a new contract with myself when it came to my blog. I would only be spending time posting when I had a topic I was passionate about sharing. I would no longer be taking time from writing a manuscript and improving my craft, to cultivate a blog post. All posts would either be on the tip of my finger tips–straining to become a link in my blog chain–or they wouldn’t be written at all. Because, let’s face it, there’s nothing that I have to blog about that so important the world will stop spinning if I don’t show up every Tuesday and Thursday. In fact–I wouldn’t be surprised if some of you haven’t even noticed I’d gone MIA. And that’s okay. I’m hoping you’ve been busy doing productive and inspiring things, too.
But today I do have the urge to check in and to share a bit of info with you. Guess what today is????
Others wise known at the kick off to National Novel Writing Month!
Just to be up front–I am not a die hard NaNo-er. I’ve attempted the challenge on a few occasions. And once I even completed it. Score!
But my inability to be a NaNo Winner–more than that once–was rooted in all kinds of complexities.
*Sometimes I wasn’t in the right spot in my WIP to participate. Bad timing.
*As a die hard PANTSTER I often wrote myself into a corner that I couldn’t dig my way out of if I’d been driving a back hoe. Depressing and a waste of time.
*And sometimes real life, company and obligations severely challenged my writing time. It is what it is.
But despite all these very legit speed bumps. And despite more failure than success in this venture, I still find myself fascinated and addicted to the frenetic group mentality. It’s exciting, supportive and motivating. And by golly, I want to be able to order the NaNoWriMo T-shirt at the end.
So, I’m doing NaNoWriMo again this year. Starting today.
But if I’m being honest with you–I’m doing it with a Tini Twist. (Play on words oh, so deliberate.)
*First–a confession. I am no longer a DIE HARD PANTSTER. And I will NEVER go back. I’m not judging you if you like to pants the hell out of everything you do. I’ve just had my own epiphany. And there are two books that have been instrumental in rocking my writer world…
SAVE THE CAT by Blake Snyder
STORY GENIUS by Lisa Cron
These books were complete and utter game changers for me. I ADORE THEM. In fact, I could blog post for days about them both. But you’ll be better served by reading them than listening to me wax poetic. Just know they’ve made me a better writer. Which leads me to my next point…
*I’m going into this year’s NaNoWriMo Challenge with two months of foundational work on this project. SLICE was a twisted little scrap of an idea that flew down and inspired me over a year ago. It’s been sitting in my recesses, incubating and waiting to grow into something more. The moment I found STORY GENIUS–I figured out the tools I needed to put this story together. And with the support of SAVE THE CAT, I’ve found my way from PANTSTER to BOOKSTORMER. I’m not calling myself a PLOTTER deliberately. I feel like both of these methods offer so much more than just plotting. They are helping me to take my book, my writing, my story telling and my ideas by storm. So, I’m a BOOKSTORMER now. It’s my thing. And because of the books’ positive influences on me, I’ve been developing my own hybrid method of drafting, culled and pasted from these two great approaches. I’m finding what really works the best for me. And because of that, I have never been more ready to take on NaNoWriMo
*And lastly, I have adjusted my expectations for this year’s challenge. I’m confident I can write the 50,000 words after all the pre-planning I’ve done. In fact, I think I’m going to find it rather enjoyable to finally start this thing. But I’ve also wrapped my mind around the big picture for this project. This book storming process is a fluid one that requires me to write the draft from beginning to end, but it also demands that I’m constantly moving and planning with fluidity over the whole project. It requires creativity and flexibility as I move forward in my process.
And because of that, my mantra is…The Work Will Not Suffer. What does that mean to me? Basically, it’s an acknowledgement that I will benefit from the challenge, but I will not write less than my best work just to complete the challenge. I am using NaNoWriMo to my best advantage, but I will never forget my true goal and purpose and the real finish line for me is the one that creates the best book I can write.
But hopefully, my writing, even with it’s Tini Twists will make me a winner at NaNoWriMo and with the bigger picture.
Are you participating in National Novel Writing Month? If yes, do you have any “Tini Twists” that you use to enhance your NaNo experience? Any NaNo tips you want to share? Have you read SAVE THE CAT or STORY GENIUS? I’d love to know what you think. And if you’re looking for a NaNoWriMo Buddy–you can find me at Kimmiepoppins. Let’s do this!
Ran into a couple fabulous articles this morning that converged into an unexpected blog post. The first article was in relation to something I read in the book ORIGINALS by Adam Grant.
I loved this book for a million reason, but there was a particular concept that stuck with me and intrigued me. It also got me thinking about another article I saw this morning. But before I can build the connections, here is the back story…
Adam Grant talks about how to raise creative, original kids and how that might relate to the heroes who were Holocaust resisters–saving lives while putting their own at risk. This concept really stuck with me as I examined my own parenting, because who doesn’t want to raise the kind of kids who have enough moral fiber to be some body’s hero some day?
My friend Lynda Mullaly Hunt writes books and raises awareness about the impact every day heroes can have on every day lives…
BE SOMEONE’S HERO. NO CAPE REQUIRED ~~ Ordinary People Doing Extraordinary Things
Lynda also writes and talks about how…
I’m here to tell you that can be a beautiful thing. I know this concept (as Lynda is using it) is rooted in a subject close to me–dyslexia. But I also think it’s bigger than that. An important component of raising creative kids (according to this article by Jessica Stillman) is to reason with your kids–to create kids who think independently and don’t just follow the masses.
Laying down the law can be easier than explaining why the law is as it is, but if you’re interested in future creativity, you should take the time to reason with your little ones. Citing studies on the early lives of heroes who rescued people from the Holocaust and highly creative architects, Grant suggests parents “help children think about the consequences of their action for others,”
Not quite sure what Holocaust resisters (incredibly brave as they may have been) have to do with creativity? Morality and creativity are intertwined, Grant explains in another, illuminating TechCrunch interview. “Kids who evolve into creative adults tend to have a strong moral compass,” he says. “They’ve been nurtured by their parents, who’ve talked with them and modeled values of excellence for them that [seed ] concern for the consequences of their [kids’] actions on other people. At the same time, they’re given a lot of autonomy to figure out how they want to live with those values.”
But then the fireworks of connection really started firing in my head when I stumbled upon another article. It made me think about why we struggle to raise kids who are morally and creatively rich. There is a sad cycle holding us back.
Meet the Newest Bully on the Block: The Mean Mom by Mary Beth Sammons
Our children aren’t just battling their peers, who are also struggling to learn who they are and what they are about. Our kids are being terrorized by the very people who should be making them feel safe.
The good news, Saltz says, is that if you’re alert to the toxicity of bullying behavior, you can deflect it and send a strong message to your children, by example, that mocking, manipulating and swinging blows at other people is not okay. If you’re looking to stop a bully in her tracks, the best way to do so is to confront the bully directly. “Call it out,” Saltz says on TODAY. “Tell the bully, ‘I see what you’re doing, and it’s not OK. Let’s not do that.”
She adds that moms need to stand up to mom bullies to create a bully-free world. Parents have to teach by example
Here’s the thing, we all know that raising great kids and protecting children from bullying is a great thing to do. In the abstract–this is a no brainer. But we don’t always see the world from a place of perspective. We see it in relation to our own needs and interests and fears. I sympathize with that–it is human. But so is admitting we are sometimes wrong and need to apologize.
So, I’m just going to lay it out there. If you’ve made a mistake–we can get through this–together.
But if you think bullying is a great way to go–we can’t be friends. It’s that simple. I don’t condone that behavior. This is me telling you…
I SEE WHAT YOU’RE DOING AND IT’S NOT OK!
Sometimes we get away from our better selves. It happens. It doesn’t make us bad people. It makes us people who need to be more original. We need to step away from the status quo and decide that it might be harder to own our behavior than to live in denial. But being brave enough to do it, might also make us exceptional.
Some days I look around me and realized it’s quite an uphill battle to teach our children to be original, moral, kind and brave.
We live in an environment where we don’t just worry about children being bullied by their day to day life–we have to fight this kind of ignorance on a cyber front. We live in a time that allows people to do and say things they wouldn’t have enough courage to stand up and say to someones face–in front of others. It’s a scary place out there, but it’s worse when bad behavior takes root and hides in the dark. We can’t let that happen.
What I’m asking of you today, is to stand up and be an original.
Behave better than the average person.
And use the internet to shed light, instead allowing bullies to hide in the dark behind cyber shadows.
You can repost this blog. Or you can share your own message.
But please find a way to be heard.
Will you be a bully or an original?
Will you raise a bully or an original?
Will you stand up and say…
I see what you’re doing and it’s not ok?
I’m counting on you…
It’s time for my last installment of my #LA16SCBWI recap. I apologize for taking so long. I’m usually well done with these by this point, but my kids, my own writing, and other life stuff has kept me busy. But I’m here now and I have lots of great information to share with you about the LA 2016 SCBWI Conference.
Lin and Steve strategically kicked off Sunday mornings #LA16SCBWI offerings with the Agent Panel. After an evening of dancing and kid lit shenanigans at the Gala–only the promise of finding an agent can get the sleepy masses out of their beds LOL!
Agent Panel: Acquisitions Today
VWA–Victoria Wells Arms (Victoria Wells Arms Literary)
GC–Ginger Clark (Curtis Brown, LTD)
KH–Kristen Hall (Catbird)
BS–Brooks Sherman (The Bent Agency)
ERS–Erica Rand Silverman (Stimola Literary Studio)
TW–Tina Wexler (ICM Partners)
Here are some interesting bits and pieces of the conversation…
KH–(Talking to her kids) On quitting her job and starting her own agency… I’m fine. I’m covered in hives, but really I’m fine.
TW–After her intro…”I should have just said I was a cat person.”
ERS–I’m looking for people who are purposeful in their craft.
TW–Do I love it? AND… Can I sell it?
KH–Relies on her instinct when picking clients.
BS–Doesn’t worry about what will sell. If he likes it, he’s willing to dive in.
GC–On queries: No voice of the MC. No gimmicks. Not overly personal. PROFESSIONAL! All authors used in comps should be no older than 5 years!
KH–Loves all the opposite query things that GC does ROTFL!
Then it was time for the Art Award Announcements!
The Mentorship Winners.
The Showcase Honors.
And Showcase Winner–Oge Mora
And speaking of fabulous illustrators, next up was a Keynote by Sophie Blackall: FORAGING FOR STORIES: HOW TO JUSTIFY EAVESDROPPING, LOITERING AND BUYING THINGS ON EBAY
Sophie was a natural storyteller and it was hard to pick out the individual threads to share because everything she said was woven together so interestingly. But I’ll do my best to pick out a few things for you…
*I collect things.
*I’m inspired by my fellows.
*One must always pay attention.
*Missed Connections–> the Measles Project.
*I rode the subway in NY, made eye contact with a stranger and ended up in Bhutan.
*Why is yoga still so hard? Because you are constantly pushing your limits. –>Apply that concept to your writing.
*Kids notice your trivial transgressions. Details matter.
*We make mistakes, but we should strive not to.
*The gestation of a book may be the best part.
*Toni Morrison writes into the light. “It’s not being in the light–it’s being there before it arrives.”
*The making part IS the best part. Do not hoard your ideas–use them all now. Something else will arrive.
Next up was my first Break-out Session of the day. I got so lucky picking Neal Schusterman-DON’T TELL DAD I TOTALED THE UNIVERSE: LESSONS IN WORLD BUILDING LEARNED THE HARD WAY
This was an incredible workshop. If you ever get a chance to talk world building with Neal–I suggest you take it. What I loved about his advice and techniques were how accessible they were. The focus was not on High Fantasy which isn’t what I write. And his approach was clear, logical and easy to assimilate into your own process. Plus he was inspirational and funny. Here is some of the best things I learned…
*There are no rules but the ones you make.
*Be prepared to live by your rules. There are ramifications to the rules that you make.
*You don’t have to address all the changes the butterfly effect has on your story, but you have to KNOW them.
*Rules can be problematic, but they can also be tools.
*Bring the reader in slowly.
*Stories are about people, no matter what world you are building–resist putting the world in front of the characters.
*Learn to write characters in the real world first–then move to world building.
*Master world building with shorter works.
*Too much info on the world can be confusing to the reader.
*When you are world building on existing mythology, you have to bring something new to the table, a twist.
*IF YOU CAN’T KEEP TRACK OF YOUR WORLD IN YOUR OWN HEAD, IT’S TOO COMPLICATED FOR YOUR READER!
*Start with the concept of the world. Find characters that fit into the world. Then work to balance the two.
*The world grows as you go along, that’s why revision is so important. By the end you know the world and the characters, then you have to go back and be sure that everything is consistent.
*Follow the exciting, shiny idea within your manuscript–even if you didn’t plan for it–otherwise the writing will be boring.
After lunch, Linda Sue Park did a fascinating afternoon Break-Out session on CHILDREN’S BOOK AWARDS: HOW JUDGING HAPPENS.
I took a picture–I swear I took a picture. But the phone goblins ate it. I’m still missing my good camera. I can’t believe I didn’t bring it. Maybe I need one of those lens attachments for my phone. Any recommendations?
Anyway–this break-out was Linda giving us back ground and information on the judging of kid lit awards and her personal experience doing the judging. There was so much interesting information woven into Linda’s narrative, but I’ll try to pull out some nuggets that will enlighten you.
*When judging the National Book Award in 2006
*Getting from 50 books down to the ones we wanted to discuss as a group was very difficult.
*Used a weighted math system to get down to the groups top 20 books.
*No one goes over these books the way the committee does–it is legit.
*The were the first committee to have a graphic novel as a finalist.
*The process was super time consuming. Linda couldn’t write for a year and sometimes resented not having a choice in what she could read.
*On judging–if you do this–you will never feel bad about not winning an award again. There are so many good books, deserving books out there.
*If you see Linda Sue Park–ask her how the truffles were? I promise, it’s a great story.
Next up was the always informative Deborah Halverson with the UP-TO-THE-MINUTE MARKET REPORT
Here is some of the newest market info complied by Deborah…
*Overall children’s publishing revenue dipped very little–not a lot of movement.
*YA fiction sales dipped by 3%–the Divergent factor. (dips following movie years)
*Non-fiction kids up by 17% due to adult coloring books
*Audiobooks up 24% making up 10-14% of children’s books
*Expansion as a theme. 60 new Indies this year. 660 since 2009. Stable but flat.
*New codes for YA on the bookshelves allowing for more customization and discovery.
*31 new imprints in the last four years.
Market Trend–How Your Current Projects Fit Into the Marketplace
-quality and creativity are being rewarded. Think: LAST STOP ON MARKET PLACE
-creativity in language and text
-dominated by younger PB’s
-some have longer texts where hope is strong and feels justified
-plenty of room for the illustrator to have story telling room
-Write a single title–>series possibility comes later
-diverse characters/actively looking for diversity
-historical fiction/biographies…ordinary people who change the world
-looking for marketing potential, story telling and personal connections
MIDDLE GRADE FICTION
-a great place to be
-agents say editors are asking
-open field–literary and commercial balance
-wants beautiful language, superb execution
-slow build that garners awards and longevity. Think OUT OF MY MIND by Sharon Draper
-room for serious subject matter
-historical fiction–there are lesser known people to explore or new twist on well knowns
-multi-author series are still strong
-stand alones embraced too
-risks that don’t feel gimmicky
-non-fiction–fresh engagement-something unexpected
-MG is not wrapped up in a single trend at the moment
-looking for humor, adventure, realistic fiction
-serves a diverse audience but doesn’t make diversity an issue
-story trumps trends
-sweet spot falls between literary and commercial
-voice that masters the MG sensibility and funny bone
-in historical fiction a contemporary voice gives access–think Hamilton on Broadway
-realistic fiction and fantasy
-still happening but market saturation
-there are the big stars and the rest of us are duking it out for a space
-everyone is super careful/cautious about what they take on
-you need something different and stand out in a crowded market
-be careful about realistic contemporary–its been done
-blending genres–create fresh magic systems–think GRACELING
-layered female friendships*
-exploring grey areas*
-on twitter… #MSWL (Manuscript Wish List)
The internal mood of publishing…
*We are in a good place.
*Not being lambasted by trends.
*Room for thinking creatively.
*Not relying on only one thing.
*Publishing has settled into the mind set that we CAN change and adapt.
*An active author contract initiative underway
*Discovered we were doing it right all along.
Next up was a Keynote by one of SCBWI’s best, Ellen Hopkins: KEEP YOUR EYES ON THE REAL PRIZE
Ellen had the whole place in tears as she told the story of how life and writing intersect…
*Garbage writing is why they invented revision.
*In this day and age, books are candles in the darkness. And for some children, they are a lifeline.
*Keep your eyes on the real prize: making a positive difference in young lives.
And the final and closing keynote came from the one and only RICHARD PECK <3
*We gather today because misery loves company. *giggle*
*The barbarians are at our gates now–with phones in their hands–playing Pokemon. And they might die never knowing WE are the people who augment reality.
*There are 250 million texts and not a semi-colon among them.
*Where do you get your ideas? Isn’t it odd to suggest we can’t THINK of them?
*Schools don’t build foundations–they build upon them.
*Readers are not looking for authors in their books–they are looking for themselves.
*Throw out and rethink the first chapter after you have the table of contents for your real story.
*It’s never to late to be who you might have been” -George Elliot
And now that Richard Peck has reminded you who you are meant to be, it’s time for the autograph party.
Richard signing a book for the Desmond Fish Library who gave me the Alice Curtis Desmond Award
If you can see the iPad on the table, with Richard Peck—it was a part of me having a beautiful, full circle moment. This spring I had the privilege of being awarded the Alice Curtis Desmond Award and had to give my very first speech. And this speech was in front of another award winner–Salman Rushdie. Yup, it was a sweaty palm, heart racer. But I lived to tell the tale and what I was showing Richard was how I quoted HIM in my speech. And how I also heard Richard speak at my very first NY conference and clearly he had an impact on me then and over the years. And how he used the quote from my speech in his keynote and I couldn’t stop smiling at having the chance to share it all with him. Here’s that speech…
Being here tonight is both thrilling and a little terrifying.
I’m in awe of the esteemed company I get to keep this evening.
Compared to my fellow award winners, I’m at the beginning of my career. This is my first professional nod of recognition.
Receiving the Alice Curtis Desmond award reminds me that sometimes, our FIRST experiences do the most to shape our middles and our endings.
The acclaimed children’s author, Richard Peck once said… “–nobody BUT a reader, ever became a writer.”
When I hear that, what immediately comes to mind–are families, schools and libraries. They are the gate keepers that shape so many first experiences.
I still have my FIRST library card. I was the girl who had more books than Barbies.
In fact, I never went into the stacks without a large, paper grocery bag. I needed something big enough to hold my treasures. Those books held the world.
In the 6th grade, my English teacher read to my class… “In Flanders fields the poppies blow. Between the crosses, row on row.”
It was the FIRST time I understood how powerful writing could be. The meanest teacher I knew, was moved to tears—by words.
In the 10th grade, my class read THE GIVER by Lois Lowry. It was the FIRST time I realized I wasn’t alone. There were other people in the world who asked the same strange questions I did.
The summer before my senior year in high school, I took stock of who I was and what I wanted to be. I compared myself to some of my heroes: Annie Sullivan, Helen Keller, Anne Frank and Mahatma Gandhi.
It was the FIRST time I declared myself woefully inadequate to be anyone’s hero. I lost something that day.
On January 1, 2005, eighteen years later, I lost my father, but I finally found my voice. It was the FIRST day I decided to bravely live up to my own potential.
After my FIRST novel was published, my Mom, an extremely avid reader, told me I was the FIRST author she’d ever met in person. It wasn’t the first time I made my Mom proud, but it was one of my favorites.
My husband has always been my FIRST and most enthusiastic supporter. And because of it, there is an exceptionally large group of twenty-something single males, who work in IT Audit, who’ve read my young adult novel. #uniquemarketing
And I shouldn’t admit it, but when my boys were 2, 4 and 6 they ran out of clean socks and underwear because I was writing. It wasn’t the first time it happened, but it was the FIRST time they called me out on it. We bought more.
Then the day came when I received my FIRST letter from a fan. I’d become someone’s hero after all.
And now, because the clock and good story telling demands it, I need to make my ending reflect my beginning–by returning to the library, where I started.
I want to thank everyone at the Desmond Fish Library, not just for honoring me with my FIRST award and hosting such an incredible evening, but also for all you do–you bring books and readers together. You share my FIRST love and I could not be prouder to be a part of this community. Thank you so much.
I adore this guy! <3
Pam Munoz Ryan and Esperanza Rising
Sophie Blackall had the longest line in the room.
Getting my CHALLENGER DEEP signed by Neal Schusterman
I had an amazing conversation with him. So fan-girling!
Totally goof-balling around with Drew Daywalt of Crayon fame!
Don’t ask–I don’t know ROTFL!
Jon Klassen–what would he have done if I’d grabbed his hat and run? And how often does that happen???
And then we were hungry! Because fan-girling is kind of hard work.
And ice cream after dinner will certainly do the trick!
And it might even work tonight as a reward for getting this last #LA16SCBWI blog post done.
Hope this helpful. If you have any questions about the conference or SCBWI conferences in general, feel free to ask. And remember–if you’re heading to your first conference and you don’t know anyone, let me know and I’ll be sure to help out and introduce you to some new friends.
Hello… it’s #LA16SCBWI time…is there anybody out there? I know. I’ve neglected the blog, but for a good reason. Blogs are secondary to the writing and the writing has been my priority. But I LOVE my SCBWI conference blogs. They help me process everything I learned and I also love sharing a bit of the magic and insight with those who couldn’t make it. Plus I missed you. So, let’s go to #LA16SCBWI together!
Compared to last year, my journey to #LA16SCBWI was a breeze. No hassles. Everything was on time. The Jet Blue snack was blue chips. I even had my roomie picking me up at the airport and we defied the laws of LA rush hour and made it to the hotel in a record amount of time for the afternoon. Everything was perfect until…
My luggage lock wouldn’t come off. Really???? I think what happened was I accidentally twirled and twisted when I should have pushed and clicked–resetting the combo to a magic number I did not know. Grrrr. I thought about trying all the possible combinations then called the hotel desk and had a lovely gentleman cut it off for me. Crisis averted. Dinner was had and friends caught up. Easy Peasy. And when all was said and done, I fell asleep and never rolled over until morning. Not even the Biltmore ghosts could wake me.
Yes, the Biltmore hotel, the sight of #LA16SCBWI is supposed to be haunted. Do you see the wee ghosty on the SCBWI folder? I wouldn’t lie. Totally haunted. I’m positive, although I didn’t see, hear or sense a thing.
But any building that looks like this inside must be haunted, right?
BTW–sorry for the grainy pictures–I left my good camera at home by mistake. Boo!
But the ghosts aren’t really the important part–unless they inspire some fabulous stories. We were there to get our kid lit on and we took off running on Friday.
Steve Mooser and Lin Oliver were on the scene–Lin entertaining us with stories of her senior prom and bachelor party at the Biltmore. Which by the way, was built in 1923 and was originally a cathedral. And this past weekend it housed…
-952 Full Time Attendees (with a 950 seat ballroom) Good thing there were always spatially challenged writers who had trouble finding their way around the building LOL!
-47 States. (West Virginia was absent and Vermont. But Lin figures they were still too busy feeling the Bern)
-And there were some interesting primary occupations listed: 101 Full Time Artists, Cake decorator (because frosting is a legit medium), 93 FT Writers, A Writer/Shepherdess (and obviously a good one–never saw a single sheep in the Biltmore), 3 Paper engineers, a Bonsai Artist, a cluster? herd? swarm? flock? pod of lawyers? and a Retired Housewife. Lin didn’t know that last one was an option. Sign her up!
And our joke contest was Books in the Olympics–write your own headline!
In LA the faculty also marches in and shares their word of the conference. Here are some of my favorites from #LA16SCBWI…
–Lisa Yee and Martha Brockenbrough–Wonder Woman
–Alvina Ling–Breathe (she was congested)
–Linda Sue Park–(for anyone who cares about kids) VOTE!
The first Keynote Speaker of the conference was Drew Daywalt of crayon fame.
DOES THIS KEYNOTE MAKE MY BUTT LOOK BIG?
Drew was funny and sweet as he talked to the group. Here are some of the most interesting things Drew had to say…
*Jack Gantos wanted Drew to write for children–he was his Obi Wan Kanobi
*Did you ever notice how crayons are in your house but you didn’t buy them?
*20 years later..”I told you so, idiot!” Jack Gantos
*First school visit he panicked but the librarian told him he could bring THE box of crayons LOL! A boy raced past”security” and jumped in his lap and said…”I love you, Mr. Daywalt.” It changed his life. <3
*Hollywood kicked me for 20 years and knocked me down and a million little hands caught me. <3
*Be true to your voice.
*Authors find meaning in the meaningless and define meaning in the meaningful.
*Don’t overstay your welcome. *waves*
Next up was Pam Munoz Ryan: ONE WRITER’S CONFESSIONS
Things she’s learned along the way…
*Getting published and discovering I could still fail.
*If you’re not struggling to learn something new, you’re failing.
*If you aren’t struggling, you’re setting your goals too low.
*I wasn’t self actualized to feel marginalized. (On not seeing herself represented in the books she read)
*Things that get you out of writer’s block–a deadline.
*I don’t have a muse, but I’m still waiting.
*I don’t write every day. A writer has a relationship with writing.
*Goal: I want the reader to sit down and turn the page.
*It still stings–writing doesn’t get easier for me.
*I write in a feeble attempt at immortality.
*I read to forget and I write to remember. <3
Every conference has those bathroom breaks between speakers and they are perfect for coffee and meeting friends you’ve only loved on line. So pumped I FINALLY got to meet Lynne Kelly on of my fellow Class of 2k12 siblings. <3 Such a lovely treat.
The next Keynote belong to Justin Chanda (VP & Publisher of four children’s imprints at Simon & Schuster)
THE STATE OF THE STATE OF THE INDUSTRY
Justin took the stage fighting the urge to suggest we unify the party. LOL! Here were a few things going on in the industry…
* 2015-2016 was a great year for independent books stores.
*Kid lit is doing well, but blockbusters are driving the overall sales while the mid-list are struggling.
*Blockbusters keep the lights on.
*It’s a big leap of faith to acquire a picture book. Because of that editors are selectively looking for character drive, humorous books that appeal to adults as well as kids. You have to be the best of the best to get a deal in this market.
*Advice: Write, Illustrate, Rinse, Repeat.
Sorry it’s a little dark. Remember I forgot the one with the telephoto lens. Grrrrr But even so, I can vouch, this is my first break out session of the conference. It was a Pro-Track session with Don Tate on SCHOOL VISITS.
Don gave a sample of his own presentation, followed by advice and tips from himself and multiple experienced authors/illustrators. It was a wealth of knowledge.
He also shared the fabulous Debbie Gonzales who works with the academic standards to create projects, presentations and study guides. She’s currently working with TOUCHING THE SURFACE and I’ll be excited to soon launch some fabulous new ways that TTS can be used in the classroom.
And my favorite tip from Don? GO WITH THE FLOW–IT’S NOT ALWAYS GOING TO GO AS PLANNED!
Next up was the Editor Panel: THREE BOOKS I LOVED PUBLISHING AND WHY
SB-Stacey Barney–Senior Editor (G.P. Putnam’s Sons/Penguin)
KB-Kat Brzozowski–Editor (Swoon Reads/Feiwel and Friends)
AL-Alvina Ling–VP and Editor in Chief (Little, Brown)
MM-Melissa Manlove–Editor (Chromicle)
NP-Neal Porter–Publisher (Neal Porter Books)
MR-Matt Ringler–Senior Editor (Scholastic)
SS-Sara Sargent–Executive Editor (Harper Collins)
RS-Reka Simonsen–Executive Editor (Atheneum)
KS-Kate Sullivan–Senior Editor (Delacore)
Moderated by: ED-Emma Dryden (Dryden Books, LLC)
Each editor was asked to talk about three books they proudly published and talk about why they were meaningful. They also gave advice to the audience. I missed a few here and there and I can’t possibly effectively duplicate their gushing–but here’s what I can give you…
SB–Firebird, The Lions of Little Rock, A Crack in the Sea
*Breathe, publishing is a marathon. It teaches patience. Work on your craft.
KB–RL Stein’s Fear Street Series, When the Moon Was Ours
*Build a strong network of people. Publishing is small. Reciprocal relationships.
AL–Thunder Boy Jr, The Year of the Dog, Daughter of Smoke and Bone
*Rejection is not personal.
MM–Picture This, President Squid, Josephine
*Inspiration is electric, but it’s the lightening bolt that hits the person grinding the generator. You have to do the work.
NP–Giant Squid, School’s First Day of School, Ideas Are All Around
*Do I HAVE to write this book? Is there intense feeling?
MR–Kill the Boy Band, The Hero Two Doors Down, Puppy Place Series (Because you can’t have a bad day picking out puppies for book covers ROTFL!)
*Rejection can feel personal, but it’s an industry thing. Editors can’t always get what they want.
SS–Cruel Beauty, The Museum of Heartbreak, Last Year’s Mistake
*Look for the window where you know what an agent/editor likes but then make it different.
RS–Enchanted Air, THE WICKED AND THE JUST (In caps because it’s a fabulous book by my Class of 2k12 sib J. Anderson Coats) and Glass Slipper, Gold Sandal.
*Write what you love.
KS–Ash, Rapture Practice, Passion Counts
Next up was another Keynote with Jenni Holm: IT TAKES A FAMILY
Jenni shared lots of personal stories but this fact was key…If you’re going to write about your family, write about your mother’s family first LOL!
And then, just when you think you can’t do one more minute of conference, we got to celebrate the Golden Kite Award Winners and have a celebratory dinner.
We even had a display in the lobby of our celebrated books for #LA16SCBWI
And don’t forget the pyramid of chocolate. It was very yummy.
And on that sweet note, I’ll leave you to digest this first day of #LA16SCBWI and I promise I’ll be posting more soon.
Want to see a little bit more of the Biltmore and it’s Hollywood History? Check out this video…
Where in the world is TOUCHING THE SURFACE? Well, let me tell you…
Here are some of the upcoming events, where you can get signed copies of TOUCHING THE SURFACE and hang out with me and talk about writing, agents, publishing and books. You know I ALWAYS love to talk about books.
Fasten your seatbelt…here we go!
Right around the corner (THIS SATURDAY) is the 2016 Millbrook Literary Festival.
Saturday, May 21, 2016
10:00AM – 5:00PM
I’ll be hanging out all day, chatting with readers and signing books. And if you have the time, don’t miss this fabulous panel…
You’ve Written a Novel For Teens: Now What?– 4:00 – 5:00pm
YAModerator: Jake Wizner with panelists Gail Carson Levine, Jennifer Castle, Barbara Dee, and Kimberly Sabatini.
Join young adult author Jake Wizner (Spanking Shakespeare) as he talks to Newbery medal honoree Gail Carson Levine (Ella Enchanted), and award-winning authors Jennifer Castle (The Beginning of After), Barbara Dee (The (Almost) Perfect Guide to Imperfect Boys), and Kimberly Sabatini (Touching the Surface) about the paths that they took to get their work published. How did they decide which age group to write for? Find out what it takes to succeed in the world of young adult and middle grade literature.
There is so much to do in quaint Millbrook–visit the shops, grab some fabulous food and make a day of it! You can find the full list of authors and panels HERE.
* * *
And where in the world is TOUCHING THE SURFACE next?
I’ll be DOUBLE TROUBLE at B-FEST, the TEEN BOOK FESTIVAL at Barnes & Noble!!!!
What is B-Fest???
B-Fest is the place for teens to:
•Be in the Know and participate in fun, interactive trivia and games based on popular teen series and books
•Be First to receive exclusive content like chapter samplers and advance reading copies of upcoming teen book releases
•Be Part of the Story and participate in writing workshops, meet authors and illustrators and express their fandom through cosplay and photo ops with popular character standees
•Be Rewarded with prizes, giveaways and enter-to-win items
•Be Heard and Influential by giving Barnes & Noble and publishers feedback through social media campaigns and vehicles for their feedback in stores during the weekend
And what will I be doing at B-FEST???
Do you have a reader at home, who loves to write and might like to be an author someday? Bring them to see me at B-FEST. I’ll be sharing my insights on writing, agents and publishing. I can answer your questions about how to get started or where to go next on your current project. I’ll also be signing copies of TOUCHING THE SURFACE while I’m there. And of course, I love talking about anything involving YA Books–so stop by and we’ll hang out!
I’ll be at the Barnes & Noble (Poughkeepsie, NY) on:
Saturday, June 11 at 1 PM
2518 South Road
Poughkeepsie, New York 12601
Sign up on FB for event updates.
And I’ll be at the Barnes & Noble (Mohegan Lake, NY) on:
Sunday, June 12 — TBD
3089 E Main St
Mohegan Lake, NY
More info to come on B-FEST as the events get closer. Hope to see you there!
Last Friday, May 6th 2016, was a magical night. It was so amazing, it’s taken me almost a week to digest it enough to be able to share it with you.
I finally became the official 2016 recipient of the Alice Curtis Desmond Award!
And if you remember me talking about it, I also was able to spend my evening in the company of two additional and very fabulous award winners…
Andy Chmar–The Patricia Adams Award
Salman Rushdie–The Hamilton Fish Award
After an hour of mingling and a fund-raising auction for the the Desmond-Fish Library, I was able to take a few pictures of the venue. Only a few because I was going to be the first speaker of the evening. And I won’t lie, I was more than a bit nervous giving my first acceptance speech to 250 people, with one of them being the iconic Salman Rushdie.
I arrived at my seat with my To Kill A Mockingbird Purse, perfect for the occasion, to find signed copies of two of Salman Rushdie’s books on my seat. <3
Everyone filing into The Roundhouse Beacon. Hard to believe this gorgeously renovated place was an old, run down factory when I was a kid.
Such a big crowd! I’ve never spoken in front of that many people before. *butterflies*
Here’s my seat!! I won’t be able to eat a think until I’m done. So glad I was going first, because the food was amazing and I eventually did get to enjoy it.
I don’t have pictures of me speaking–yet. My Mom was able to attend the event and took a few and there was a professional photographer at the event, so I’m hoping to be able to share a few more pictures at a later date. *fingers crossed*
Part of the awesomeness of the evening was having my extremely sweet husband introduce me and hand me my award. And while he may have interjected a small bit of teasing into his speech, he once again made me feel incredible. He’s not only my biggest fan when it comes to my writing, but he’s also makes me feel like an incredible human being. I felt so loved. I find myself thinking about his words every day. <3
Then, I not only survived my speech, but according to feedback–I nailed it! Which meant the hours I spent writing and practicing paid off. It also meant my insanely shaky hands and at one point, trembling body, didn’t effect my voice. *phew!*
And here was my reward…
I MUST get this framed!
And I was also presented with two of Alice Curtis Desmond’s books. I can’t wait to read them.
Each book has this moving bookplate inside. Whenever I have one of those inevitable crappy moments as an author, I’m going to pull one of those books out and read…
in recognition of her distinctive contribution
to Children’s Literature
And then I’ll get back to work.
Here’s my only picture of Salman Rushdie as he was being interviewed by Hamilton Fish.
Mr. Rushdie was intelligent, funny, thoughtful and engaging. I could have listened to him all evening.
And the cherry on my sundae came later in the evening, when I had the privilege of speaking with Mr. Rushdie after the presentation of his award. He spent several minutes asking me about my publisher, my writing and my book. It was a surreal experience I won’t ever forget.
And if all of the above wasn’t humbling enough, I had the opportunity to look at the award winners who walked before me…
I’ve had the opportunity to stand on the shoulders of so many amazing writers who have come before me. Now my goal is to be worthy of boosting up those who will come after. It’s time to get back to work to ensure that the Alice Curtis Desmond Award is the first of many.
This month I am participating in Linda Urban‘s Write Daily 30 (#WriteDaily30) challenge. This has been wonderful for me. You set your own goal and try to meet it every day for the month of April–but you do it in a hard working, supportive group.
Here are my list of reasons why any writer should grab a group of friends and do a Write Daily 30 #WriteDaily30 Challenge…
*Checking in and knowing your friends are watching helps you stay accountable.
*Setting your own goals allows you to do exactly what you need to do. Your choices can be specific to you and the project your working on. My goal is to show up for 15 mins and work on my WIP. This is a great goal because my problem is STARTING, but once I begin I almost always do a lot more than I expected. Score!
*Having to check in everyday creates a new view of scheduling–you WILL carve out the time you need to meet your goal. Even if it means bringing your lap top to Little League practice.
*You may make wonderful discoveries–like how much you get done at Little League practice when no one else is bugging you or interrupting you. You may begin to wonder why your child hadn’t signed up for Little League earlier.
*You”ll probably learn or be reminded of some important lessons about writing in general because you consistently engaging with your work. The biggest for me so far, is about the importance of staying in a close relationship with my manuscript. When you do this, you spend less time working to place yourself back into your work. When you stay in the moment, you improve your writing. Time away from your manuscript is important at other times in your process but not when I’m trying to complete that MS.
*I’ve also discovered that the small bits add up. When I look at each individual day, more often then not, I find myself wishing for bigger numbers. But a funny thing happened when I stopped and added up those word counts–I realized that even if I only did a little bit on some days–those numbers were adding up and I’m pleased with the results. Not doing anything, because you don’t think you’ll get enough done, is just plain stupid. This is a much better approach.
Since it’s only April 14th–I’m almost at the halfway mark of Write Daily 30 (#WriteDaily30.) I’ll try to check back in at the end of the month and let you know how I did and tell you about any other additional insight I gained by participating.
Have you done this kind of group writing challenge before? I’ve done #NaNoWriMo (a monster challenge) and #JoKnoWriMo (which is very similar to this one.) What works for you? What are some of your best tips? Planning on getting involved with a writing challenge or starting your own? Have any questions?