Posts Tagged ‘conference’
I’m back for Part 2 of my NY 2017 SCBWI Conference Recap!!!
And like these two guys, I’m a bit confused…
(Scott Hammon and Justin Brancato)
I can’t remember exactly when, during the conference a few of these pictures happened.
So–I’m gonna go with it and just kick off with them.
This is just a shot giving you an idea of how big the conference tribe is.
Some of our SCBWI Faculty getting ready to go on stage and take a bow!
And over in the corner was all our fabulous RA’s who volunteer their time and experience. <3
We love you RA’s!!! How did I not get my conference picture with my RA Nancy Castaldo?
And then it was officially the Sunday Morning Conference Kick-off…
I love the awards!!!
Art Portfolio Honors
Art Portfolio Winner
Then we had the Jane Yolen Mid-List Author Grants for talented Mid-List authors who have stalled in their publishing career. This is to remind them of their talent and how much we all still believe in them.
Only one of our Mid-List Author Grant Winners was in attendance. I think the weather kept many people from making it. But you can see what this kind of recognition from your peers can mean. <3
We were all choked up.
Next up was the Tomie dePaola Award for Illustrators. I’ve been watching talented artists receive this award since I’ve been coming to the NY SCBWI Conference and I was shocked to learn this was going to be the last time it’s given.
Moving forward, it will now become the Narrative Arts Award and it will still have “Assignments” <3
So, for this year’s winners–it must be extra special.
And there was another big announcement. On the horizon, the SCBWI will be doing a new project called BOOKS FOR READERS.
Two times a year, the tribe will come together to bring books to readers in need. The room was energized at the idea and now we are all waiting to hear more about the new project.
And then it was time to get down to the business of the day–The Current Landscape of Children’s Books
KG–Ken Geist (VP, Publisher, Orchard Books, Scholastic Press Picture Books, Cartwheel Books, Readers, Branches and Little Shepherd)
AH–Andrew Harwell (Senior Editor, Harper Collins)
CH–Carrie Howland (Senior agent, Empire Literary)
EK–Eileen Kreit (Vice President and Publisher, Puffin/Penguin Young Readers Group)
EN–Edward Nescarsulmer IV (Agent, Dunow, Carlson & Lerner Literary Agency)
Here’s the highlights…
AH–Yes, literally everything about children’s books is more important than ever.
EK–Pointed out the changes (cuts) occurring related to the NY Times Best Seller List are due to relocated resources needed to meet the current demand for political news. (I guess the politicians are getting us coming and going.)
KG–Authenticity matters. You can’t lift a flap on an ebook. Picture Books are here to stay.
AH–MG and YA readers are already discerning. Many of 2016’s award winners were already becoming best sellers before their win.
EN–Your brand is your name connected with excellence.
KG–Ha! We “actually” have a wrestling mat in Acquisitions. (On fighting for books you love)
EN–Mergers in publishing have happened for a reason–Penguin/Random–they were digging in. They were announcing to everyone–“we are here to stay.”
And, much to my delight, I found a friend of friend in the audience while waiting
for my next breakout session to start. His name is Hamlet <3
Next up was a Sunday Workshop–this was something we hadn’t done before and I really enjoyed having another fabulous break out session added to the conference.
This session was two pronged and packed in a HUGE amount of intense information.
Writing Within and Across Identity Elements with Cynthia Leitich Smith
How to Write About Difficult Subjects with Ellen Hopkins
Can brought her information at a fast and furious pace in order to give us as much knowledge as she could in a short time. Here are some of the things I was able to capture…
*51% of children today are people of color.
*We are all related.
*When writing, non-human characters are sometimes the ultimate diversity.
*Everything you write will be criticized. Be diligent–be brave.
*Books that feature diverse characters are not there just for a specific type of reader. And the diversity is not there just to teach you something.
Then Ellen mesmerized the audience with her personal stories, letters from readers and samples of her own writing…
*These are the kids we don’t wan to believe exist, but it’s true.
*Never self-censor–tell what needs to be told.
*Be TRUE TO CHARACTER!
Sara and I signed in at the front desk right after the UPS delivery LOL!
And for the last Keynote of the conference we were privileged to hear from Sara Pennypacker. And I was even luckier than most, because Sara made a stop at my boy’s school before the conference and I got to see her in action during a school visit and got some quality time to hang out with her and my friend and Pop-up Engineer Courtney McCarthy who was the book fairy for all the magic that happened for Book Fair an Drop Everything and Read Week.
I wrote like a fiend, trying to capture the best of Sara–here it is…
*We are all doing the same thing–in our own way we are trying to make order out of chaos.
*People who are passionate about what they do (in any area of life) never fail to inspire me. Surround yourself with people who walk with light instead of darkness.
*Write a HELL, YES manuscript–one that makes the agent, editor, publisher and reader say HELL, YES–I must have this!
*Creation is a river and rivers become stagnant if blocked. The best thing a river does is flow. We are all part of the river.
*Story illuminates in a way facts never can.
*Children are the best audience–children are free of adult boundary issues.
*Kids build bonds through characters they love. If an author loves a character. And a kid loves a character. Then ergo–the kid loves the author. This is why Ellen Hopkins stays in the parking lot for 2 hours after school visits because those teens know she doesn’t judge her characters–that she loves them–meaning they can trust her because they will be safe with her. They find her in the parking lot. <3
*Writing Tip–leave room for the reader. Don’t do it all yourself, it’s not a monologue.
*Writing Tip–The story is the boss.
*It’s not about me–story serves the reader.
-Say it with Sara…”If I were God’s own spiritual advisor–I would understand it’s not my job to preach.”
-Authors are not parents.
-Our job is to allow children to safely experience things we don’t actually want them to experience.
*Kids need to hear stories.
*Sometimes the problem exposes the wound that is REALLY the problem.
*Story is a template for kids.
*Children need to tell their stories.
-“There is an evil in the world because people aren’t allowed to tell their stories.” Carl Jung
-I write for children because they can’t write their own stories for themselves. Now I write to give the child a template to use to say…THIS is my story.
-All those people who allow children to to tell their stories may never know what a great and impactful thing they have done. (Thank you librarians and teachers and those who encourage voice)
*Join the SCBWI and then go out and persist!
*Go out and subtract a measurable amount of evil in the world. <3
And get your books signed by the authors and illustrators who have spent the conference teaching you and inspiring you…
Illustrator, Brian Floca and MOONSHOT
Love his art work in this book!
Totally, NOT BORED hanging out with my bud Debbie Ohi <3
Me and Sonya Sones
Signing for the readers at GUFS
The fierce and fabulous Ellen Hopkins!!!!
And Tomie DePaolo…an incredible picture book team
And as we were leaving the autograph room one of my friends pointed to the floor and said…
“this is where the magic happens.”
And my response was…
“then let’s be where the magic happens.” <3
Never be afraid to put yourself where the magic happens.
And that doesn’t change when the conference is over and you head back home…
Remember there will be snow on your windshield and a million other things that would like to keep you from your work.
But don’t let it stop you.
Every conference I attend, I realize that a word or a theme usually floats to the top of my conscious and reminds me what I need to know about myself, my writing and my process.
My take away from New York is PURPOSE AND PERSISTENCE!
I have a purpose in this writing world and I must work to fulfill that.
I believe that the myriad of obstacles that have been put in my path are not there to dissuade me from my work, but have rather been designed to ensure I do my BEST work.
I know I might never reach my own excellence if the world accepts my mediocrity.
This means my challenges are my gifts.
I believe I have a purpose and I will persist and my world will be a better place because of it.
In the comments, feel free to share your own writing manifesto.
Remember–your words have power and magic happened when you put them into the world.
And if you are able–come and join me in LA in July. There can never be too many Lobby Rats at a conference. <3
It’s time for my last installment of my #LA16SCBWI recap. I apologize for taking so long. I’m usually well done with these by this point, but my kids, my own writing, and other life stuff has kept me busy. But I’m here now and I have lots of great information to share with you about the LA 2016 SCBWI Conference.
Lin and Steve strategically kicked off Sunday mornings #LA16SCBWI offerings with the Agent Panel. After an evening of dancing and kid lit shenanigans at the Gala–only the promise of finding an agent can get the sleepy masses out of their beds LOL!
Agent Panel: Acquisitions Today
VWA–Victoria Wells Arms (Victoria Wells Arms Literary)
GC–Ginger Clark (Curtis Brown, LTD)
KH–Kristen Hall (Catbird)
BS–Brooks Sherman (The Bent Agency)
ERS–Erica Rand Silverman (Stimola Literary Studio)
TW–Tina Wexler (ICM Partners)
Here are some interesting bits and pieces of the conversation…
KH–(Talking to her kids) On quitting her job and starting her own agency… I’m fine. I’m covered in hives, but really I’m fine.
TW–After her intro…”I should have just said I was a cat person.”
ERS–I’m looking for people who are purposeful in their craft.
TW–Do I love it? AND… Can I sell it?
KH–Relies on her instinct when picking clients.
BS–Doesn’t worry about what will sell. If he likes it, he’s willing to dive in.
GC–On queries: No voice of the MC. No gimmicks. Not overly personal. PROFESSIONAL! All authors used in comps should be no older than 5 years!
KH–Loves all the opposite query things that GC does ROTFL!
Then it was time for the Art Award Announcements!
The Mentorship Winners.
The Showcase Honors.
And Showcase Winner–Oge Mora
And speaking of fabulous illustrators, next up was a Keynote by Sophie Blackall: FORAGING FOR STORIES: HOW TO JUSTIFY EAVESDROPPING, LOITERING AND BUYING THINGS ON EBAY
Sophie was a natural storyteller and it was hard to pick out the individual threads to share because everything she said was woven together so interestingly. But I’ll do my best to pick out a few things for you…
*I collect things.
*I’m inspired by my fellows.
*One must always pay attention.
*Missed Connections–> the Measles Project.
*I rode the subway in NY, made eye contact with a stranger and ended up in Bhutan.
*Why is yoga still so hard? Because you are constantly pushing your limits. –>Apply that concept to your writing.
*Kids notice your trivial transgressions. Details matter.
*We make mistakes, but we should strive not to.
*The gestation of a book may be the best part.
*Toni Morrison writes into the light. “It’s not being in the light–it’s being there before it arrives.”
*The making part IS the best part. Do not hoard your ideas–use them all now. Something else will arrive.
Next up was my first Break-out Session of the day. I got so lucky picking Neal Schusterman-DON’T TELL DAD I TOTALED THE UNIVERSE: LESSONS IN WORLD BUILDING LEARNED THE HARD WAY
This was an incredible workshop. If you ever get a chance to talk world building with Neal–I suggest you take it. What I loved about his advice and techniques were how accessible they were. The focus was not on High Fantasy which isn’t what I write. And his approach was clear, logical and easy to assimilate into your own process. Plus he was inspirational and funny. Here is some of the best things I learned…
*There are no rules but the ones you make.
*Be prepared to live by your rules. There are ramifications to the rules that you make.
*You don’t have to address all the changes the butterfly effect has on your story, but you have to KNOW them.
*Rules can be problematic, but they can also be tools.
*Bring the reader in slowly.
*Stories are about people, no matter what world you are building–resist putting the world in front of the characters.
*Learn to write characters in the real world first–then move to world building.
*Master world building with shorter works.
*Too much info on the world can be confusing to the reader.
*When you are world building on existing mythology, you have to bring something new to the table, a twist.
*IF YOU CAN’T KEEP TRACK OF YOUR WORLD IN YOUR OWN HEAD, IT’S TOO COMPLICATED FOR YOUR READER!
*Start with the concept of the world. Find characters that fit into the world. Then work to balance the two.
*The world grows as you go along, that’s why revision is so important. By the end you know the world and the characters, then you have to go back and be sure that everything is consistent.
*Follow the exciting, shiny idea within your manuscript–even if you didn’t plan for it–otherwise the writing will be boring.
After lunch, Linda Sue Park did a fascinating afternoon Break-Out session on CHILDREN’S BOOK AWARDS: HOW JUDGING HAPPENS.
I took a picture–I swear I took a picture. But the phone goblins ate it. I’m still missing my good camera. I can’t believe I didn’t bring it. Maybe I need one of those lens attachments for my phone. Any recommendations?
Anyway–this break-out was Linda giving us back ground and information on the judging of kid lit awards and her personal experience doing the judging. There was so much interesting information woven into Linda’s narrative, but I’ll try to pull out some nuggets that will enlighten you.
*When judging the National Book Award in 2006
*Getting from 50 books down to the ones we wanted to discuss as a group was very difficult.
*Used a weighted math system to get down to the groups top 20 books.
*No one goes over these books the way the committee does–it is legit.
*The were the first committee to have a graphic novel as a finalist.
*The process was super time consuming. Linda couldn’t write for a year and sometimes resented not having a choice in what she could read.
*On judging–if you do this–you will never feel bad about not winning an award again. There are so many good books, deserving books out there.
*If you see Linda Sue Park–ask her how the truffles were? I promise, it’s a great story.
Next up was the always informative Deborah Halverson with the UP-TO-THE-MINUTE MARKET REPORT
Here is some of the newest market info complied by Deborah…
*Overall children’s publishing revenue dipped very little–not a lot of movement.
*YA fiction sales dipped by 3%–the Divergent factor. (dips following movie years)
*Non-fiction kids up by 17% due to adult coloring books
*Audiobooks up 24% making up 10-14% of children’s books
*Expansion as a theme. 60 new Indies this year. 660 since 2009. Stable but flat.
*New codes for YA on the bookshelves allowing for more customization and discovery.
*31 new imprints in the last four years.
Market Trend–How Your Current Projects Fit Into the Marketplace
-quality and creativity are being rewarded. Think: LAST STOP ON MARKET PLACE
-creativity in language and text
-dominated by younger PB’s
-some have longer texts where hope is strong and feels justified
-plenty of room for the illustrator to have story telling room
-Write a single title–>series possibility comes later
-diverse characters/actively looking for diversity
-historical fiction/biographies…ordinary people who change the world
-looking for marketing potential, story telling and personal connections
MIDDLE GRADE FICTION
-a great place to be
-agents say editors are asking
-open field–literary and commercial balance
-wants beautiful language, superb execution
-slow build that garners awards and longevity. Think OUT OF MY MIND by Sharon Draper
-room for serious subject matter
-historical fiction–there are lesser known people to explore or new twist on well knowns
-multi-author series are still strong
-stand alones embraced too
-risks that don’t feel gimmicky
-non-fiction–fresh engagement-something unexpected
-MG is not wrapped up in a single trend at the moment
-looking for humor, adventure, realistic fiction
-serves a diverse audience but doesn’t make diversity an issue
-story trumps trends
-sweet spot falls between literary and commercial
-voice that masters the MG sensibility and funny bone
-in historical fiction a contemporary voice gives access–think Hamilton on Broadway
-realistic fiction and fantasy
-still happening but market saturation
-there are the big stars and the rest of us are duking it out for a space
-everyone is super careful/cautious about what they take on
-you need something different and stand out in a crowded market
-be careful about realistic contemporary–its been done
-blending genres–create fresh magic systems–think GRACELING
-layered female friendships*
-exploring grey areas*
-on twitter… #MSWL (Manuscript Wish List)
The internal mood of publishing…
*We are in a good place.
*Not being lambasted by trends.
*Room for thinking creatively.
*Not relying on only one thing.
*Publishing has settled into the mind set that we CAN change and adapt.
*An active author contract initiative underway
*Discovered we were doing it right all along.
Next up was a Keynote by one of SCBWI’s best, Ellen Hopkins: KEEP YOUR EYES ON THE REAL PRIZE
Ellen had the whole place in tears as she told the story of how life and writing intersect…
*Garbage writing is why they invented revision.
*In this day and age, books are candles in the darkness. And for some children, they are a lifeline.
*Keep your eyes on the real prize: making a positive difference in young lives.
And the final and closing keynote came from the one and only RICHARD PECK <3
*We gather today because misery loves company. *giggle*
*The barbarians are at our gates now–with phones in their hands–playing Pokemon. And they might die never knowing WE are the people who augment reality.
*There are 250 million texts and not a semi-colon among them.
*Where do you get your ideas? Isn’t it odd to suggest we can’t THINK of them?
*Schools don’t build foundations–they build upon them.
*Readers are not looking for authors in their books–they are looking for themselves.
*Throw out and rethink the first chapter after you have the table of contents for your real story.
*It’s never to late to be who you might have been” -George Elliot
And now that Richard Peck has reminded you who you are meant to be, it’s time for the autograph party.
Richard signing a book for the Desmond Fish Library who gave me the Alice Curtis Desmond Award
If you can see the iPad on the table, with Richard Peck—it was a part of me having a beautiful, full circle moment. This spring I had the privilege of being awarded the Alice Curtis Desmond Award and had to give my very first speech. And this speech was in front of another award winner–Salman Rushdie. Yup, it was a sweaty palm, heart racer. But I lived to tell the tale and what I was showing Richard was how I quoted HIM in my speech. And how I also heard Richard speak at my very first NY conference and clearly he had an impact on me then and over the years. And how he used the quote from my speech in his keynote and I couldn’t stop smiling at having the chance to share it all with him. Here’s that speech…
Being here tonight is both thrilling and a little terrifying.
I’m in awe of the esteemed company I get to keep this evening.
Compared to my fellow award winners, I’m at the beginning of my career. This is my first professional nod of recognition.
Receiving the Alice Curtis Desmond award reminds me that sometimes, our FIRST experiences do the most to shape our middles and our endings.
The acclaimed children’s author, Richard Peck once said… “–nobody BUT a reader, ever became a writer.”
When I hear that, what immediately comes to mind–are families, schools and libraries. They are the gate keepers that shape so many first experiences.
I still have my FIRST library card. I was the girl who had more books than Barbies.
In fact, I never went into the stacks without a large, paper grocery bag. I needed something big enough to hold my treasures. Those books held the world.
In the 6th grade, my English teacher read to my class… “In Flanders fields the poppies blow. Between the crosses, row on row.”
It was the FIRST time I understood how powerful writing could be. The meanest teacher I knew, was moved to tears—by words.
In the 10th grade, my class read THE GIVER by Lois Lowry. It was the FIRST time I realized I wasn’t alone. There were other people in the world who asked the same strange questions I did.
The summer before my senior year in high school, I took stock of who I was and what I wanted to be. I compared myself to some of my heroes: Annie Sullivan, Helen Keller, Anne Frank and Mahatma Gandhi.
It was the FIRST time I declared myself woefully inadequate to be anyone’s hero. I lost something that day.
On January 1, 2005, eighteen years later, I lost my father, but I finally found my voice. It was the FIRST day I decided to bravely live up to my own potential.
After my FIRST novel was published, my Mom, an extremely avid reader, told me I was the FIRST author she’d ever met in person. It wasn’t the first time I made my Mom proud, but it was one of my favorites.
My husband has always been my FIRST and most enthusiastic supporter. And because of it, there is an exceptionally large group of twenty-something single males, who work in IT Audit, who’ve read my young adult novel. #uniquemarketing
And I shouldn’t admit it, but when my boys were 2, 4 and 6 they ran out of clean socks and underwear because I was writing. It wasn’t the first time it happened, but it was the FIRST time they called me out on it. We bought more.
Then the day came when I received my FIRST letter from a fan. I’d become someone’s hero after all.
And now, because the clock and good story telling demands it, I need to make my ending reflect my beginning–by returning to the library, where I started.
I want to thank everyone at the Desmond Fish Library, not just for honoring me with my FIRST award and hosting such an incredible evening, but also for all you do–you bring books and readers together. You share my FIRST love and I could not be prouder to be a part of this community. Thank you so much.
I adore this guy! <3
Pam Munoz Ryan and Esperanza Rising
Sophie Blackall had the longest line in the room.
Getting my CHALLENGER DEEP signed by Neal Schusterman
I had an amazing conversation with him. So fan-girling!
Totally goof-balling around with Drew Daywalt of Crayon fame!
Don’t ask–I don’t know ROTFL!
Jon Klassen–what would he have done if I’d grabbed his hat and run? And how often does that happen???
And then we were hungry! Because fan-girling is kind of hard work.
And ice cream after dinner will certainly do the trick!
And it might even work tonight as a reward for getting this last #LA16SCBWI blog post done.
Hope this helpful. If you have any questions about the conference or SCBWI conferences in general, feel free to ask. And remember–if you’re heading to your first conference and you don’t know anyone, let me know and I’ll be sure to help out and introduce you to some new friends.
First of all–I’m gonna brag. Because this post is being written at 11:58 on Sunday morning 2/7 and you’re reading it on Thursday 2/11. Yes, I am ahead of the game! This is a huge accomplishment for me. This year I am systematically attacking my NY SCBWI conference prep with the hopes that this might be the year I get a good night’s sleep the night before. Or maybe I’m simply desperate to get out of the house after the scurvy wee germies invaded our home over the last few weeks. Either way, I vow to be squared away this year, particularly because I’ll be on a very early train for the Friday Author’s Pro Intensive.
I know that quite a few of you will be at the conference and I can’t wait to see you there. Feel free to come be a Lobby Rat. We are always hanging out in the lobby, talking and catching up, if you’re looking for something to do.
Here’s some of the Lobby Rat Faces you can look for.
And for all of you who can’t make it to NY, I’ll be live tweeting about the conference over the weekend along with the SCBWI Conference bloggers…
and a whole bunch of other fabulous folks who are inspired by what they are experiencing. It’s the next best thing to being there–everyone shares so much amazing information.
You can follow along with the conference on twitter by using the hash tag #NY16SCBWI.
And of course I’ll be doing my regular recap blogs after the conference, so be sure to watch for those next week.
If I stay this organized and efficient, I’ll be ready to go before you know it!
Now the only question remaining…how do you think the head is going to be decorated this year?
Leave your guess in the comments!
I had the perfect flight lined up for #LA15SCBWI. (The 44th Annual SCBWI Summer Conference) I was leaving NY at 1pm which gave me enough time to get the dog and the boys where they needed to be and plenty of time to get settled in LA before the conference kicked off on Friday morning. That was the plan, anyway. After getting through security I realized I had an hour delay on my Virgin America flight, so I grabbed a sit down lunch. Then that one hour delay turned into a two hour delay.
So I read my magazines–standing up so I’d be ready for that 5+ hour flight.
And I also checked on the puppy. Riley is the 10 month old GSD in the middle. I am the spy LOL!
And of course I checked the #LA15SCBWI twitter feed, where I discovered that @alioop7 (Sky Pony Editor Alison Weiss) was on the same flight. Let’s just say we bonded by the time we arrived in LA–MUCH later than we’d planned. After the 2 hour mechanical delay, this is how it went down…
Everyone is loaded, but it’s starting to drizzle.
Hmmm doesn’t look like we’re getting off the runway. A big storm is rolling in.
The airport closes completely and we are stuck on the runway for over 3 hours. But…is that a light at the end of the proverbial tunnel? Yeah–not so much. It’s back to the gate to fuel up and hear more potential bad news. Now I’ve got my fingers crossed we get off the ground some time tonight. And I’m grateful that I didn’t have my kids stuck on the plane for five hours prior to the five hour flight. All those kiddos were fabulous BTW! And eventually, as the sun was setting, we were finally heading out.
We arrived at the hotel at 11:37pm which was 2:37am EST. *yawn*
I’d like to tell you I went right to bed, but I was in a room with my favorite writing roommate–Jodi Moore and her baby dragon!!!!
I think we both fell asleep mid-sentence. Basically nothing unusual.
After coffee and breakfast and more coffee, the first order of business was finding my RA the fabulous Nancy Castaldo.
I was proud to be her one and only Eastern Upstate NY attendee. We need to at least quadruple that number next year–start your conference fund NOW!
And then we are in conference mode. Poor Lin Oliver, she was suffering with a horrible tooth ache, but you’d never know it. Such a trooper!
Every year the faculty lines up to introduce themselves and they are each responsible for shouting out one word that is representative of them at the LA conference. Here were some of my favorite words…
preparation (the H is silent)
These words and my experiences over the conference always help me to come up with my own word or words as a takeaway. So watch for that in my last recap post.
And you can’t forget Lin’s Conference Stats. No Conference is complete without them…
*19 Countries in attendance
-This year we were missing West Virginia and New Hampshire.
There were also 225 different occupations listed on applications…
*car pool coordinator
*VP of transformation
*incentives manager for Victoria’s Secret
and my personal favorite…
*International small arms dealer–mostly doll arms LOL!
You’ve got to love us wacky children’s writers.
The first Keynote of the conference was with the legendary Mem Fox: INSIDE THE WRITER’S HEAD–THE WRITERLY THOUGHTS THAT LEAD TO SUCCESS.
If her rich voice and hilarious expressions weren’t enough, Mem also shared tons of wonderful and inspirational information with us. Here were my favorite bits of advice and encouragement…
*Adults love soggy sentimentality that makes kids want to throw up.
*Timeless books arise from genuine events that touch the author, not necessarily sadness.
*When writing picture books she keeps four children in mind…
-One on her lap
-One on the couch
-One in bed
-And the rest in the classroom.
*Mem WANTS to write books that kids don’t completely understand. She’s not here to keep kids trapped in familiar language.
*I can kindle a love of language or I can kill it.
*Rhythm is in the marrow of your bones if you’re a picture book writer. Often books are written as if word choice doesn’t matter–rhythm matters.
*Without the right words, the death of a book is imminent, which gives new meaning to the end.
Next up was the Editor’s Panel.
AW—Alison Weiss (Sky Pony Press)
SS—Sara Sargent (HarperCollins)
RM—Rotem Moscovich (Disney-Hyperion)
AJ—Allyn Johnston (Beach Lane/Simon & Schuster)
JSG—Julie Strauss-Gabel (Dutton/Penguin-Random House)
JB—Jordan Brown (Balzer+Bray/Walden Pond Press/HarperCollins)
Moderator: WL—Wendy Loggia (Delacort/Penguin Random House)
I’ve heard MANY editor panels over my years of attending conferences, this one was very, very good. Lots of laughs, information, support and tough love. Here are the highlights…
SS–Fantasy–think escapism, swoony, transportive.
RM–Send me your awesome things.
AJ–Fresh take on universal themes. I want goosebumps. I want to read it again. Lots of room for illustrations.
JB–Character. We are doing our best work when we are expanding the reader’s capacity for empathy.
AW–Something that shakes up my own perspective.
JSG–Sense of humor.
Other bits of wisdom I jotted down…
JSG–I admire risk–even if it falls apart. I’m willing to work with that. It speaks to ambition.
JB–On the flip side, envy can be a powerful and useful emotion.
Time for our first Workshop of the conference. SMALL PRESSES: THOUGH THEY BE SMALL THEY BE FIERCE with Alison Weiss (Sky Pony Press), Rana DiOrio (Little Pickle Press) and Emma Dryden.
This was awesome new information for me. I haven’t had a ton of small press exposure. Here are some of the things I learned…
*Small presses are very collaborative and involved with their authors.
*Accessibility–you know who is touching your book.
*Small presses think outside the box with how they market.
*They are often very involved with unique collaborations that are very helpful for their books.
And now that I’m full, it’s back to work LOL!
Time for Meg Wolitzer and SWITCHING HATS: WRITING FOR ADULTS AND YOUNG ADULTS
And here is some of her random awesome…
*The hilarious writers say they get their ideas from Cleveland.
*A novel is a sort of concentrated version of who a person is. A bullion cube of sensibility.
*We want novels to feel like an approximation of life.
*If you know what preoccupies you, then you know what to write. Write what obsesses you.
*Self censorship is to be avoided–write as if everyone you know is dead.
*Write the book that reflects who you are when no one else is looking.
*The world will whittle your daughter down, but a mother never should.
Next up was Adam Rex–HOW I MAKE PICTURE BOOKS
LOVE THIS…There should be picture books for every age. It’s not a form that people should grow out of.
Next was another workshop with Wendy Loggia–FINDING YOUR YA VOICE
*I think it’s possible to hone a voice that’s authentic to you and captures your reader.
*Voice is the first thing I look for and it’s non-negotiable.
*I know I’m reading something good when I’m swept away and not thinking about the author.
Oh boy–sorry to interrupt this workshop with a critique. This was my first LA crit–I was looking for a little guidance on an unusual project I’ve been messing around with. Just so you know, Bonnie Bader was super awesome and helped me so much.
***NOW BACK TO WENDY***
*Establishing multiple voices is HARD!
*What sets Delacorte apart? We do our own editing.
The last Panel of the day was the SUCCESS STORY PANEL: TIPS ON HOW TO REALIZE YOUR DREAM
This was a GREAT panel!!!!
Moderator LW—Lee Wind
Across the board, every single person on this panel was persistent, putting in years of effort and hard work to cross into success. My biggest take away was there are no short cuts. Here are some of their best bits of advice…
SL–On attending an SCBWI conference…I felt as if I owed it to my story to go.
MB–Family comes first, but you shouldn’t be making sandwiches when you can be making stories.
MB–There is always a moving target in publishing–what satisfies us are the meaningful relationships.
MB–Resistance makes you stronger.
LW–The pressure is making us diamonds! #sparkleandshine
MC–It should ultimately be a joyful process.
MB–Just finish the draft–it’s got to be finished.
After a full day of conference fun, there was the PAL bookstore where I adopted a whole bunch of baby dragons!!!
And–because I love you–I bought an extra signed copy of WHEN A DRAGON MOVES IN AGAIN by Jodi Moore for a special giveaway.
Coming… September 1, 2015 from Flashlight Press
A dragon friend understands the ups and downs of becoming a big brother
Preparations are in full swing to welcome a new family member in this sequel to the award-winning When a Dragon Moves In. A young boy has become a big brother and he and his beloved dragon dedicate themselves to entertaining the little baby. But when the drooling, crying baby somehow charms the dragon and his attention, the boy decides he’s had enough of this baby business. Adult readers will see the dragon as the boy’s alter ego—eager to cuddle with the new baby before the boy himself feels quite ready, then as a conduit to the boy’s acceptance of the baby, and finally as kindred spirit with whom the boy can commiserate. Younger readers will love the boy’s wonderful, though perhaps invisible, dragon friend who helps him be a good big brother.
a Rafflecopter giveaway
Please spread the word about the contest if–I’d love to see this dragon find a wonderful new home. And watch for the rest of my conference recap blogs coming next week.
And I’m back!!!! And the answer to yesterday’s 2014 LA SCBWI 43rd Annual Summer Conference cliff hanger is that jet lag won again!!!! I WAS BACK UP AT 5 FREAKING 30 IN THE MORNING!!!!! *head thunk* On a positive note, I spent my extra two hours brainstorming my WIP’s while lying in my cozy bed. But that meant I didn’t get out of my room any earlier and this time the Starbucks line was too long to wait on. With a low caffeine and food gauge, I headed to the breakfast kiosk in the lobby where they were out of breakfast sandwiches for the next 5-10 minutes. (Not my lucky morning) With my face half melting off, I glanced back over at the ever lengthening Starbucks line and decided to wait. #teamkiosk I figured I’d purchase my fruit, coffee and my slower than slow sandwich NOW–and then while I drank my coffee and munched on my nectarine, I’d wait patiently for my breakfast sandwich to arrive. Grab and go. No. I was told there would be no coffee until my sandwich arrived. That’s how they did things. What? Obviously that had never met the likes of me before. *snort* I smiled and explained how my method would be so much more efficient and friendly and yummy and caffeinated. And they marveled at my brilliance and my witty banter and I drank my coffee and waited for my yummy sandwich while making friends with all the other people lusting for breakfast sandwiches. We really bonded. It was fabulous. <3
And despite the wait, I was blessedly on time for the first Keynote of the day.
Justin Chanda (Simon & Schuster) THE STATE OF THE STATE OF THE INDUSTRY
He is an incredible speaker–funny, practical, informative, optimistic, realistic and just plain enjoyable to listen to. Here’s what you need to know…
*We are all in this together.
*Printed things on paper have not been eradicated…and drones are not delivering our books…yet. LOL!
*It’s a cyclical business.
*There is something BIG and NEW in YA–CRF (Contemporary Realistic Fiction) HaHa! It was just “discovered” in the last five years. #trends
*trends are unpredictable–undeniable– and you can not write to them.
*YOUR INDIVIDUAL VOICE IS THE BIGGEST CAPITAL YOU HAVE IN THIS BUSINESS.
*JC predicts YA is going to scale back, but ultimately this is a good thing because the market is saturated and the glut is preventing books from being marketed correctly.
*There is lots of room for books that speak to the true experience of middle graders.
*Great rise in gender neutral books.
*The market for PB’s seems to be strong.
-not enough shelf space for a HUGE resurgence
-PB’s are 1% of book sales
-focus is on 5-6 year olds
-humor is doing well
-strong identifiable characters resonate
*APPS are not books.
*On Common Core: When the next wave of educational stuff comes along we’ll still be buying good books because good books hit the mark without trying.
*No one goes into publishing to get rich–we are here for bigger things.
*We are experts at bringing books and stories to kids. The book comes first.
*We are writers–we need to write–social media and marketing is important but it doesn’t trump story telling.
*There are always readers outside of trends.
See…I told you he was fabulous.
Next up was the Agent’s Panel: WHAT HOOKS ME
SD-Sarah Davies (Greenhouse)
SM-Steve Malk (Writer’s House)
EM-Erin Murphy (Erin Murphy Lit)
AP-Alexandra Penfold (upstart)
RP-Ruben Pfeffer (Ruben Pfeeffer Content)
LP-Linda Pratt (Warnick & Pratt)
LR-Laura Rennert (Andrea Brown)
MODERATOR: LO-Lin Oliver
LO–What hooks you?
AP-I want books that make me feel. Books that are as smart as the kids who read them.
EM-AUTHENTICITY. I don’t want to feel the hand of the author pushing.
SM-Reinventing and layering a fresh point of view over a classic.
SD-AMBITION. Not for money. But someone who works hard and has big ideas. They want to be the master of their craft.
RP-POTENTIAL. I want to make contact with a character that can bring me into their world . Details can be fixed later.
LR-Characrter drive, page turning, emotionally powerful. The exploration of universals in unique ways.
PL-INTRIGUE. Make me feel like THIS character should exist.
-Also wants a professional cover letter.
LO-Tell us about cover letters?
LP-A line or two that verifies you’ve done your homework. Followed by a brief summary of what your work is about. Add credentials at the end but leave out the “my kids love it.”
-Avoid comparisons to books that are too big. Comp titles are good to have but use them wisely.
SM-They bring the professionalism. Take it seriously and don’t sell yourself short. Proves your investment
EM-It helps the agent get the bigger picture of you and your potential career.
LR-Reading for a sense of the person behind the story. But remember the process of querying is like dating so don’t over share your scary stuff on the first date. :o)
AP-Don’t over promise and under deliver. Did you say what you meant to say.
SD-Calm down–it’s okay–it points the way to the writing. And writing a pitch is an art–so practice.
LO-How do you see your role when you take on a new client?
RP-I wear many hats–particularly what the client will benefit from the most.
EM-I’ll ask you to revise because it’s a skill and if you don’t have the skill, I can’t talk you up to editors.
SD-Revision–if the bar can be raised–it’s better for the sale.
-I want to guarantee at the point of submission that we took that MS out as strong as we could make it.
RP-The potential of the brand
AP-Helping to hone their attention towards the second book.
SM-(Cutting in) Brand is a tricky word. Your brand is simply who YOU are.
LO-What makes you cringe?
EM-Submisions from prison. *cue whole ballroom cracking up*
LR-Something that feels formulaic.
LP-Dropped in the middle of ungrounded action. Wants to be vested in the character.
RP-Too much or not enough opening information.
AP-Lot’s of bad rhyme in PB’s–changing the trajectory of the story to meet the rhyme.
EM-Envisioning yourself as a celebrity instead of focusing on the writing.
SM-Making big mistakes that indicate you’re not that serious about what you are doing.
SD-Prologues with car accidents
-Same beginnings all the time.
-Prologue that’s different than the first chapter.
-Wakes up, gets our of bed and looks in the mirror.
*The beginning doesn’t have to be the beginning–fresh language that gets you into the story at a different place.
Even though the morning proved to be off to an amazing start–you can’t stop believing that there’s more. The next Keynote was from Aaron Becker–SOME ADJUSTMENTS WERE MADE ALONG THE WAY: ONE ARTIST’S JOURNEY.
Aaron started us off by getting the whole room to help him sing Journey’s Don’t Stop Believing. You appreciate that transition now, don’t you? LOL!
Anyway–if I’ve got you mystified and you don’t know what the heck I’m talking about–you might not realize that the Aaron is the gifted author/illustrator of the 2014 Caldecott Honor book JOURNEY.
Love, love love this wordless picture book. You can’t even begin to imagine how much story is hidden between it’s gorgeous, sweet, humorous, creative, magical illustrations. But it all made sense when Aaron talked about how stories are how we understands our lives. That is something that resonates with me down to my core. I also wanted to add that I have two young artist/illustrators at home and I took this shot of one of Aaron’s early masterpieces to show them how we grow as we practice our craft.
It left them with their jaws hanging open and it reminded me that we continually have to work at our practice to reach the vision we have of ourselves in our mind. Time to get out my “red crayon” and make some magic happen on my pages. <3
Mary Lee and Megan
I know my recaps can be a bit lengthy at times, but don’t get moody–get Judy Moody!!!! Next up was my first Workshop of the day with Megan McDonald and Mary Lee Donovan JUDY: FOREVER 8–CREATING AND SUSTAINING A SERIES.
Both Megan (the author of Judy Moody) and Mary Lee (Judy Moody editor-Candlewick) were amazing, funny and informative. The thrust of the presentation was about the unique choices that were made all along the course of Judy Moody’s development. The creativity in writing and marketing led to the launch of a beloved early chapter book series that has become a huge hit. Here are some of the takeaways…
*Megan made “me collage’s” to help her brainstorm and get to know her characters and her world.
*They avoided formulaic packaging. It’s uniqueness helped it to stand out.
*Judy Moody is a 3rd grader but her first book was 150 pages long. This was a little unique for 7-10 year olds. But they liked having a thick book to carry around.
*The book had short, episodic chapters targeting 7-10 year olds.
*The print was large with a lot of white space and frequent illustrations.
*At the time, bright colors were competing on the shelf so the craft paper design and unique shape caught people’s attention.
*Judy Moody was positioned as a new cast of characters that everyone needed to meet.
*Marketing was directed to a kid audience and a teacher audience. Word of mouth then helped Judy Moody reinvent the 3rd grade novel. <3
Next up I grabbed lunch on the go and headed over to my regional get together. I didn’t have time to take pics but there were french fries in my Big Fat Gyro and there was some debate about the authenticity of that. My RA was served in the same way in Greece. So anyone have any thoughts on this? It was a first for me. Very yummy, too.
Next up was a Keynote by Maggie Stiefvater A THEIF AND AN ARTIST STEALING STORIES FROM LIFE.
Maggie is an amazing storyteller–as you might imagine from that series of pics. She’s just too animated to pin down LOL! But after listening to Maggie, I also began to think of her as a modern day renaissance woman. Very intelligent and loaded with all kinds of artistic ability in so many areas–writing, sketching and music. I was relieved that she wasn’t very good in the kitchen because I was starting to get a little intimidated and jealous. But considering how much amazing advice she shared and how it impacted my own thoughts on writing, I’m a fan-girl for sure. Some of Maggie’s best take aways…
*I am rarely creating things form scratch. I steal the soul of someone else and then as an artist I stitch it back together.
*The only way to get better at something is to practice.
*Shallow Thievery vs. Deep Artistry
-Learn to solve for X–things are not what is on the surface.
-It’s not about the punch, it’s about why he threw it and more importantly why he’d never thrown it before.
*It’s not write what you know (we don’t personally know that much to be interesting) It’s about WRITE WHAT YOU KNOW THE ESSENCE OF.
And I get to hear the hilarious Megan McDonald talk again at her Keynote WRITER, WRESTLER, STUTTERER, SPY: FINDING YOUR VOICE AS A WRITER.
The really cool thing about Megan’s keynote was that it was completely different than the info I’d heard in the morning. *fist pump* Most of her stuff was side split tingly hilarious stories that I couldn’t even begin to recount here, but I did pull this out and write it in my notes…
*If you want to write–find your splinter–the thing that is embedded, still sharp and hurting you. Write about that.
Day two of the conference seemed to be about repeat speakers, which was completely okay with me because I really enjoyed them just as much the second time around. My afternoon Workshop was with Justin Chanda–YOU HAVE YOUR 1ST (2ND, 3RD) CONTRACT(S) HERE’S HOW YOU CAN HELP AND HURT YOURSELF.
A seriously helpful workshop and one of the best PRO sessions I’ve taken. Right up there with those done by Ruta Sepetys. My only complaint was that it was too short. Would love to see the same workshop offered as an AM/PM two part workshop. Justin talked about some of the best and worst practices that could help or hurt an author after they’ve gotten a contract.
*The starting point for everything is your editor.
*Most important people on staff are the assistants–treat them that way.
*Do not say one thing to your editor and another to your agent and leave your agent to solve it. (ex. Editor: Can you have it to me in 4 weeks. Author: Sure, No problem. Author talking to Agent: There is no way I can do that in four weeks—please fix it. *weeps*)
-Run around becomes tedious for everyone
-We are all in this together.
-Always better to be honest.
*You have to stand up for yourself–it is your book.
*A good editor will never rewrite your book, they will help you make your vision clearer. “I will never win that argument if it’s not meant to be won.”
*Everyone is always working towards the same goal.
*Try not to send multiple emails in one week with different subjects.
*Don’t be afraid to ask questions, we love to talk about what we do.
*Remember to work on your book–consumers want books not marketing. You’re first job is to WRITE!!!!
*100’s of people touch your book along the process of publication.
*Everyone wants your book to work–no one is sitting in the back room trying to figure out how to screw you over.
*80% of tanked covers have been at the author’s insistence. Speak your mind but trust your team.
*80% of the books Justin publishes lose money. The top 20% is carrying the 80%
*Good marketing departments need to be nimble.
*There is a finite amount of marketing resources. And it’s usually unpredictable.
*Do not compare your publication plans with anyone else’s.
*Don’t spend your own money in a vacuum. Coordinate with your team to get the best for your money.
*Publication grows with you throughout your career.
*Highly recommends school visits as the best way to self promote. WORD OF MOUTH!
*Social media is the greatest and worst thing to happen to publishing.
-DO NOT VENT ONLINE
-DO NOT PLEAD YOUR GRIEVANCES IN THE COURT OF SOCIAL MEDIA.
*And like Debbi Oh always says…Another writer’s success doesn’t diminish your chance of success–cheer on other writers. <3
Phew!!!! I’m getting really tired. This may be one of the longest conference recaps I’ve ever had. It’s all because there was so much great information and inspiration. Like this next panel…
A Marketing and Sales Panel–PUTTING YOUR BOOK IN THE HANDS OF READERS: HOW SALES, MARKETING AND PUBLICITY BRING YOUR BOOK TO MARKET with Felicia Frazier, Shanta Newlin and Emily Romero
These ladies were fire crackers. This was hands down the best sales/marketing/publicity class I’ve been exposed to at a conference. Entertaining and informative–I wanted to hang out with this smart and charismatic ladies. Here’s my best takeaway from each of them…
*We are so lucky–we have a replenishing source of kids EVERY YEAR! ROTFL!!!
*Our business is a recommendation based business.
*You have to see, hear or read about a book at least 5 times before you make a purchase.
As pumped as I was, my perky personality was getting hungry and starting to wilt. The final Keynote of the evening was Cynthia Kadohata MY LIFE: REAL AND IMAGINED.And yes, I forgot to take another picture. But here is my favorite takeaway…
*No matter what writing problem you have the answer is always somewhere in your life.
There–I did it. I made it through day 2. *nods off* BUT WAIT—It’s time for the 2014 Poolside Gala!!!!!!! It was Tomie Depaola’s 80th Birthday Bash: A Night in Old Italy. Since Tomie couldn’t be there, we did serenade him with a flash mob to That’s Amore. <3 A copy of that is floating around Youtube somewhere. Here’s a snap shot of the rest of the evening…
The party was getting started. The view from my room.
I was having trouble coming up with a costume and a friend suggested being an “old” tourist in Italy.
I immediately started channeling my Dad LOL!
Nancy my RA stomping some grapes with me.
Hanging out with my Shop Talk buddy Imogene–New York to LA!!!
My Dad would have absolutely hung out with the Pope ROTFL!
Lots of laughs all night.
Jodi and Howard–dancing buddies <3
And then I fell asleep. Lies. Then I hung out in the lobby and talked with friends. And then I fell asleep. More Lies. Then I got in my PJ’s and talked with Jodi some more. ROTFL! But then I finally did fall asleep–and it was great until I …
Well, that’s a story for my finally recap post next Tuesday. We don’t want to overwhelm you–I don’t think this lengthy post can take one more word. Hope it was helpful and didn’t make your eyes bleed. In fact–as encouragement to write the last post recap, why don’t you let me know in the comments which bit of posted wisdom or inspiration resonates with you the most. And don’t forget my fries and gyro conundrum. See you next week.
It’s Conference Recap time!!!! And yes, if you’re paying attention–this post was supposed to be up this morning. But I flew in last night and had as much fun reconnecting with my family as I did when I was reconnecting with my tribe. So now it was time for them to get my attention. I’m also not super timely with today’s post because I was so tired it felt as if I no longer had bones. It’s hard to type without bones. It’s much better to sit on the couch and become one with the cushions. And lastly I’m pokey because laundry doesn’t do itself *sigh* and neither do the dishes and all those other chores. Completely bummed that there wasn’t a shift in the domestic universe while I was gone. But I’m on it now, so here we go.
Jodi, Robin, Kim and Caroline
Thursday night, before the official 2014 LA SCBWI 43rd Annual Summer Conference kick off, is time for meeting up with old friends and giving first time hugs to friends you know incredibly well online, but have never laid eyes on before. Such a treat to make those connections. Such an easy way to really kick your jet lag into high gear LOL!
OMG!!!!! Even though I was THAT tired and didn’t have to be up until about 7–I WAS UP AT 5:30 AM!!!!!!!! JET LAG!!!! But that’s okay–it’s early in the conference. It won’t happen again. It never happened to me before in LA. IT WON”T HAPPEN AGAIN. And I’m so pumped to get started and there’s coffee–lots of coffee!!!! I am the master of my destiny. And I have my “jet lag” T-shirt on. LOL!
So I’m ready and I know I’m going to be wide awake for Lin Oliver‘s State of the SCBWI Conference Statistics.
*19 Countries + the USA
*We had four missing states this year and when Lin chastised South Dakota for never coming–BUSTED! One of them had tricked us and snuck in. YAY!!!! South Dakota in the house!!!!!! But not Arkansas, Montana and Mississippi. Boo. Get on that people.
*Half the room was published authors or as Lin said–630 authors understood that publishing is not the end game–there is so much more to learn on this journey <3
We also took a moment to remember the amazing Walter Dean Myers and sniffle because our beloved Tomie DePaola wasn’t going to make the conference or his birthday bash gala due to illness. 🙁 But the good news was that he was going to be ok. (More on Tomie in future recaps)
And then we’re off with…
*slurps more coffee*
Meg Rosoff‘s Keynote: WARNING: PETER RABBIT MAY BE HARMFUL TO YOUR HEALTH
As you know, my recap posts can’t possibly capture the complete amazingness of the conference and it’s speakers–and it shouldn’t–I’m trying to tempt you into coming next year and hanging out with me. But even if I could get it all down in it’s full bloggy splendor, it’s a no-no to post too much conference material that doesn’t belong to me. Completely understandable. But, get your pens out, because I am gong to give you some of my favorite bits of wisdom and inspiration, starting with Meg…
*Reading books gives you imagination and the ability to tell a story and those skills will make everyone better at everything–except Accountants and Politicians–it will put them in jail LOL!
*The most difficult problems in the universe are solved in the telling of stories.
*Adults have already formed their opinions about sexuality. Kids are discovering through books and tolerance is growing.
*Treasure your faults–they are an important kind of truth.
*Writing is bloody difficult.
*Imagination can be very dangerous–it can change the world and that’s why we write.
Next up is the Editor’s Panel: 3+3 THREE THINGS YOUR BOOK SHOULD INCLUDE AND THREE THINGS IT SHOULDN’T
AB-Alessandra Balzer (Balzer + Bray–Harper Collin’s Children)
MLD-Mary Lee Donovan (Candlewick)
AJ-Allyn Johnston (Beach Lane Books–Simon & Schuster)
WL-Wendy Loggia (Delacort press/Random House Children’s Books)
LM-Lucia Monfried (Dial Books for Young Readers)
DS-Dinah Stevenson (Clarion Books-Houghton Mifflin Harcourt)
JSG- Julie Strauss-Gabel (Dutton Children’s Books–Penguin Young Readers)
Moderator: LO-Lin Oliver
LO–What is the most important thing you look for?
MLD-VOICE. You bring it automatically but you have to write it authentically.
AJ-SURPRISE I want the unexpected. Goosebumps. Spend less time working on your cover letter and more time worrying about your MS.
WL-VOICE You can’t hone your voice–it’s who you are. It’s immediate.
LM-ORIGINALITY It’s rare, but it’s what all editors look for.
DS-A BEGINNING an invitation that contains the seeds of the end.
JSG-A GOOD FIT sometimes a manuscript can be good, but there is a better home for it.
LO-So, how do we find that perfect fit?
JSG-You can’t get it anywhere if you write to the general masses. It’s okay to be unique and different–you only need one.
MLD-Research–take the time to find the connection.
LO-(answering part of her own question LOL!) The SCBWI has a web resource document called EDITED BY.
***Everyone chiming in–NO MULTIPLE SUBMISSIONS WITHIN THE SAME PUBLISHING HOUSE***
LO-Going to the dark side…what do you not want to see???
JSG-BORING–my best asset is a short attention span.
DS-Don’t want to see 100,000 words.
LM-Show instead of tell.
WL-Absent page numbers. I WANT PAGE NUMBERS ON YOUR MS!
AJ-Don’t be weird. Like sending your submission in a plastic green fish. *shudders*
MLD-The urge to teach/preach
AB-Too much packed into the beginning to get the editor’s attention. It can have the reverse effect.
LO-How do you know if you’re boring???? We all think we’re pretty great, right??? LOL!
Some additional bits of advice…
AJ–Write something with snappy humor.
WL-Show thoughtfulness behind your choices.
AJ-Confidence! Then I can relax and enjoy the story because I know I’m in good hands.
LM-Write your heart–ignore trends.
JSG-Word of mouth is what makes a book a success.
AB-Hook–it has to meet different people at different levels.
AJ-The final page turn can make or break picture book.
DS-Craft has a lot to do with making choices–we don’t always need to know the color of the dog’s collar.
JSG-Sub Plots: sometimes people throw them in to give their book additional engines to make it to the end. If you take the sub plot out, will the story still stand?
AB-Don’t put the cart before the horse. Work on the first steps. Establish relationships.
LM-There is no speeding up becoming a good writer. The better books are the ones that get published.
JSG-Once you are out of the gate–you can’t get back in. Be ready for it.
Next up was my first Workshop of the conference. Laura Rennert (Andrea Brown Literary Agency) THE BUILDING BLOCKS OF A SUCCESSFUL CAREER: FIRST BOOKS THROUGH IMPORTANT MILESTONES
Laura walked us through a case study of the fabulous Maggie Stiefvater and how they built her career together. Here are a couple powerful bits to share…
*The more distinct and individual the brand, the more powerful it is.
*Think about what is powerful and organic to you, but that can break out in a very full category of your peers.
*Growth is from book to book to book.
And Yum! It’s LUNCH TIME!!!!
Look how quick that was. Now it’s time to go back after being in guacamole heaven. I seriously adore the green stuff and could eat it every day. And since I have a feeling that Skippy Jon Jones would love guacamole– it was obviously the perfect meal to eat before listening to a Keynote by Judy Schachner: THINKING IN PICTURES–MY STORYTELLING PROCESS
Judy’s fabulous and funny presentation was very visual–but come on–she’s an artist and illustrator. It’s supposed to be. But that makes it a bit hard to share some of her amazing information. But I think I’m going to have fun just giving you some of the bullets in my notes (completely out of context) and see how it works for you. *giggle*
Here we go…
*I worship at the alter of prairie dogs.
*Diagnosed ADHD by a boy at a school visit.
*Loves dead mice and collects hairballs.
*29ft Viking ship!
*Be a collector.
*Run for your lives–she’s got the rabies!!!!
Now, wasn’t that fun. Feel free to tell me what you think Judy was referring to in the comments :o)
Up next was another Keynote. This time with Stephen Chbosky (author of The Perks of Being a Wallflower) HOW TO WRITE YOUR TIMELESS CLASSIC (OR DIE TRYING)
I’m an über fan girl of Stephen and his book so these bits of wisdom are real gifts…
*The next person to write a classic could be in this room.
BAM! He’s not even a sentence or two in and he has me. Because I believe that. I believe that not only can that be me–but that if I work hard enough–it will be me. And I like people who remind me that the smartest thing you can do is shoot for the stars and then figure out a way to get there.
*If you write–you are a writer. Take control of your own destiny.
*Find an idea. Share your ideas with the people you trust and see which one everyone gravitates towards. That’s the one. And it’s usually the one you think is too weird or too hard to make happen.
*You are going to find that one beautiful book you are destined to write.
*The best writers know exactly who they are and what they are doing.
And then my favorite takeaway…
*Books change lives–save lives. That’s why we are here. We want to change the world. It only takes one.
And maybe I was so blown away by talking to Stephen while he signed my book that I forgot to get a picture WITH him. But sometimes you don’t need that to remember the moment…
I was already hard at work on the plane ride home. Thank you Stephen Chbosky for being made of awesome. I’ll keep my promise <3
*sigh* Workshop #2 Wasn’t quite a good fit for me. I came in a little late because I was Face Timing with my kids (3 hour time difference) and then the topic wasn’t exactly what I thought it was going to be. So not a lot of notes for you so we’ll move along.
Next up was the Diversity Panel #weneeddiversebooks
Here is who was on it…
LSP-Linda Sue Park
Moderator SMW-Suzanne Morgan Williams
And here were some of the best takeaways
SMW-Why do kids need diverse books–especially if you did “okay” without them?
MM-When kids don’t have access to examples of themselves in books, it’ affects them. They become embarrassed by who they are.
-All of our journeys are universal, but we have to share our own stories.
LG-Positive imagery for everyone.
LSP-For young readers connections can happen at a really deep level.
SMW-Who writes diverse books?
LSP-Anyone can and should be able to write any one and any thing. But not everyone can do it well. If you do it, you need a passionate personal stake in what you’re writing or you may make things worse. Research can go a long way, but it has to be intensive and extensive. Immersion. At heart–writing multiculturally when this doesn’t happen is a lack of respect.
LG-It comes down to why you are doing it. People will call you with a passion if you mess up–even if your motives are honest.
SF-There are lots of submissions out there, but most of them reduce cultural diversity down to food, clothing and stereotypes. They lack depth.
LSP-Perpetuating stereo types are like ear worms that stick and that is a mistake. It makes people feel disrespected and does the opposite of what it’s supposed to do–enforcing negative energy.
And then it was time for my very first PAL Book Sale & Wine and Cheese Party!!!! I got to sell TOUCHING THE SURFACE to my tribe members while eating cheese. Do you know how much I love cheese? And talking books with friends? Good times were had by all. <3 What an awesome Day 1
Now it’s time for the cliff hanger…
*Did Kim have jet lag again tomorrow?
*Was there enough coffee in the world to make it through day two after such a jam-packed, awesome day one?
*Did anyone figure out what Miss Judy Schachner was talking about? *grin*
If you want to know these and other questions, leave a comment and be sure to stop back over on Thursday for my PART 2 of the LA SCBWI Conference Recap!!!!