Posts Tagged ‘Tomie dePaolo’
I’m back for Part 2 of my NY 2017 SCBWI Conference Recap!!!
And like these two guys, I’m a bit confused…
(Scott Hammon and Justin Brancato)
I can’t remember exactly when, during the conference a few of these pictures happened.
So–I’m gonna go with it and just kick off with them.
This is just a shot giving you an idea of how big the conference tribe is.
Some of our SCBWI Faculty getting ready to go on stage and take a bow!
And over in the corner was all our fabulous RA’s who volunteer their time and experience. <3
We love you RA’s!!! How did I not get my conference picture with my RA Nancy Castaldo?
And then it was officially the Sunday Morning Conference Kick-off…
I love the awards!!!
Art Portfolio Honors
Art Portfolio Winner
Then we had the Jane Yolen Mid-List Author Grants for talented Mid-List authors who have stalled in their publishing career. This is to remind them of their talent and how much we all still believe in them.
Only one of our Mid-List Author Grant Winners was in attendance. I think the weather kept many people from making it. But you can see what this kind of recognition from your peers can mean. <3
We were all choked up.
Next up was the Tomie dePaola Award for Illustrators. I’ve been watching talented artists receive this award since I’ve been coming to the NY SCBWI Conference and I was shocked to learn this was going to be the last time it’s given.
Moving forward, it will now become the Narrative Arts Award and it will still have “Assignments” <3
So, for this year’s winners–it must be extra special.
And there was another big announcement. On the horizon, the SCBWI will be doing a new project called BOOKS FOR READERS.
Two times a year, the tribe will come together to bring books to readers in need. The room was energized at the idea and now we are all waiting to hear more about the new project.
And then it was time to get down to the business of the day–The Current Landscape of Children’s Books
KG–Ken Geist (VP, Publisher, Orchard Books, Scholastic Press Picture Books, Cartwheel Books, Readers, Branches and Little Shepherd)
AH–Andrew Harwell (Senior Editor, Harper Collins)
CH–Carrie Howland (Senior agent, Empire Literary)
EK–Eileen Kreit (Vice President and Publisher, Puffin/Penguin Young Readers Group)
EN–Edward Nescarsulmer IV (Agent, Dunow, Carlson & Lerner Literary Agency)
Here’s the highlights…
AH–Yes, literally everything about children’s books is more important than ever.
EK–Pointed out the changes (cuts) occurring related to the NY Times Best Seller List are due to relocated resources needed to meet the current demand for political news. (I guess the politicians are getting us coming and going.)
KG–Authenticity matters. You can’t lift a flap on an ebook. Picture Books are here to stay.
AH–MG and YA readers are already discerning. Many of 2016’s award winners were already becoming best sellers before their win.
EN–Your brand is your name connected with excellence.
KG–Ha! We “actually” have a wrestling mat in Acquisitions. (On fighting for books you love)
EN–Mergers in publishing have happened for a reason–Penguin/Random–they were digging in. They were announcing to everyone–“we are here to stay.”
And, much to my delight, I found a friend of friend in the audience while waiting
for my next breakout session to start. His name is Hamlet <3
Next up was a Sunday Workshop–this was something we hadn’t done before and I really enjoyed having another fabulous break out session added to the conference.
This session was two pronged and packed in a HUGE amount of intense information.
Writing Within and Across Identity Elements with Cynthia Leitich Smith
How to Write About Difficult Subjects with Ellen Hopkins
Can brought her information at a fast and furious pace in order to give us as much knowledge as she could in a short time. Here are some of the things I was able to capture…
*51% of children today are people of color.
*We are all related.
*When writing, non-human characters are sometimes the ultimate diversity.
*Everything you write will be criticized. Be diligent–be brave.
*Books that feature diverse characters are not there just for a specific type of reader. And the diversity is not there just to teach you something.
Then Ellen mesmerized the audience with her personal stories, letters from readers and samples of her own writing…
*These are the kids we don’t wan to believe exist, but it’s true.
*Never self-censor–tell what needs to be told.
*Be TRUE TO CHARACTER!
Sara and I signed in at the front desk right after the UPS delivery LOL!
And for the last Keynote of the conference we were privileged to hear from Sara Pennypacker. And I was even luckier than most, because Sara made a stop at my boy’s school before the conference and I got to see her in action during a school visit and got some quality time to hang out with her and my friend and Pop-up Engineer Courtney McCarthy who was the book fairy for all the magic that happened for Book Fair an Drop Everything and Read Week.
I wrote like a fiend, trying to capture the best of Sara–here it is…
*We are all doing the same thing–in our own way we are trying to make order out of chaos.
*People who are passionate about what they do (in any area of life) never fail to inspire me. Surround yourself with people who walk with light instead of darkness.
*Write a HELL, YES manuscript–one that makes the agent, editor, publisher and reader say HELL, YES–I must have this!
*Creation is a river and rivers become stagnant if blocked. The best thing a river does is flow. We are all part of the river.
*Story illuminates in a way facts never can.
*Children are the best audience–children are free of adult boundary issues.
*Kids build bonds through characters they love. If an author loves a character. And a kid loves a character. Then ergo–the kid loves the author. This is why Ellen Hopkins stays in the parking lot for 2 hours after school visits because those teens know she doesn’t judge her characters–that she loves them–meaning they can trust her because they will be safe with her. They find her in the parking lot. <3
*Writing Tip–leave room for the reader. Don’t do it all yourself, it’s not a monologue.
*Writing Tip–The story is the boss.
*It’s not about me–story serves the reader.
-Say it with Sara…”If I were God’s own spiritual advisor–I would understand it’s not my job to preach.”
-Authors are not parents.
-Our job is to allow children to safely experience things we don’t actually want them to experience.
*Kids need to hear stories.
*Sometimes the problem exposes the wound that is REALLY the problem.
*Story is a template for kids.
*Children need to tell their stories.
-“There is an evil in the world because people aren’t allowed to tell their stories.” Carl Jung
-I write for children because they can’t write their own stories for themselves. Now I write to give the child a template to use to say…THIS is my story.
-All those people who allow children to to tell their stories may never know what a great and impactful thing they have done. (Thank you librarians and teachers and those who encourage voice)
*Join the SCBWI and then go out and persist!
*Go out and subtract a measurable amount of evil in the world. <3
And get your books signed by the authors and illustrators who have spent the conference teaching you and inspiring you…
Illustrator, Brian Floca and MOONSHOT
Love his art work in this book!
Totally, NOT BORED hanging out with my bud Debbie Ohi <3
Me and Sonya Sones
Signing for the readers at GUFS
The fierce and fabulous Ellen Hopkins!!!!
And Tomie DePaolo…an incredible picture book team
And as we were leaving the autograph room one of my friends pointed to the floor and said…
“this is where the magic happens.”
And my response was…
“then let’s be where the magic happens.” <3
Never be afraid to put yourself where the magic happens.
And that doesn’t change when the conference is over and you head back home…
Remember there will be snow on your windshield and a million other things that would like to keep you from your work.
But don’t let it stop you.
Every conference I attend, I realize that a word or a theme usually floats to the top of my conscious and reminds me what I need to know about myself, my writing and my process.
My take away from New York is PURPOSE AND PERSISTENCE!
I have a purpose in this writing world and I must work to fulfill that.
I believe that the myriad of obstacles that have been put in my path are not there to dissuade me from my work, but have rather been designed to ensure I do my BEST work.
I know I might never reach my own excellence if the world accepts my mediocrity.
This means my challenges are my gifts.
I believe I have a purpose and I will persist and my world will be a better place because of it.
In the comments, feel free to share your own writing manifesto.
Remember–your words have power and magic happened when you put them into the world.
And if you are able–come and join me in LA in July. There can never be too many Lobby Rats at a conference. <3
And we are winding down to the last day of the 2014 LA SCBWI Conference. And the jet lag is starting to lose it’s steam, so of course I arrange for an early morning Class of 2k12 mini breakfast reunion with Suzanne Lazear (The Aether Chronicles) and Caroline Starr Rose (May B and Blue Birds). It was worth every yawn to have some quality time with my girls. <3 This is my public service announcement for the day: My class of 2k12 friends were indispensable to me for the last three years. If you are slotted for debut publication, seriously consider becoming part of the Class of’s Contact me if you need help finding contacts in the up and coming groups. I’ll help you figure it out.
The official morning started off with Deborah Halverson and her always helpful Market Report. Besides the who, what, when, where and why of the children’s book market being incredibly dynamic, she provided us with an amazing handout…
Just another fabulous benefit of being an SCBWI member and attending these awesome conferences. *fist pump* Time to join people–this organization is fabulous and means the world to me. Here is what you should know…
*Up-swing in picture books
*Increased demand for highly illustrated early chapter books.
*In response to Common Core:
-Not a lot of acquisition changes. Same quality books–just might market them differently.
-Eye out for subject matter that touches multiple areas. The more hooks the better.
*Diversity projects are increasing but editors are looking for approaches that are not stereotypical or heavy handed.
*MG is finally coming into it’s own–promising place for single tittles.
*The bar is very high with books like WONDER but there are varying needs within this audience.
*MG is allows slow growth over several years. 2-3 year projections while YA is more likely to be evaluated in a quick splash.
*YA possibly over saturated. Editors being picky.
*Popular, established authors are getting sales.
*Trilogy is slowly dying.
*NOT MORE OF THE SAME!!!!!
*Contemporary realistic fiction getting a bump.
*YA lovers continue reading after aging out.
Next up was an amazing Keynote with Linda Sue Park–THE HOW OF IT: MAKING EVERY WORD COUNT
This presentation was the PERFECT combination of technically useful and emotionally inspirational. LSP is hard to beat, she is a master of craft and emotionally dedicated to her work. Here is what you should know…
*Don’t bore the editor–you want then to hang on your every word so make every word count.
*How? Use the tools of the writing craft–WORDS!
*Small changes make huge differences.
*ALWAYS put your finished MS away for several weeks before you send it out. Look at it again with fresh eyes.
*Use the word count function and whittle down your words slowly.
-Pick your best words and put them in the best order.
*Change your font, it will help you see your MS differently.
*Print your work out and read it in a different location–some place you don’t usually write.
*Read your work aloud from beginning to end or have someone read it to you.
*Words have become one of our cheapest currencies because of technology and social media, so it’s even more important that we value our words.
*An adult is never going to love and reread books the way they will when they fall in love with a book as a child–our books have to be worthy of being ready more than 62 times. (Daniel) <3
Our next Keynote was by Sharon Flake–WALKING WOUNDED: HOW TO KEEP WRITING AFTER YOU’VE HIT THE WALL. Her best take aways were…
*”Magic” can give you a false sense of confidence.
*Kids need to know that there is more than one way to be a human being.
*Remember it’s in you to make it through.
*I love writing so much that even when it didn’t feel good I kept going.
*It’s about being a connection.
My first Workshop of the day was with Bonnie Bader–LEVELED READERS AND TRANSITIONAL CHAPTER BOOKS.
As a mom and a former special education teacher I really wanted to make some sense of this area that always seems so inconsistent and confusing to me. I walked away with a very good understanding of how these books work or don’t work and how difficult they are to write. I feel like they are a sudoku puzzle for children’s writers LOL! I think when I get a little extra time on my hands I might play around with the sight word list a little bit and see if I’m any good at it. If you see me with chunks of my hair pull out, you’ll know what I was doing.
Time for the Golden Kite Luncheon!!!!!
This is when we honor the outstanding members of our tribe. This year’s Member of the Year was Ellen Hopkins for her above and beyond service to the SCBWI and it’s tribe members. Love her! We also celebrated our Golden Kite winners.
Peter Brown–Golden Kite Winner for Picture Book Illustration
Pat Zietlow Miller–Golden Kite Winner for Picture Book Text
David Meissner–Golden Kite Winner for Non-fiction
Tim Federle–Golden Kite Winner for Fiction
And Bill Konigsberg–winner of the Sid Fleischman Humor Award
Each of these award winning tribe members gave amazing, funny and inspirational speeches. Best crop of award winners I’ve heard as a whole. I left lunch full, inspired and motivated. Can’t wait to read their books!!!!!
My afternoon Workshop was with Bruce Coville–NO BUT SERIOUSLY, THE ART AND CRAFT OF WRITING A SERIES
Sorry no picture–we got right down to business and there was a lot to learn. One of the great things for me at the conference was that I was able to take some very interesting classes on new topics I’d never explored before. As a regular conference attendee, this made me very happy.
Here are a few tips about series writing from Bruce who has 15 series under his belt…
*Show up at your desk–when you are doing your work you will maintain a certain level of competence in your writing and some times you will be lucky enough to rise above your own abilities.
*Two most important times of creativity are coming in and out of sleep–use them to your advantage.
*Always go for royalties because you are betting on yourself–the 1st Hardy Boys book (with a packager) the author made $150 Doh!
*Craft without inspiration is basket weaving. Inspiration without craft is modern art. *insert Bruce giggle here*
*An outline is not an impediment to creativity.
-Bruce’s tend to be front heavy
-They never end the way he planned and that’s ok
*If you want to explore a world or character with more depth than one book–a series is the way to go.
*Conclude a story but throw in an unresolved cord.
*Create your bible.
-tells what the world is gong to be
-characters, side kicks and bad guys
-Show you are taking your work seriously
*Writing for a packager is a great way to hone your craft–you should always write a book better than what they are expecting.
*Problems with a series:
-keeping it fresh
-keeping it consistent (BIBLE)
-getting important info to the people who haven’t read the previous books
-knowing when to stop
*Our lives are series non-fiction <3
I told you I’d have more Tomie!!! We were still able to do his interview with Lin Oliver via Skype <3
His bits of wisdom and love…
*Being an artist is also the way you live your life.
*When you create your art–be prepared to be misunderstood.
And then after feeling like I had the biggest, warmest pep talk from my SCBWI Yoda/Grandpa–Judy Blume stepped onto the stage for an inspirational send off…
* I was far from a courageous child–except in my head.
*I was brave in my writing the way I wasn’t in my life.
*Judy’s take away word from the conference is FOCUS.
*Do not let anyone discourage you. If they try–get angry not depressed!
*Determination is as important as talent.
*It doesn’t ever get easier–persist.
*Ideas come from everywhere and you never know when they will arrive.
*Kick the critic off of one shoulder and the sensor off the other. Sometimes you just have to write a book and not worry about who is going to read it.
As if this wasn’t enough, Judy shared with us the ups and downs of a project she’s currently working on and how she would also be leaving the conference inspired to go back to her work. Just like me–just like everyone else in that room who had the pleasure of hearing one of our greatest idols speak.
After a long and powerful standing ovation for Judy, Lin Oliver closed with this…
“We picked a very difficult and challenging road–it’s so much better that we walk down it together–hand in hand and arm and arm.”
My Tribe–I am grateful. <3
Yes, I photo bombed Meg Medina LOL!
But then Jodi and I gave her hugs so she didn’t mind.
Chatting with Bruce Coville–he’s such a hoot! Always love his advice.
Me and Bruce Coville <3
Like Aaron Becker and Journey and Journey says…Don’t stop believing.
Fan girling over Maggie Stiefvater–helping me solve for X.
Megan McDonald of Judy Moody and Stink fame.
Love her–she’s fabulously hilarious.
Judy Schachner or Miss Judy as my 9yo likes to call her–signing her newest, adorable Bits & Pieces.
Judy talking picture books with Jodi Moore author of WHEN A DRAGON MOVES IN. I want a collaboration–when Skippy Joh Jones moves in with my favorite Dragon.
And then it was over. Dinner with friends while talking about three days worth of awesomeness. Hugs goodbye. Suitcases packed and the pull to find your way home to family and the page where you left off in your own writing…
Hope you are as inspired as I still am over a week later. And my fingers are crossed that you enjoyed my conference recaps. See you on Thursday with a little conference bonus post before I put LA away until next year. <3
And I’m back!!!! And the answer to yesterday’s 2014 LA SCBWI 43rd Annual Summer Conference cliff hanger is that jet lag won again!!!! I WAS BACK UP AT 5 FREAKING 30 IN THE MORNING!!!!! *head thunk* On a positive note, I spent my extra two hours brainstorming my WIP’s while lying in my cozy bed. But that meant I didn’t get out of my room any earlier and this time the Starbucks line was too long to wait on. With a low caffeine and food gauge, I headed to the breakfast kiosk in the lobby where they were out of breakfast sandwiches for the next 5-10 minutes. (Not my lucky morning) With my face half melting off, I glanced back over at the ever lengthening Starbucks line and decided to wait. #teamkiosk I figured I’d purchase my fruit, coffee and my slower than slow sandwich NOW–and then while I drank my coffee and munched on my nectarine, I’d wait patiently for my breakfast sandwich to arrive. Grab and go. No. I was told there would be no coffee until my sandwich arrived. That’s how they did things. What? Obviously that had never met the likes of me before. *snort* I smiled and explained how my method would be so much more efficient and friendly and yummy and caffeinated. And they marveled at my brilliance and my witty banter and I drank my coffee and waited for my yummy sandwich while making friends with all the other people lusting for breakfast sandwiches. We really bonded. It was fabulous. <3
And despite the wait, I was blessedly on time for the first Keynote of the day.
Justin Chanda (Simon & Schuster) THE STATE OF THE STATE OF THE INDUSTRY
He is an incredible speaker–funny, practical, informative, optimistic, realistic and just plain enjoyable to listen to. Here’s what you need to know…
*We are all in this together.
*Printed things on paper have not been eradicated…and drones are not delivering our books…yet. LOL!
*It’s a cyclical business.
*There is something BIG and NEW in YA–CRF (Contemporary Realistic Fiction) HaHa! It was just “discovered” in the last five years. #trends
*trends are unpredictable–undeniable– and you can not write to them.
*YOUR INDIVIDUAL VOICE IS THE BIGGEST CAPITAL YOU HAVE IN THIS BUSINESS.
*JC predicts YA is going to scale back, but ultimately this is a good thing because the market is saturated and the glut is preventing books from being marketed correctly.
*There is lots of room for books that speak to the true experience of middle graders.
*Great rise in gender neutral books.
*The market for PB’s seems to be strong.
-not enough shelf space for a HUGE resurgence
-PB’s are 1% of book sales
-focus is on 5-6 year olds
-humor is doing well
-strong identifiable characters resonate
*APPS are not books.
*On Common Core: When the next wave of educational stuff comes along we’ll still be buying good books because good books hit the mark without trying.
*No one goes into publishing to get rich–we are here for bigger things.
*We are experts at bringing books and stories to kids. The book comes first.
*We are writers–we need to write–social media and marketing is important but it doesn’t trump story telling.
*There are always readers outside of trends.
See…I told you he was fabulous.
Next up was the Agent’s Panel: WHAT HOOKS ME
SD-Sarah Davies (Greenhouse)
SM-Steve Malk (Writer’s House)
EM-Erin Murphy (Erin Murphy Lit)
AP-Alexandra Penfold (upstart)
RP-Ruben Pfeffer (Ruben Pfeeffer Content)
LP-Linda Pratt (Warnick & Pratt)
LR-Laura Rennert (Andrea Brown)
MODERATOR: LO-Lin Oliver
LO–What hooks you?
AP-I want books that make me feel. Books that are as smart as the kids who read them.
EM-AUTHENTICITY. I don’t want to feel the hand of the author pushing.
SM-Reinventing and layering a fresh point of view over a classic.
SD-AMBITION. Not for money. But someone who works hard and has big ideas. They want to be the master of their craft.
RP-POTENTIAL. I want to make contact with a character that can bring me into their world . Details can be fixed later.
LR-Characrter drive, page turning, emotionally powerful. The exploration of universals in unique ways.
PL-INTRIGUE. Make me feel like THIS character should exist.
-Also wants a professional cover letter.
LO-Tell us about cover letters?
LP-A line or two that verifies you’ve done your homework. Followed by a brief summary of what your work is about. Add credentials at the end but leave out the “my kids love it.”
-Avoid comparisons to books that are too big. Comp titles are good to have but use them wisely.
SM-They bring the professionalism. Take it seriously and don’t sell yourself short. Proves your investment
EM-It helps the agent get the bigger picture of you and your potential career.
LR-Reading for a sense of the person behind the story. But remember the process of querying is like dating so don’t over share your scary stuff on the first date. :o)
AP-Don’t over promise and under deliver. Did you say what you meant to say.
SD-Calm down–it’s okay–it points the way to the writing. And writing a pitch is an art–so practice.
LO-How do you see your role when you take on a new client?
RP-I wear many hats–particularly what the client will benefit from the most.
EM-I’ll ask you to revise because it’s a skill and if you don’t have the skill, I can’t talk you up to editors.
SD-Revision–if the bar can be raised–it’s better for the sale.
-I want to guarantee at the point of submission that we took that MS out as strong as we could make it.
RP-The potential of the brand
AP-Helping to hone their attention towards the second book.
SM-(Cutting in) Brand is a tricky word. Your brand is simply who YOU are.
LO-What makes you cringe?
EM-Submisions from prison. *cue whole ballroom cracking up*
LR-Something that feels formulaic.
LP-Dropped in the middle of ungrounded action. Wants to be vested in the character.
RP-Too much or not enough opening information.
AP-Lot’s of bad rhyme in PB’s–changing the trajectory of the story to meet the rhyme.
EM-Envisioning yourself as a celebrity instead of focusing on the writing.
SM-Making big mistakes that indicate you’re not that serious about what you are doing.
SD-Prologues with car accidents
-Same beginnings all the time.
-Prologue that’s different than the first chapter.
-Wakes up, gets our of bed and looks in the mirror.
*The beginning doesn’t have to be the beginning–fresh language that gets you into the story at a different place.
Even though the morning proved to be off to an amazing start–you can’t stop believing that there’s more. The next Keynote was from Aaron Becker–SOME ADJUSTMENTS WERE MADE ALONG THE WAY: ONE ARTIST’S JOURNEY.
Aaron started us off by getting the whole room to help him sing Journey’s Don’t Stop Believing. You appreciate that transition now, don’t you? LOL!
Anyway–if I’ve got you mystified and you don’t know what the heck I’m talking about–you might not realize that the Aaron is the gifted author/illustrator of the 2014 Caldecott Honor book JOURNEY.
Love, love love this wordless picture book. You can’t even begin to imagine how much story is hidden between it’s gorgeous, sweet, humorous, creative, magical illustrations. But it all made sense when Aaron talked about how stories are how we understands our lives. That is something that resonates with me down to my core. I also wanted to add that I have two young artist/illustrators at home and I took this shot of one of Aaron’s early masterpieces to show them how we grow as we practice our craft.
It left them with their jaws hanging open and it reminded me that we continually have to work at our practice to reach the vision we have of ourselves in our mind. Time to get out my “red crayon” and make some magic happen on my pages. <3
Mary Lee and Megan
I know my recaps can be a bit lengthy at times, but don’t get moody–get Judy Moody!!!! Next up was my first Workshop of the day with Megan McDonald and Mary Lee Donovan JUDY: FOREVER 8–CREATING AND SUSTAINING A SERIES.
Both Megan (the author of Judy Moody) and Mary Lee (Judy Moody editor-Candlewick) were amazing, funny and informative. The thrust of the presentation was about the unique choices that were made all along the course of Judy Moody’s development. The creativity in writing and marketing led to the launch of a beloved early chapter book series that has become a huge hit. Here are some of the takeaways…
*Megan made “me collage’s” to help her brainstorm and get to know her characters and her world.
*They avoided formulaic packaging. It’s uniqueness helped it to stand out.
*Judy Moody is a 3rd grader but her first book was 150 pages long. This was a little unique for 7-10 year olds. But they liked having a thick book to carry around.
*The book had short, episodic chapters targeting 7-10 year olds.
*The print was large with a lot of white space and frequent illustrations.
*At the time, bright colors were competing on the shelf so the craft paper design and unique shape caught people’s attention.
*Judy Moody was positioned as a new cast of characters that everyone needed to meet.
*Marketing was directed to a kid audience and a teacher audience. Word of mouth then helped Judy Moody reinvent the 3rd grade novel. <3
Next up I grabbed lunch on the go and headed over to my regional get together. I didn’t have time to take pics but there were french fries in my Big Fat Gyro and there was some debate about the authenticity of that. My RA was served in the same way in Greece. So anyone have any thoughts on this? It was a first for me. Very yummy, too.
Next up was a Keynote by Maggie Stiefvater A THEIF AND AN ARTIST STEALING STORIES FROM LIFE.
Maggie is an amazing storyteller–as you might imagine from that series of pics. She’s just too animated to pin down LOL! But after listening to Maggie, I also began to think of her as a modern day renaissance woman. Very intelligent and loaded with all kinds of artistic ability in so many areas–writing, sketching and music. I was relieved that she wasn’t very good in the kitchen because I was starting to get a little intimidated and jealous. But considering how much amazing advice she shared and how it impacted my own thoughts on writing, I’m a fan-girl for sure. Some of Maggie’s best take aways…
*I am rarely creating things form scratch. I steal the soul of someone else and then as an artist I stitch it back together.
*The only way to get better at something is to practice.
*Shallow Thievery vs. Deep Artistry
-Learn to solve for X–things are not what is on the surface.
-It’s not about the punch, it’s about why he threw it and more importantly why he’d never thrown it before.
*It’s not write what you know (we don’t personally know that much to be interesting) It’s about WRITE WHAT YOU KNOW THE ESSENCE OF.
And I get to hear the hilarious Megan McDonald talk again at her Keynote WRITER, WRESTLER, STUTTERER, SPY: FINDING YOUR VOICE AS A WRITER.
The really cool thing about Megan’s keynote was that it was completely different than the info I’d heard in the morning. *fist pump* Most of her stuff was side split tingly hilarious stories that I couldn’t even begin to recount here, but I did pull this out and write it in my notes…
*If you want to write–find your splinter–the thing that is embedded, still sharp and hurting you. Write about that.
Day two of the conference seemed to be about repeat speakers, which was completely okay with me because I really enjoyed them just as much the second time around. My afternoon Workshop was with Justin Chanda–YOU HAVE YOUR 1ST (2ND, 3RD) CONTRACT(S) HERE’S HOW YOU CAN HELP AND HURT YOURSELF.
A seriously helpful workshop and one of the best PRO sessions I’ve taken. Right up there with those done by Ruta Sepetys. My only complaint was that it was too short. Would love to see the same workshop offered as an AM/PM two part workshop. Justin talked about some of the best and worst practices that could help or hurt an author after they’ve gotten a contract.
*The starting point for everything is your editor.
*Most important people on staff are the assistants–treat them that way.
*Do not say one thing to your editor and another to your agent and leave your agent to solve it. (ex. Editor: Can you have it to me in 4 weeks. Author: Sure, No problem. Author talking to Agent: There is no way I can do that in four weeks—please fix it. *weeps*)
-Run around becomes tedious for everyone
-We are all in this together.
-Always better to be honest.
*You have to stand up for yourself–it is your book.
*A good editor will never rewrite your book, they will help you make your vision clearer. “I will never win that argument if it’s not meant to be won.”
*Everyone is always working towards the same goal.
*Try not to send multiple emails in one week with different subjects.
*Don’t be afraid to ask questions, we love to talk about what we do.
*Remember to work on your book–consumers want books not marketing. You’re first job is to WRITE!!!!
*100’s of people touch your book along the process of publication.
*Everyone wants your book to work–no one is sitting in the back room trying to figure out how to screw you over.
*80% of tanked covers have been at the author’s insistence. Speak your mind but trust your team.
*80% of the books Justin publishes lose money. The top 20% is carrying the 80%
*Good marketing departments need to be nimble.
*There is a finite amount of marketing resources. And it’s usually unpredictable.
*Do not compare your publication plans with anyone else’s.
*Don’t spend your own money in a vacuum. Coordinate with your team to get the best for your money.
*Publication grows with you throughout your career.
*Highly recommends school visits as the best way to self promote. WORD OF MOUTH!
*Social media is the greatest and worst thing to happen to publishing.
-DO NOT VENT ONLINE
-DO NOT PLEAD YOUR GRIEVANCES IN THE COURT OF SOCIAL MEDIA.
*And like Debbi Oh always says…Another writer’s success doesn’t diminish your chance of success–cheer on other writers. <3
Phew!!!! I’m getting really tired. This may be one of the longest conference recaps I’ve ever had. It’s all because there was so much great information and inspiration. Like this next panel…
A Marketing and Sales Panel–PUTTING YOUR BOOK IN THE HANDS OF READERS: HOW SALES, MARKETING AND PUBLICITY BRING YOUR BOOK TO MARKET with Felicia Frazier, Shanta Newlin and Emily Romero
These ladies were fire crackers. This was hands down the best sales/marketing/publicity class I’ve been exposed to at a conference. Entertaining and informative–I wanted to hang out with this smart and charismatic ladies. Here’s my best takeaway from each of them…
*We are so lucky–we have a replenishing source of kids EVERY YEAR! ROTFL!!!
*Our business is a recommendation based business.
*You have to see, hear or read about a book at least 5 times before you make a purchase.
As pumped as I was, my perky personality was getting hungry and starting to wilt. The final Keynote of the evening was Cynthia Kadohata MY LIFE: REAL AND IMAGINED.And yes, I forgot to take another picture. But here is my favorite takeaway…
*No matter what writing problem you have the answer is always somewhere in your life.
There–I did it. I made it through day 2. *nods off* BUT WAIT—It’s time for the 2014 Poolside Gala!!!!!!! It was Tomie Depaola’s 80th Birthday Bash: A Night in Old Italy. Since Tomie couldn’t be there, we did serenade him with a flash mob to That’s Amore. <3 A copy of that is floating around Youtube somewhere. Here’s a snap shot of the rest of the evening…
The party was getting started. The view from my room.
I was having trouble coming up with a costume and a friend suggested being an “old” tourist in Italy.
I immediately started channeling my Dad LOL!
Nancy my RA stomping some grapes with me.
Hanging out with my Shop Talk buddy Imogene–New York to LA!!!
My Dad would have absolutely hung out with the Pope ROTFL!
Lots of laughs all night.
Jodi and Howard–dancing buddies <3
And then I fell asleep. Lies. Then I hung out in the lobby and talked with friends. And then I fell asleep. More Lies. Then I got in my PJ’s and talked with Jodi some more. ROTFL! But then I finally did fall asleep–and it was great until I …
Well, that’s a story for my finally recap post next Tuesday. We don’t want to overwhelm you–I don’t think this lengthy post can take one more word. Hope it was helpful and didn’t make your eyes bleed. In fact–as encouragement to write the last post recap, why don’t you let me know in the comments which bit of posted wisdom or inspiration resonates with you the most. And don’t forget my fries and gyro conundrum. See you next week.
We are on the 2014 NY SCBWI conference recap homestretch!!!! But just like with attendance at a conference, even though you’re sad to have it come to an end, you should also be feeling those itchy fingers wanting to write and create now that you’ve been inspired.
One of the very best Keynotes of the Conference was by Kate Messner: The Spectacular Power of Failure
Everyone in the room was affected by the power of Kate’s words. Why? There were multiple reasons, but the biggest were that Kate’s a dynamic speaker and the topic was relevant to everyone. Relatable and inspiring. Here are some of her best moments…
*Why do a talk on Failure? Because we share the shame we feel over the fear of failure.
*Be Brave. But it’s okay to be afraid. Of course you’re nervous–>if it weren’t , it wouldn’t be worth doing.
*Fight or Flight Fear is different than Fear of Failure, but it’s just as strong.
*On Art and Fear: You learn how to make your work by making your work.
I saved my chocolate fix for just the right spot…
*The act of sitting down to do the work brings on the idea fairy. (My idea fairy obviously likes chocolate-that’s why we get along so well.)
*Fail Fast, Fail Often: Sometimes losing can help you win.
*If we want to make art–failures are pretty good trail markers pointing us in the right direction.
*A problem that is insurmountable is manageable, when we talk to a friend. We are not afraid of our friend’s failures LOL!
*The only thing we can control is how we do our work. (Can I get an amen?)
*Failure let’s us be role models.
*High-stakes testing undermines divergent thinking. (I seriously LOVE this!)
Thank you, Kate–this pep-talk was exactly what I needed, right when I needed it. You’re the BEST! <3
Next up…Keynote Panel: The Art of the Picture Book
Moderated by AL–Arthur Levine (If I have to tell you who he is–you haven’t done your homework well enough)
Just a few little tidbits that stuck to me…
*SS–When something isn’t working: sometimes you have to walk away to figure it out.
*MF–It’s hard to know when a piece is going downhill. I keep thinking I can fix it.
*SS–Turning down a project that doesn’t resonate is an ability that comes with maturity.
*RC–The illustrator doesn’t just want to illustrate the text–they are there to extend it.
Additionally Peter Brown got into a lively debate about authors and illustrators having more connection and collaboration in the picture book process. Everyone else on the panel felt strongly about giving the illustrator room to create without the influence of the author. Peter understood this, but felt there were advantages for authors to learn to think more spatially. I will tell you that he was getting a lot of cheers from the picture book writers in the audience LOL! In my humble opinion, both sides of the debate were fascinating and relevant.
I’m going to be honest–I was so bummed that Sharon Draper had to cancel due to a family emergency. I’d just finished reading OUT OF MY MIND with the boys and we are HUGE fans. But Nikki Grimes is such an eloquent speaker and writing royalty, I couldn’t stay disappointed. In fact, I could listen to her description of a girl’s first kiss all day long. Her voice. Her words. He perception and humor. It was amazing.
*I have been day dreaming for the better part of my life.
*It’s all right. Just keep writing. You’ll figure it out eventually.
Some other conference highlights as the big weekend comes to a close…
Tomie dePaola giving out the Tomie dePaola Award for Illustration
Jane Yolen giving out the Mid-list Author Grants (And it was her birthday!)
Hanging out with my roommie. It was Jeannie Intrieri‘s first national SCBWI conference. I think she’s hooked. <3
Getting more Kate Messner books for the boys and I to read. <3 We are uber fans!!!
The hustle, bustle and blur of everyone trying to meet their favorite authors and get their books signed.
And the moment you realize that it’s a l-o-n-g time until the 2014 LA SCBWI Conference in August. *le sigh*
I’ve done it! Another conference blog for the archives. Even though they are a lot of work to put together, I know I’m going to continue to look back at these memories and bits of wisdom and be so glad that I’ve journaled them. I also really enjoy how many people have told me how much they love the conference blogs. You guys rock!
What other kinds of blog posts–here or on other sites–do you find the most useful/memorable?
Sunday morning was rough and involved coffee and help from strangers. Oh, the life of an overly talkative, sleep derived conference goer…
After checking out, scavenging a breakfast sandwich, stowing luggage and coat and hauling around my books like a pack mule, there were lots and lots of well deserved Sunday morning awards. The illustrators were honored for their gorgeous work and the Tomie dePaolo award given out by Tomie!!!! It’s been a few years since he’s been at the conference and everyone was so excited to see him and hear him talk.
There was also the Emerging Voices Awards given out by Jane Yolen. These awards celebrate the mid-list authors who are the work horses of publishing. (Unlike the dancing Arabians.)
Then, with coffee finally charging through my system, it was on to KEYNOTE #1: Tell Me a Story by Margaret Peterson Haddix
Margaret is a wonderfully animated speaker, which was very exciting, but also resulted in some bloopers for your entertainment…
Luckily, we aren’t defined by our bloopers. LOL! Here’s all the good stuff…
*You don’t get to be a historic artifact or an author without a certain amount of persistence.
*Books are alive and relevant for kids in the digital age.
*Don’t you think they thought it was a dooms-day scenario when we shifted from storytelling to the written word? Or from hand-written books to the use of the print press? We’ll sort out the digital stuff.
*I have absolute faith that what we do is essential to kids and society.
*There is a high correlation between childhood reading and vocabulary.
*More children reading wouldn’t fix EVERY problem in society, but it would certainly help a lot.
KEYNOTE #2: IT TAKES TWO: The Pleasure and Pitfalls of Writing a Series by Julie Andrews and Emma Walton Hamilton
I sat there in awe as I listened to Julie Andrewsand her daughter, Emma Walton Hamilton. Sure, part of it was because Julie Andrews is an icon. But that wasn’t the only reason, they were both lovely, hard working, funny, sweet and knowledgable. I was blown away by their dedication to children’s literature. Here’s some of what they had to say, but I have to be honest and let you know that some of their best stuff was in subtle gestures and humor–their interactions with each other. It was in the things that weren’t quotable. You could see it–fell it.
*The more we serve young readers, the more they will flourish & the better the world will be for everyone.
*We are so lucky to do what we do and love what we do, which is the secret to life, really.
*When writing, never underestimate the value of the bathroom break. (Or a spritz of perfume LOL!)
*The more you know your characters, the better your characters will react to the situation.
*Which of us here doesn’t remember the book that made the difference …that showed us we weren’t alone?
*Books were my anchor. My escape. My safe haven… They became the most trustworthy of friends.
*It’s hard to write books and it’s an enormous responsibility to write for children.
*Nobody’s perfect except for Mary Poppins … and she’s only practically perfect. *grin*
Check out more books in the Julie Andrews Collection
And when I met Julie and Emma, I got to tell them about my nickname (Kimmiepoppins) and the picture of me attending my book launch event.
It was a long story, told quickly, but I was at least able to share the truth by saying…you made a difference in my life. I got to say thank you. And then my arms and legs turned to jelly and I had the shakes for twenty minutes LOL! It sounds so stupid. I know that Julie Andrews puts her pants on one leg at a time, just like everyone else, but I have a soft spot for the people who change the world in a way that involves some of my favorite things–musicals, books and children.
But I would also be remiss if I didn’t tell you how utterly and completely Emma won me over. She’s a gem in the writing community and we are so lucky to have her. On Sunday I became a huge fan.
I personally wouldn’t want to follow Julie Andrews and be the final speaker of the day, but I know one guy who can pull it off…
FINAL KEYNOTE: Writing in 3 Easy Steps, 3 Somewhat Less Easy Steps, 2 Pretty Difficult Steps, and 1 Impossible Step by Mo Willems (<—–Mo’s 9 steps are posted here)
Here are some other Mo-isms that i loved…
*Everyone was so inspirational–as the closer I feel obligated to be OUT-SPIRATIONAL!
*The glass is 1/2 full of poison.
*When I write a manuscript, if it makes sense I’ve done it wrong. (On leaving room for the illustrative part of the story)
*It’s my job to write incomprehensible books for illiterates. ROTFL!
*Craftsman vs Artist–An artist makes it beautiful, a craftsman is trying to understand the audience. Ex-A coffee mug can be gorgeous, but it also has to be able to hold coffee.
*Write about what you are passionate about.
*ALWAYS THINK ABOUT YOUR AUDIENCE, NOT FOR YOUR AUDIENCE. IT’S NOT ABOUT YOU.
*Get better dreams. If you are making your dreams come true–you’re not shooting high enough. You’re setting the bar too low and that’s as far as you’ll go. You might not reach all of your dreams but you’ll go higher than you might have expected.
*You need to be invisible. How? Read THE BEST and find their mistakes. Every book has holes–there’s your space–your entry.
*The hook isn’t the story.
*Be a philosopher. Write what you don’t know. It’s only interesting to you if you’re trying to figure it out.
*Ideas are not to be trapped, they are gardens you plant everyday. You have to be patient.
*Write a lot and whatever’s not funny (or good) take it away and see what’s left. If nothings left at the end–start over. That’s what it means to be a professional.
*You are going to have to do public speaking–get used to it. Take a class.
*Your job is to be some child’s best friend.
Then it was time for the autograph party. Boo! No pics allowed of Julie Andrews and Emma Walton Hamilton. But here are a few others…
Shaun Tan and Me (plus a little bit of Arthur Levine’s arm LOL!)
Hanging out with Meg Rosoff. She is so fabulous!
Shaun Tan signing a copy of The Arrival for my local elementary school. Go Frogs!
And then I ran–dragging bags of books and luggage behind me–another conference over. But not really, it’s inspiration is only beginning to take root and grow…
What is the biggest thing you’ve heard from someone in the children’s literature world that has stuck with you and blossomed over time?