I’m cross posting at the YA Outside the Lines Blog today.

 

But this one felt important enough to also post in it’s entirety here…

 

Today I’m going to talk very briefly about diversity in YA, but in a way that is bit different than what I expected to touch upon. Initially, I’d planned on talking about being a girl. It interests me how girls are constantly trying to break glass ceilings in life, but in the world of YA literature, the lion’s share of what is produced tends to be very girl-centric. It bends my mind a little bit to play around with the implications. I wanted to discuss it. I wanted your thoughts.

But unfortunately I can’t really focus on that today.

I’m too disappointed.

When I looked up the definition of diversity it said…A RANGE OF DIFFERENT THINGS.

The word range was the link I needed to write about my growing concerns. More and more it feels like people all over the internet (even in my beloved YA community) are taking pot shots at each other. It feels as if cyber lynch mobs, toting guns that shoot high powered words, are running wild. There is a mob mentality that feeds off the frenzy of taking someone down a notch–of putting them “in their place.” But for what? It appears to be for being “wrong” or dare I say DIFFERENT.

I’ve been watching it unfold for quite some time, but recent events have kickstarted my thoughts. I don’t want to take up your time discussing why so many of us act so deplorably. It makes my head hurt to think about it. Instead I’d like to do one small thing to at least attempt to be part of the solution. I’d like to publicly acknowledge that there are moments when we absolutely should stand up and fight for our beliefs. Those moments are–wait for it–diverse. They mean different things to different people. But I’d like to believe the things worth fighting for (for most people) are good intentioned. Which leads me to bullying. Bullying never comes from good intentions. It is selfish and cowardly. It is small. And it’s not just something children do. I’ve seen a room full of PTA moms make another woman cry. I’ve watched as authors, teachers, police, soldiers and many other dedicated professionals are disrespected when they are trying to give. Perfection is not interchangeable with intention. I can’t remember the last time I was perfect. But there aren’t enough stars to mark how often I’ve tried.

Taking pleasure in making other people hurt is disturbing.

I don’t know how to stop it.

But I believe that small acts, done by many, have the power to make big change.

Haters are always going to hate, but let there always be more of us who are doing something great.

Every day it is your opportunity to be diverse in your thinking and in your actions. Today is your opportunity not to be a bully. It’s your chance to be a range of different things.

Tell me something great, people…

Tags: Bullying, diversity, Kim Sabatini, Kimberly Sabatini, YAOTL

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It’s Conference Recap time!!!! And yes, if you’re paying attention–this post was supposed to be up this morning. But I flew in last night and had as much fun reconnecting with my family as I did when I was reconnecting with my tribe. So now it was time for them to get my attention. I’m also not super timely with today’s post because I was so tired it felt as if I no longer had bones. It’s hard to type without bones. It’s much better to sit on the couch and become one with the cushions. And lastly I’m pokey because laundry doesn’t do itself *sigh* and neither do the dishes and all those other chores. Completely bummed that there wasn’t a shift in the domestic universe while I was gone. But I’m on it now, so here we go.

 

Jodi, Robin, Kim and Caroline

 

 

Thursday night, before the official 2014 LA SCBWI 43rd Annual Summer Conference kick off, is time for meeting up with old friends and giving first time hugs to friends you know incredibly well online, but have never laid eyes on before. Such a treat to make those connections. Such an easy way to really kick your jet lag into high gear LOL!

OMG!!!!! Even though I was THAT tired and didn’t have to be up until about 7–I WAS UP AT 5:30 AM!!!!!!!! JET LAG!!!! But that’s okay–it’s early in the conference. It won’t happen again. It never happened to me before in LA. IT WON”T HAPPEN AGAIN. And I’m so pumped to get started and there’s coffee–lots of coffee!!!!  I am the master of my destiny. And I have my “jet lag” T-shirt on. LOL!

So I’m ready and I know I’m going to be wide awake for Lin Oliver‘s State of the SCBWI Conference Statistics.

This year…

*1,235 attendees

*19 Countries + the USA

*We had four missing states this year and when Lin chastised South Dakota for never coming–BUSTED! One of them had tricked us and snuck in. YAY!!!! South Dakota in the house!!!!!! But not Arkansas, Montana and Mississippi. Boo. Get on that people.

*Half the room was published authors or as Lin said–630 authors understood that publishing is not the end game–there is so much more to learn on this journey <3

We also took a moment to remember the amazing Walter Dean Myers and sniffle because our beloved Tomie DePaola wasn’t going to make the conference or his birthday bash gala due to illness. 🙁 But the good news was that he was going to be ok. (More on Tomie in future recaps)

And then we’re off with…

*slurps more coffee*

Meg Rosoff‘s Keynote: WARNING: PETER RABBIT MAY BE HARMFUL TO YOUR HEALTH

 

As you know, my recap posts can’t possibly capture the complete amazingness of the conference and it’s speakers–and it shouldn’t–I’m trying to tempt you into coming next year and hanging out with me. But even if I could get it all down in it’s full bloggy splendor, it’s a no-no to post too much conference material that doesn’t belong to me. Completely understandable. But, get your pens out, because I am gong to give you some of my favorite bits of wisdom and inspiration, starting with Meg…

*Reading books gives you imagination and the ability to tell a story and those skills will make everyone better at everything–except Accountants and Politicians–it will put them in jail LOL!

*The most difficult problems in the universe are solved in the telling of stories.

*Adults have already formed their opinions about sexuality. Kids are discovering through books and tolerance is growing.

*Treasure your faults–they are an important kind of truth.

*Writing is bloody difficult.

*Imagination can be very dangerous–it can change the world and that’s why we write.

Next up is the Editor’s Panel: 3+3 THREE THINGS YOUR BOOK SHOULD INCLUDE AND THREE THINGS IT SHOULDN’T

AB-Alessandra Balzer (Balzer + Bray–Harper Collin’s Children)

MLD-Mary Lee Donovan (Candlewick)

AJ-Allyn Johnston (Beach Lane Books–Simon & Schuster)

WL-Wendy Loggia (Delacort press/Random House Children’s Books)

LM-Lucia Monfried (Dial Books for Young Readers)

DS-Dinah Stevenson (Clarion Books-Houghton Mifflin Harcourt)

JSG- Julie Strauss-Gabel (Dutton Children’s Books–Penguin Young Readers)

Moderator: LO-Lin Oliver

LO–What is the most important thing you look for?

AB-VOICE

MLD-VOICE. You bring it automatically but you have to write it authentically.

AJ-SURPRISE I want the unexpected. Goosebumps. Spend less time working on your cover letter and more time worrying about your MS.

WL-VOICE You can’t hone your voice–it’s who you are. It’s immediate.

LM-ORIGINALITY It’s rare, but it’s what all editors look for.

DS-A BEGINNING an invitation that contains the seeds of the end.

JSG-A GOOD FIT sometimes a manuscript can be good, but there is a better home for it.

 LO-So, how do we find that perfect fit?

JSG-You can’t get it anywhere if you write to the general masses. It’s okay to be unique and different–you only need one. 

MLD-Research–take the time to find the connection.

LO-(answering part of her own question LOL!) The SCBWI has a web resource document called EDITED BY.

***Everyone chiming in–NO MULTIPLE SUBMISSIONS WITHIN THE SAME PUBLISHING HOUSE***

LO-Going to the dark side…what do you not want to see???

JSG-BORING–my best asset is a short attention span.

DS-Don’t want to see 100,000 words.

LM-Show instead of tell.

WL-Absent page numbers. I WANT PAGE NUMBERS ON YOUR MS!

AJ-Don’t be weird. Like sending your submission in a plastic green fish. *shudders*

MLD-The urge to teach/preach

AB-Too much packed into the beginning to get the editor’s attention. It can have the reverse effect.

LO-How do you know if you’re boring???? We all think we’re pretty great, right??? LOL!

Some additional bits of advice…

AJ–Write something with snappy humor.

WL-Show thoughtfulness behind your choices.

AJ-Confidence! Then I can relax and enjoy the story because I know I’m in good hands.

LM-Write your heart–ignore trends.

JSG-Word of mouth is what makes a book a success.

AB-Hook–it has to meet different people at different levels.

AJ-The final page turn can make or break picture book.

DS-Craft has a lot to do with making choices–we don’t always need to know the color of the dog’s collar.

JSG-Sub Plots: sometimes people throw them in to give their book additional engines to make it to the end. If you take the sub plot out, will the story still stand?

AB-Don’t put the cart before the horse. Work on the first steps. Establish relationships.

LM-There is no speeding up becoming a good writer. The better books are the ones that get published.

JSG-Once you are out of the gate–you can’t get back in. Be ready for it.

 

Next up was my first Workshop of the conference. Laura Rennert (Andrea Brown Literary Agency) THE BUILDING BLOCKS OF A SUCCESSFUL CAREER: FIRST BOOKS THROUGH IMPORTANT MILESTONES

Laura walked us through a case study of the fabulous Maggie Stiefvater and how they built her career together. Here are a couple powerful bits to share…

*The more distinct and individual the brand, the more powerful it is.

*Think about what is powerful and organic to you, but that can break out in a very full category of your peers.

*Growth is from book to book to book.

And Yum! It’s LUNCH TIME!!!!

 

Look how quick that was. Now it’s time to go back after being in guacamole heaven. I seriously adore the green stuff and could eat it every day. And since I have a feeling that Skippy Jon Jones would love guacamole– it was obviously the perfect meal to eat before listening to a Keynote by Judy Schachner: THINKING IN PICTURES–MY STORYTELLING PROCESS

Judy’s fabulous and funny presentation was very visual–but come on–she’s an artist and illustrator. It’s supposed to be. But that makes it a bit hard to share some of her amazing information. But I think I’m going to have fun just giving you some of the bullets in my notes (completely out of context) and see how it works for you. *giggle*

Here we go…

*Creative procrastination.

*I worship at the alter of prairie dogs.

*Diagnosed ADHD by a boy at a school visit.

*Loves dead mice and collects hairballs.

*29ft Viking ship!

*Be a collector.

*Run for your lives–she’s got the rabies!!!!

Now, wasn’t that fun. Feel free to tell me what you think Judy was referring to in the comments :o)

Up next was another Keynote. This time with Stephen Chbosky (author of The Perks of Being a Wallflower) HOW TO WRITE YOUR TIMELESS CLASSIC (OR DIE TRYING)

I’m an über fan girl of Stephen and his book so these bits of wisdom are real gifts…

*The next person to write a classic could be in this room. 

BAM! He’s not even a sentence or two in and he has me. Because I believe that. I believe that not only can that be me–but that if I work hard enough–it will be me. And I like people who remind me that the smartest thing you can do is shoot for the stars and then figure out a way to get there.

*If you write–you are a writer. Take control of your own destiny.

*Find an idea. Share your ideas with the people you trust and see which one everyone gravitates towards. That’s the one. And it’s usually the one you think is too weird or too hard to make happen. 

*You are going to find that one beautiful book you are destined to write.

*The best writers know exactly who they are and what they are doing.

And then my favorite takeaway…

*Books change lives–save lives. That’s why we are here. We want to change the world. It only takes one.

And maybe I was so blown away by talking to Stephen while he signed my book that I forgot to get a picture WITH him. But sometimes you don’t need that to remember the moment…

I was already hard at work on the plane ride home. Thank you Stephen Chbosky for being made of awesome. I’ll keep my promise <3

*sigh* Workshop #2 Wasn’t quite a good fit for me. I came in a little late because I was Face Timing with my kids (3 hour time difference) and then the topic wasn’t exactly what I thought it was going to be. So not a lot of notes for you so we’ll move along.

Next up was the Diversity Panel #weneeddiversebooks

Here is who was on it…

AD-Adriana Dominguez

SF-Sharon Flake

LG-Lamar Giles

MM-Meg Medina

LSP-Linda Sue Park

Moderator SMW-Suzanne Morgan Williams

And here were some of the best takeaways

SMW-Why do kids need diverse books–especially if you did “okay” without them?

MM-When kids don’t have access to examples of themselves in books, it’ affects them. They become embarrassed by who they are.

-All of our journeys are universal, but we have to share our own stories.

LG-Positive imagery for everyone.

LSP-For young readers connections can happen at a really deep level.

SMW-Who writes diverse books?

LSP-Anyone can and should be able to write any one and any thing. But not everyone can do it well. If you do it, you need a passionate personal stake in what you’re writing or you may make things worse. Research can go a long way, but it has to be intensive and extensive. Immersion. At heart–writing multiculturally when this doesn’t happen is a lack of respect.

LG-It comes down to why you are doing it. People will call you with a passion if you mess up–even if your motives are honest.

SF-There are lots of submissions out there, but most of them reduce cultural diversity down to food, clothing and stereotypes. They lack depth.

LSP-Perpetuating stereo types are like ear worms that stick and that is a mistake. It makes people feel disrespected and does the opposite of what it’s supposed to do–enforcing negative energy.

And then it was time for my very first PAL Book Sale & Wine and Cheese Party!!!! I got to sell TOUCHING THE SURFACE to my tribe members while eating cheese. Do you know how much I love cheese? And talking books with friends? Good times were had by all. <3 What an awesome Day 1

Now it’s time for the cliff hanger…

*Did Kim have jet lag again tomorrow?

*Was there enough coffee in the world to make it through day two after such a jam-packed, awesome day one?

*Did anyone figure out what Miss Judy Schachner was talking about? *grin*

If you want to know these and other questions, leave a comment and be sure to stop back over on Thursday for my PART 2 of the LA SCBWI Conference Recap!!!!

 

 

 

 

 

 

Tags: #LA14SCBWI, Agents, conference, diversity, Editors, Judy Schachner, Kim Sabatini, Kimberly Sabatini, Laura Rennert, Lin Oliver, Meg Rosoff, SCBWI, Stephen Chbosky, Touching the Surface, Walter Dean Myers

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Recently the hashtag #WeNeedDiverseBooks has been all over twitter and the blogoshere. I’ve loved hearing and seeing the amazing requests for books and covers to reflect all the lives and faces of readers. I’ve also found the surrounding blog posts extremely interesting. They have often insightfully commented on the speed bumps we put in our own path to making change. But today I’m talking about something a little bit different. #WeNeedDiverseCritsOnOurManscripts

Not exactly the same thing, but as a writer, also pretty important.

It doesn’t matter if you’re an unpublished newbie or the author of multiple successful books. At some point, you need to have eyes other than your own on your manuscript. Of course, if you’re John Green or Veronica Roth, you’ve probably got some very eager and talented higher-ups in publishing who are willing to give feedback. But I would also imagine they have a secret stash of trusted people who will give them honest feedback on their work. And I would hazard a guess, that while those special people may not all be in publishing, they are intelligent readers who bring special insight to the table. This diversity is really important.

I very recently finished up a draft of a project to send to my agent. Because this project is a little different than what I’ve previously worked on, I really needed to have a wide swath of readers to give me feedback before I sent it for it’s first date with my agent. I don’t want to give away too much about my shiny new project. *hugs project protectively* But I have to tell you, despite having close to a dozen pairs of diverse eyes looking it over, I received very little overlapping advice on how to tighten the story. And even better, most of the suggestions were excellent and incorporated. The readers who gave me critiques saw my work with unique filters and now my writing is richer because of their vision.

Here are some general suggestions for finding diverse critiques for your writing. Since I write for kids, I’m gearing my advice to similar writers, but I think you can effectively extrapolate on the idea if you write outside of kid lit. Also keep in mind that too much advice can make you crazy. Pick your readers wisely. You should also be aware of your inner compass–be prepared to pass over advice that does’t resonate with you. Know your own voice and stick with it. But just as important,  be open to trying something that doesn’t initially feel comfortable. You can always return to the original. Here are some of my suggestions for getting diversity into your critiques…

*Find someone who represents your target audience. They don’t have to be a writer–just a reader. How do they organically respond to your writing. Do they emote in the correct places? Do they get confused? Do they dislike a character they are supposed to be rooting for?

*Find someone who teaches your target audience. They know your target audience intimately, but they bring a unique perspective. Is the reading level too high? Is the topic one that kids are looking for more information on? Is your dialogue completely outdated?

*Find a children’s librarian. They know what is being checked out and read over and over again. They may also be able to help you find readers in your target audience if you are having trouble with that.

*Find a parent of a child in your target audience that takes an avid interest in their children’s reading. (This is less important with teens, but can be an interesting perspective) For younger kids, it is often the parent who is doing the reading. Will a parent want to read this book over and over again with their child? And not that you always care whether they do or not (sorry parents–ultimately we write for kids) but do the parents want to ban your book? It’s never bad to know what you’re up against.

*Find an expert that compliments your subject matter. Writing historical fiction? Writing about a medical issue? Writing about a unique location? Have someone look your manuscript over who is knowledgable in the area you are writing about.

*Find someone who has great editorial skills. It’s fabulous if you can find a crit partner that knows spelling, grammar and the proper way to set up a manuscript for submission. Especially if this is an area you are weak in. *coughs*

*Find a friend who understands your emotional personality. We write with our hearts and that’s a good thing. It is a bonus to have a reader that is keyed into the deeper threads of your story. You need someone who can  point out the places where those threads are seamlessly woven and on the other hand, where you’ve gotten yourself into a knot.

*Find fresh eyes. Sometimes, no matter how lovely and talented the above critique partners are, you need fresh eyes. When someone has gone over multiple drafts of your project, they can  provide a lot of amazing feedback, BUT they can also get too close to the work. They may forget that they know something only because it was in a previous draft of your writing. They are familiar–too familiar with the story. Sometimes their knowledge of your manuscript can taint their response to it. At this point, it’s always nice to get a fresh pair of well rounded eyes to look over your writing with no preconceived notions.

 

Did I miss any? Do you have any other recommendations for utilizing diverse crit partners for your manuscript? Please share. Or if you have any questions, fire away!

And remember–it takes time to go through all those notes you get back from a critique. But it also takes time for someone to read your work and write you those notes. Not every person can drop everything to attack your MS in a pinch. Know your timeline and never forget  to return the favor. Thoughtful critiquing makes you a better writer and a much more awesome human being. :o)

 

Tags: critique, Critique Partners, diversity, drafting, Kim, Kim Sabatini, Kimberly Sabatini, revision, writing

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