It’s that time of year again! #ny18scbwi This weekend was the NY SCBWI Winter Conference.

This year the SCBWI changed things up a little bit. Based on the feedback they’ve been receiving from it’s members, they wanted to try to create a conference that had a more intimate feel. The goal was to provide us with smaller, more craft based workshops. This meant the size of the conference was cut by roughly half. There were some other changes too and fun additions. So, strap on your seat belt and I’ll walk you through the event.

It was an exciting, shiny evening on Friday. The first ever, Golden Kite Awards were held and it was fabulous. We started the night with our golden girl, Lin Oliver introducing our keynote speaker, Chelsea Clinton.

Chelsea was intelligent and engaging and it was lovely to officially welcome her and her books into the our SCBWI family.

I was bummed I didn’t have my good camera with me. But the sting was lessen by checking out my signed copy of…

She Persisted

Chelsea brought enough books for every one to have one. It was so sweet. <3 And after she was done, we had the privilege of celebrating our fabulous peers who were selected to win the Golden Kite Award and the Sid Fleischman Award for Humor.

Every speaker was inspiring and their books all sounded amazing. And as always the people in my tribe inspired me and made me proud.

My roomie, Jodi chatting with the brave Elana K Arnold.

Me with Elana. I’m already reading WHAT GIRLS ARE MADE OF and it’s making me think and feel in powerfully important ways.

The Golden Kite for Middle Grade was Jack Cheng with SEE YOU IN THE COSMOS!

And Deborah Heiligman let me hold her golden kite for Vincent and Theo! A girl has to dream, right?

After that, there was strawberries and champagne and lots of catching up with friends. And then it was off to bed to get ready for tomorrow’s conference.

Kicking off Saturday morning was Lin Oliver giving us our stats for the conference…

*48 States were represented.

*Missing was Alabama and Arkansas. The Dakotas got it together this year.

*Participants also came from 13 nations.

*Our participants and their day jobs were also diverse. There was a composer, a natural gas marketer, a pediatrician, a psychic medium and a crime scene detective in the audience.

Lin suggested that since us nerdy artists weren’t the most socially out front people, a good ice breaker would be to go around and ask someone new…”are you the crime scene detective?”

Our first Keynote of the conference was with  Dan Santat–DO YOU REALLY KNOW WHO YOU ARE? HOW UNDERSTANDING YOURSELF CAN PREPARE YOU FOR FUTURE SUCCESS.

Here are his best take aways…

*A great exercise is to tell a story about yourself. We can see greatness in others, but it’s in us too.

*It’s hard to judge your own work–listen to those who can help you and come to the conference like a blank slate, ready to take it all in.

*If you can look at your earlier work and cringe a little bit, you’ve improved.

*There is no such thing as paying your dues. You must work hard, but there is some randomness in the process.

*Find those who are unbiased and who will give you true and trusted advice.

*It’s important to know who you are and be inspired by the things you know and love.

Next up was the first of three Master Class Workshops: THE IMPORTANCE OF PACING with Phoebe Yeh

Here’s the information I’ll be working into my writing…

*Try doing a chapter breakdown of your novel. Chapters that are all about the same length keep the pace from being choppy.

*Often authors writing a series hold on to the big pay-off for a future book at the expense of writing the best book they can write now. Never save what you need in the moment.

*When things feel rushed, you may have to write transition or your characters might not be developed enough.

*It’s hard to have a flashback without slowing things down.

After lunch–Lobby Rat style on the lobby carpet, I attended my second Master Class Workshop of the Conference: A PRACTICAL INTRODUCTION TO THE MYSTERIES OF LINE EDITING by Harold Underdown and Eileen Robinson.

This Master Class had so much information in it, I’m going to recommend that if you ever get an opportunity to work with Harold and Eileen, you take advantage of it.

Here’s some of their best tips and tricks…

*Stages of editing…

–1. Developmental editing (big picture–problems with plot and characterization)

–2. Line editing (unnecessary material, clumsy phrasing, convoluted sentences and sequencing)

–3. Copy-editing (final polish–punctation, grammar, spelling and style)

*Line editing is typically learned via apprenticeship.

*It’s messy because it’s subjective, has multiple elements and every editor does it differently.

*Line editing has two core components–teachable elements and personal elements. And the hard part is doing them both at the same time.

*How are line edits done? By hand or with Track Changes.

*The best thing you can do for your writing is trust your reader.

*Line editing is learned by doing. Here are some of the recommended resources for learning more about this skill…

And if you want to learn more about where Harold and Eileen will be doing conference and online workshops or their independent editing, you can find out more about them here…

With our Mater Classes over for the day, it was back to the ballroom for the editor panel: HOW I GET TO YES!

MODERATOR-Emma Dryden

CD–Caitlyn Dloughy (vice president/editorial director of Caitlyn Dloughy Books-Atheneum Books for Young Readers)

JS–Jill Santopolo (editorial director of Philomel Books, an imprint of Penguin Young Readers Group)

TL–Tiffany Liao (editor at Henry Holt Books for Young Readers)

DN–Daniel Nayeri (publisher at a new imprint at Macmillan Children’s Publishing Group)

What makes you say yes to a MS?

JS–Beautiful writing. I can help fix plot and character. I need to be able to see a vision for the book.

TL–Reading the MS is a transportive, immersive experience. The writer has a velcro voice that sticks with you. Can I push this MS to great? Does the writer have something to say–clarity of vision? Funny voices. Middle grade. No horses LOL!

CD–When I’m reading and I get nervous because it’s going so well and I don’t want the author to mess up. If it holds–I have to publish it.

DN–the stakes in a new imprint are high and I can lose my job with every bad acquisition. So I chose something that is undeniably worth loving despite it’s flaws.

When a MS is rejected, it doesn’t mean it’s bad. Help us understand this.

JS–It might not be what the editor is looking for at the moment. JS likened it to buying a bridesmaid’s dress. If the bride is looking for a light blue, casual elegant book–they aren’t doing to want a bronze book.

CD–Sometimes I’ve just purchased a similar book. Sometimes it’s bad timing. I’ve written rejection letters while crying.

DN–Up front costs to make books are much larger than you might imagine. You can love someone else’s home, but that doesn’t mean you want to take out a mortgage and buy it.

TL–What’s worse than rejection is a very painful publishing process. Things can look great on paper but you need the X-factor in a project you take on.

After dinner and mingling with the infamous mashed potato bar, slider station and cupcake galore we headed to the portfolio showcase/illustrators social. This was awesome because I got a chance to view the portfolios of friends, lobby rats and new artists who tickled my artistic fancy. Here’s some of their work…

Art by: Stephanie Olivieri, dooleyglot, Milanka Reardon, Jessica Lanan, Jennifer M. Varn, Nick Fasnacht, Larry Daley, Amy Kenney, Kerry McQuaide, Justin Brancato and Stephanie Ruble. And Edna Cabcabin Moran’s card jumped out of my folder and walked away. Bad card!

And after that–as usual–the Lobby Rats (the ones who could stay awake) were hanging in the lobby <3

And then we were back up on Sunday and kicking off another busy day with the Awards Presentations followed by and unexpected pep talk by the illustrious Jane Yolen–WHAT THE OLD LADY HAS TO SAY: REVISING YOUR WRITING LIFE.

*Return to the compost pile of your own work–reinvention works!

*Try different styles and genres.

*Nature–it’s free for the taking. Three idea is the low end for eery walk. File them for later.

*Don’t let anyone tell you you’re JUST a writer.

*Have fun when you’re dreaming.

Then it was the Agent Panel: REPORT FROM THE FIELD 2018. WHAT’S CURRENT, WHAT’S HAPPENING, WHAT’S CHANGED?

MODERATOR–LIN OLIVER

EM–Erin Murphy (Erin Murphy LiteraryAgency)

MoN–Molly O’Neill (Root Literary)

KH–Kirsten Hall (President of Catbird)

BS–Brooke Sherman (Janklow & Nesbit Associates)

MZ–Marietta Zacker (Gallt & Zacker)

The panel started with a brief overview of each panelist and then turned into a humorous challenge to discover who had taken the most circuitous root to becoming an agent. BS did law and at one point was in the Peace Corp. MoN was a traveling youth minister and MZ declared herself a winner as a MATH major in college. :o)

What’s coming? Trends?

MoN–Lots of room in YA. Everyone is looking for the next Hunger Games but publishers are being more cautious than they have in the past. MG is thriving. Books that are marketed for education are finding their way onto award lists, best seller lists, into movies and into the cultural conversation. Lots of opportunity for author/illustrators and there are interesting things to be borrowed from the TV and Movie industry. PB’s are doing well also and we are seeing more and more innovative stuff being done.

KH–In PB we are seeing better representation of marginalized characters, PB biographies. And PB’s are effecting the demand for more illustrated chapter books. Readers want visuals attached to content.

BS–I think there is an absence of trends in the YA space right now and I’m happy about it. Originals instead of a knockoff of a knockoff. But that does’t mean publishers aren’t TRYING to find the next trend. It’s great to see marginalized voices but we should never focus on the author’s identity over the story.

Are we in a a corrective phase?

BS–We are having conversations we need to be having, but if we can introduce more nuance to the conversations we can find more common ground. I want to work with people who are willing to have uncomfortable conversations in order to make better books.

EM–Children’s Book Publishing had been a bright spot–generally robust. But last year was tough. Books were delayed because people couldn’t write. We were creatively stagnant and it feels like love is broken right now.

MZ–Give yourself permission to write your own story–that gives room for everyone to have a place.

EM–We are now telling stories that have never been told and these will be the new classics!

MZ–The only kid lit book on menstruation was ARE YOU THERE GOD IT’S ME, MARGARET? This is not a trend, it’s life. Half of our readers have periods!

EM–There are kids who NEED books about dealing with grief.

MoN–Older books were much more formulaic. Readers want to connect with our books by seeing themselves. And teens/tweens don’t want to be told what to think. They want to be respected for who they are.

Phew…that was a lot of highlights. But they had so much great stuff to share.

Then is was off to the final Master Class of the conference: Carmela Iaria–CONNECTING WITH THE GATEKEEPERS: HOW TO GET YOUR BOOK NOTICED BY TEACHERS AND LIBRARIANS.

This Pro Workshop had a CRAZY amount of excellent information. Here was the big picture of what we covered…

1.Identify the Core Audience you’re trying to reach. (classroom teachers, school admin/curriculum developer, public librarians, school librarians or professors)

2. Decide the main pitch.

You have your pitch and positioning, what happens next? Look into…

3. Institutional Press and Reviews. (traditional book review coverage, blog review coverage, consumer coverage [goodreads, Amazon])

4. Promotional materials (discussion questions, curriculum guides, posters, bookmarks etc..)

5. Advertising (print and digital ads, traditional print ads, email blasts, e-newsletter , website display ads, social media ads)

6. Digital and online promotion (join the social conversation, follow influencers, create your own social media sites.

7. Apply for awards (national awards, state awards–>state reading lists)

8. Make author appearances. (local libraries, local schools, Skype, regional book festivals, regional/state conferences, national conferences)

And here is our fabulous faculty…

And then we ended with a power house…Angie Thomas, debut author of the NYTimes bestseller THE HATE U GIVE–HOW I BECAME A WRITER.

“I’m here to ask you to change the world.”

“It’s Rosa Park’s birthday, Black History Month and two weeks until Black Panther comes out, so I can say what I want. Publishing failed me.”

“I was never the hero in books. Rappers became my heroes. Hip hop was urban America’s CNN. It gave us our voice–at it’s root, hip hop is a VOICE. Tupac spoke about me, he saw me, he recognized who I was–books didn’t. I wanted to write the way rappers do–make things messy.”

“Activism is messy.”

“Diversity is NOT a trend. DO NOT make your MC a POC as a way in. We respect those we write for–they are not a meal ticket.”

“Put in the work and get a sensitivity reader. It’s not censorship–it’s a good editing habit.”

“We don’t deal with issue books, we write great books that deal with issues.”

“Show your readers who they can be and what if they are instilled with compassion because they read our books?”

“We do have the power to change the world.”

And just like that, my heart swelled, my mind cleared and my battery was fully recharged. All that was left was getting some fabulous books signed and saying my goodbyes.

Just pretend Angie and I aren’t making silly faces LOL!

And I got to hug one of my favorite people in Kidlit–Laurie Halse Anderson <3 How’s that for an awesome ending to a conference?

Hope you enjoyed the recap. And remember that next year I have a Lobby Rats button just for you. All you need to do it come. I’ve got my fingers crossed you’ll be there.

Tags: #ny18scbwi, Amy Kenney, Angie Thomas, Brooks Sherman, Caitlyn Dloughy, Carmela Iaria, Catbird Agency, Chelsea Clinton, Dan Santat, Daniel Nayeri, Deborah Heiligman, dooleygot, Edna Cabcabin Moran, Eileen Robinson, Elana K ARnold, Emma Dryden, Erin Murphy, Gallt & Zacker, Golden Kite Award, Harold Underdown, Jack Cheng, Jane Yolen, Janklow & Nesbit Associates, Jennifer M. Varn, Jessical Lanan, Jill Santopolo, Justin Brancato, Kerry McQuaide, kidsbookrevisions.com, Kimberly Sabatinio, Kirsten Hall, Larry Daley, laurie halse anderson, Lin Oliver, Lobby Rats, Marietta Zacker, Milanka Reardon, Molly O'Neill, Nick Fasnacht, Phoebe Yeh, Root Literary, SCBWI, She Persisted, Stephanie Olivieri, Stephanie Ruble, Tiffany Liao

Comments

It’s time for the NY 2017 SCBWI Conference!!!!

I just got back and of course I wanted to share the awesomeness with you.

Just so you know, it wasn’t exactly easy to get there this year…

On Thursday we got hit with a winter storm. My house got just over 10 inches of snow–resulting in a very happy puppy.

With a day off of school, I was kind of lucky because I got some extra sleep and had plenty of time to pack for the next day.

But not everyone was so lucky. I know of several people who couldn’t get their flights sorted out and missed the conference all together. That was a huge disappointment.

I knew I was going to be running a little late for Friday’s Intensive, but my train schedule got pushed back even more due to the boys having 2hr delays. I decided not to stress and go with the flow.

Chilling out and day dreaming while looking out the train widow really paid off. I got to see 4 adult and 4 juvenile American Eagles! And I even captured one on my camera and that made me extra happy.

While I missed most of the morning portion of my Friday Intensive–WRITING THE VERSE NOVEL–but made it for the first half of the round table sessions. Despite being late, I still had an amazing experience and learned a ton. I’ve never attempted a novel in verse before, but I’m intrigued, I enjoy reading them and I always feel that learning new things brings depth and color to anything I’m working on. So it was a great opportunity. And the good news was that I was able to get the handouts and I have access to the notes.

The lovely Bonnie Bader facilitated the Intensive.

Listening to Sonya Sones—The Nuts and Bolts and Safety Pins of Writing the Novel in Verse

*Don’t write a poem that makes a teenager feel stupid. It must be accessible.

*Our goal is to move people with our words–create an emotional response.

*Teens are present tense human beings.

*Read your work out loud with ear plugs. It allows you to hear your own voice.

We also did some fun exercises with Ellen Hopkins‘ session Balancing Verse with Story

Do you want to get your creative descriptions flowing? Try asking yourself some interesting questions like…

What does anger smell like?

What does happiness taste like?

What does sorrow sound like?

What does boredom feel like?

What does love look like?

You should have heard all the interesting and varying responses in the room.

And after another session of round tables, there was even time for a Q & A session with the intensive faculty.

(Sonya Sones, Andrea Davis Pinkney, Ellen Hopkins and Emma Dryden)

Done for the day, it was time to meet up with my friends (old and new) and fellow Lobby Rats for a yummy Italian dinner and lots of catching up in the–you guessed it–lobby!

Then on Saturday morning–despite how comfortable my roomie and best bud, Jodi Moore and I were in our cozy beds at the Hyatt Grand–we rolled on downstairs for coffee, bagels and the kick-off of the conference.

Starting off the day was some birthday singing for the one and only Jane Yolen!

This was followed by Lin Oliver‘s famous SCBWI State of the Conference Address.

Here’s how it all went down…

*1,121 Attendees

*40% Published and 60% Pre-Published

*States not representing? North Dakota and Wyoming 🙁

*Attendees came from 61 different countries to include Hong Kong, Australia, Spain and Egypt.

*Some of this year’s interesting Professions/Day Jobs were…

     -Costume Shop Supervisor

     -Attorney/Voice Over Actor

     -Chairman of the Book Selection Committee (everyone was looking for this person LOL!)

     -Crime Scene Detective

     -Dog Groomer

     -Podiatrist

The first Keynote of the day was the always moving and inspiring Bryan Collier

Here are some of the things you should know…

*When he was 4yo–he saw HIMSELF in the picture book Snowy Day by Ezra Jack Keats. He became obsessed with art and headed to NY–there was no plan B

*Be careful who you share your dreams with, even the people who love you will tell you to get a job.

*Your dreams should be so outrageous they scare you.

*Everything your awkward about is the very thing that makes you special. <3

*Creativity is not just a pond–it’s a river. We are moving!

*The world is waiting for you to dream.

*Sometimes our readers aren’t standing in the doorway. They are in a ditch–behind bars. And they are waiting for you.

Want to check out some of Bryan’s amazing work? Look for his illustrations in KNOCK KNOCK.

Next up was a Panel Discussion–Four Types of Picture Books: A Closer Look

Moderator LL-Laurent Linn

DS–Daniel Salmieri (Illustrator)

GP–Greg Pizzoli (Author/ Illustrator)

ADP–Andrea Davis Pinkney (Author/Editor)

AB–Andrea Beaty (Author)

There was so much great information offered by this panel, so I’ve picked my favorite pieces of advice and inspiration to share with you…

ADP–Bringing non-fiction to readers is like spinach. You have to keep serving it up until they get a taste for it.

ADP–I’m under the belief that if something excites you–it can excite the child.

DS–Don’t be afraid to draw ANYTHING–you’re in a constant state of getting better.

GP–Picture book advice 1. a picture book can be anything 2. it should be direct 3. keep it short.

LL–Ballet look so easy. Effortless. But those ballerina’s have bloody stumps for feet. Rhyme has to look equally effortless.

Next up was my first Break Out Session–World Building with Arianne Lewin

This was a fabulous workshop and very relevant to what I’m working on in my WIP. Here’s what you need to know…

*Creating a world that’s immersive will keep the reader reading.

*The world should unfold organically.

*World building applies to ALL books–it’s the anchor for your story.

*The world has to be believable and manageable.

*1st build atmosphere–it make the reader feel comfortable slipping in.

*If the character believes it–the reader will believe it. It’s in the details.

*Great examples of world building–The Lion, the Witch and the Wardrobe and The Golden Compass.

*The world is revealed by what your character does–show it!

The Lobby Rats taking a lunch break

One for me and one for my roomie <3

Then it’s back to work…

After lunch it was back to another breakout session.

This one was Writing Middle Grade Fiction with Andrew Harwell, Senior Editor at Harper Collins

*MG readers ages 8-12 (grades 2-6)

*This means that the middle grade section in bookstores houses a WIDE variety of books in one area–Captain Underpants to The Golden Compass.

*MG readers are extremely sophisticated–but keep your eye on the main character–that is the story anchor.

*Never talk down to your readers.

*There is no one, right gold standard voice or style in MG. Do what works for you and your character.

*Plant seeds –details in the earlier part of your book that you can catch again at the end.

*If you have the details clear in YOUR head, you don’t have to over explain anything to the reader. It will make sense. Make your plotting masterfully done.

*Make sure you give your characters a breathing moment–hit different emotional registers.

*The specific details are anchored in the universal themes.

*Be prepared to use sensitivity readers.

The afternoon keynote by Tahereh Mafi is STILL giving me goose bumps.

Everything about this keynote was incredible. I’m sorry, but I couldn’t capture it all. It was her words, which flowed non-stop. It was her elegant demeanor. It was her power and resilience. It was her history and her goals for the future. If you ever get a chance to hear her speak–know you are in for an altering experience.

This is what I was able to capture…

*A thick skin will only insulate you from pain, and act good is a writer who doesn’t feel anything?

*Speaking of her mom, who had her skull fractured on the streets of Iran: grief was a luxury she was never able to afford.

*My thin skin helps me to exhale emotions onto the page.

*Those rejections keep you hungry.

*Not everyone will know our stories and back stories–our inspirations and aspirations–but SOMEONE will find it.

*Lean into your pain and let it shape you.

*If you don’t give up, you can’t fail.

*She wrote and queried FIVE novels before the one that sold.

This year, the walls between the ballroom and the bookstore were opened. I loved it! This is everyone rushing to get Tahereh’s book after her moving keynote.

Next up was the afternoon panel–Children’s Books and the Social Media World: A Panel of Influencers

Moderator by Martha Brockenbrough MB

TJ–Travis Jonker (blogger) @100scopenotes and @TheYarnPodcast

CLS–Cynthia Leitich Smith (author/blogger) @CynLeitichSmith and  www.cynthialeitichsmith.blogspot.com

MW–Mathew Winner (librarian/podcast host/blogger) @MatthewWinner and @AlltheWonders

Here’s a sample of what we got to hear…

TJ–I love when a voice we love in a book carries over into the authors social media.

CLS–Calls out Debbie Ohi as someone who is doing it RIGHT! She has take aways for her audience, snippets of her art, a positive and friendly attitude.

CLS–Write your mission statement as an author.

CLS–Know when to step away from social media and write your book.

CLS–Author profiles with animals–especially quirky animals get more love.

Worth a try, right?

MW–I never set out to have an audience. I set out to share what I love.

MW–Being nice makes you cool!

Usually book signings are on Sunday, but every once in awhile we have a couple people who need to sign on Saturday.

My roomie, Jodi Moore talking to Andrea Davis Pinkney!!!! She was the sweetest to cast with and I’m constantly blown away by what an intelligent woman Andrea is. You must read her work–it’s incredible. I fell in love with this picture book and got a signed copy for my school library…

A Poem For Peter

And I also got to speak with Tahereh Mafi and tell her what an impact her keynote had on me. <3

And then it was time for the Gala with it’s the SCBWI MASHED POTATO BAR!!!

As if it was meant to be–I walked by and they opened this particular Mashed Potato Bar and I was the first one to use it ROTFL!

Cheers!

Hope you enjoyed my NY 2017 SCBWI Part 1 Recap. I’ll be sure to get you Part 2 as soon as I can.

Any questions about the conference? I’ll do what I can to answer them. Planning on going to the LA conference in July and want to be in the Lobby Rat know? Let me know and I’ll add you to the FB group. Or if you’re planning to attend a different SCBWI conference and would like to make sure the Lobby Rats are represented–let me know. We can arrange that <3

And if you want to play along in the comments and give Ellen Hopkins’ exercise a try, here’s your question…

What color was the NY conference and why?

You can answer this as an attendee or as an arm chair conference follower.

My conference was green like a leafy vine, because many of the ideas that were floating around in my head, were finally able to be connected because of what I learned and the people who were inspired me.

Tags: #NY17SCBWI, A Poem For Peter, Andrea Beaty, Andrea Davis Pinkney, Andrew Harwell, Arianne Lewin, Bonnie Bader, Bryan Collier, Cynthia Leitich Smith, Daniel Salmieri, Debbie Ohi, Ellen Hopkins, Emma Dryden, Ezra Jack Keats, Greg Pizzoli, Hyatt Grand NY, Jane Yolen, Jodi Moore, Kim Sabatini, Kimberly Sabatini, Laurent Linn, Lin Oliver, Lobby Rats, Martha Brockenbrough, Matthew Winner, SCBWI, Snowy Day, Sonya Sones, Tahereh Mafi, Travis Jonker, Verse Novel

Comments

Hello… it’s #LA16SCBWI time…is there anybody out there? I know. I’ve neglected the blog, but for a good reason. Blogs are secondary to the writing and the writing has been my priority. But I LOVE my SCBWI conference blogs. They help me process everything I learned and I also love sharing a bit of the magic and insight with those who couldn’t make it. Plus I missed you. So, let’s go to #LA16SCBWI together!

Compared to last year, my journey to #LA16SCBWI was a breeze. No hassles. Everything was on time. The Jet Blue snack was blue chips. I even had my roomie picking me up at the airport and we defied the laws of LA rush hour and made it to the hotel in a record amount of time for the afternoon. Everything was perfect until…

My luggage lock wouldn’t come off. Really???? I think what happened was I accidentally twirled and twisted when I should have pushed and clicked–resetting the combo to a magic number I did not know. Grrrr. I thought about trying all the possible combinations then called the hotel desk and had a lovely gentleman cut it off for me. Crisis averted. Dinner was had and friends caught up. Easy Peasy. And when all was said and done, I fell asleep and never rolled over until morning. Not even the Biltmore ghosts could wake me.

Yes, the Biltmore hotel, the sight of #LA16SCBWI is supposed to be haunted. Do you see the wee ghosty on the SCBWI folder? I wouldn’t lie. Totally haunted. I’m positive, although I didn’t see, hear or sense a thing.

But any building that looks like this inside must be haunted, right?

BTW–sorry for the grainy pictures–I left my good camera at home by mistake. Boo!

But the ghosts aren’t really the important part–unless they inspire some fabulous stories. We were there to get our kid lit on and we took off running on Friday.

Steve Mooser and Lin Oliver were on the scene–Lin entertaining us with stories of her senior prom and bachelor party at the Biltmore. Which by the way, was built in 1923 and was originally a cathedral. And this past weekend it housed…

-952 Full Time Attendees (with a 950 seat ballroom) Good thing there were always spatially challenged writers who had trouble finding their way around the building LOL!

-348 Published

-603 Pre-Published

-47 States. (West Virginia was absent and Vermont. But Lin figures they were still too busy feeling the Bern)

-15 Countries

-And there were some interesting primary occupations listed: 101 Full Time Artists, Cake decorator (because frosting is a legit medium), 93 FT Writers, A Writer/Shepherdess (and obviously a good one–never saw a single sheep in the Biltmore), 3 Paper engineers, a Bonsai Artist, a cluster? herd? swarm? flock? pod of lawyers? and a Retired Housewife. Lin didn’t know that last one was an option. Sign her up!

And our joke contest was Books in the Olympics–write your own headline!

In LA the faculty also marches in and shares their word of the conference. Here are some of my favorites from #LA16SCBWI…

–David Diaz–melarchy

–Arthur Levine–personal

–Justin Chanda–inclusivity

–Ginger Clark–Brexit

–Peter Brown–awkward

–Nancy Castaldo–noble

–Lisa Yee and Martha Brockenbrough–Wonder Woman

–Alvina Ling–Breathe (she was congested)

–Linda Sue Park–(for anyone who cares about kids) VOTE!

The first Keynote Speaker of the conference was Drew Daywalt of crayon fame.

DOES THIS KEYNOTE MAKE MY BUTT LOOK BIG?

Drew was funny and sweet as he talked to the group. Here are some of the most interesting things Drew had to say…

*Jack Gantos wanted Drew to write for children–he was his Obi Wan Kanobi

*Did you ever notice how crayons are in your house but you didn’t buy them?

*20 years later..”I told you so, idiot!” Jack Gantos

*First school visit he panicked but the librarian told him he could bring THE box of crayons LOL! A boy raced past”security” and jumped in his lap and said…”I love you, Mr. Daywalt.” It changed his life. <3

*Hollywood kicked me for 20 years and knocked me down and a million little hands caught me. <3

*Be true to your voice.

*Be vulnerable.

*Authors find meaning in the meaningless and define meaning in the meaningful.

*Don’t overstay your welcome. *waves*

Next up was Pam Munoz Ryan: ONE WRITER’S CONFESSIONS

Things she’s learned along the way…

*Getting published and discovering I could still fail.

*If you’re not struggling to learn something new, you’re failing.

*If you aren’t struggling, you’re setting your goals too low.

*I wasn’t self actualized to feel marginalized. (On not seeing herself represented in the books she read)

*Things that get you out of writer’s block–a deadline.

*I don’t have a muse, but I’m still waiting.

*I don’t write every day. A writer has a relationship with writing.

*Goal: I want the reader to sit down and turn the page.

*It still stings–writing doesn’t get easier for me.

*I write in a feeble attempt at immortality.

*I read to forget and I write to remember. <3

Every conference has those bathroom breaks between speakers and they are perfect for coffee and meeting friends you’ve only loved on line. So pumped I FINALLY got to meet Lynne Kelly on of my fellow Class of 2k12 siblings. <3 Such a lovely treat.

The next Keynote belong to Justin Chanda (VP & Publisher of four children’s imprints at Simon & Schuster)

THE STATE OF THE STATE OF THE INDUSTRY

Justin took the stage fighting the urge to suggest we unify the party. LOL! Here were a few things going on in the industry…

* 2015-2016 was a great year for independent books stores.

*Kid lit is doing well, but blockbusters are driving the overall sales while the mid-list are struggling.

*Blockbusters keep the lights on.

*It’s a big leap of faith to acquire a picture book. Because of that editors are selectively looking for character drive, humorous books that appeal to adults as well as kids. You have to be the best of the best to get a deal in this market.

*Advice: Write, Illustrate, Rinse, Repeat.

Sorry it’s a little dark. Remember I forgot the one with the telephoto lens. Grrrrr But even so, I can vouch, this is my first break out session of the conference. It was a Pro-Track session with Don Tate on SCHOOL VISITS.

Don gave a sample of his own presentation, followed by advice and tips from himself and multiple experienced authors/illustrators. It was a wealth of knowledge.

He also shared the fabulous Debbie Gonzales who works with the academic standards to create projects, presentations and study guides. She’s currently working with TOUCHING THE SURFACE and I’ll be excited to soon launch some fabulous new ways that TTS can be used in the classroom.

And my favorite tip from Don? GO WITH THE FLOW–IT’S NOT ALWAYS GOING TO GO AS PLANNED!

Next up was the Editor Panel: THREE BOOKS I LOVED PUBLISHING AND WHY

SB-Stacey Barney–Senior Editor (G.P. Putnam’s Sons/Penguin)

KB-Kat Brzozowski–Editor (Swoon Reads/Feiwel and Friends)

AL-Alvina Ling–VP and Editor in Chief (Little, Brown)

MM-Melissa Manlove–Editor (Chromicle)

NP-Neal Porter–Publisher (Neal Porter Books)

MR-Matt Ringler–Senior Editor (Scholastic)

SS-Sara Sargent–Executive Editor (Harper Collins)

RS-Reka Simonsen–Executive Editor (Atheneum)

KS-Kate Sullivan–Senior Editor (Delacore)

Moderated by: ED-Emma Dryden (Dryden Books, LLC)

Each editor was asked to talk about three books they proudly published and talk about why they were meaningful. They also gave advice to the audience. I missed a few here and there and I can’t possibly effectively duplicate their gushing–but here’s what I can give you…

SB–Firebird, The Lions of Little Rock, A Crack in the Sea

      *Breathe, publishing is a marathon. It teaches patience. Work on your craft.

KB–RL Stein’s Fear Street Series, When the Moon Was Ours

       *Build a strong network of people. Publishing is small. Reciprocal relationships.

AL–Thunder Boy Jr, The Year of the Dog, Daughter of Smoke and Bone

       *Rejection is not personal.

MM–Picture This, President Squid, Josephine

       *Inspiration is electric, but it’s the lightening bolt that hits the person grinding the generator. You have to do the work.

NP–Giant Squid, School’s First Day of School, Ideas Are All Around

       *Do I HAVE to write this book? Is there intense feeling?

MR–Kill the Boy Band, The Hero Two Doors Down, Puppy Place Series (Because you can’t have a bad day picking out puppies for book covers ROTFL!)

          *Rejection can feel personal, but it’s an industry thing. Editors can’t always get what they want.

SS–Cruel Beauty, The Museum of Heartbreak, Last Year’s Mistake

          *Look for the window where you know what an agent/editor likes but then make it different.

RS–Enchanted Air, THE WICKED AND THE JUST (In caps because it’s a fabulous book by my Class of 2k12 sib J. Anderson Coats) and Glass Slipper, Gold Sandal.

        *Write what you love.

KS–Ash, Rapture Practice, Passion Counts

Next up was another Keynote with Jenni Holm: IT TAKES A FAMILY

Jenni shared lots of personal stories but this fact was key…If you’re going to write about your family, write about your mother’s family first LOL!

And then, just when you think you can’t do one more minute of conference, we got to celebrate the Golden Kite Award Winners and have a celebratory dinner.

We even had a display in the lobby of our celebrated books for #LA16SCBWI

And don’t forget the pyramid of chocolate. It was very yummy.

And on that sweet note, I’ll leave you to digest this first day of #LA16SCBWI and I promise I’ll be posting more soon.

 Want to see a little bit more of the Biltmore and it’s Hollywood History? Check out this video…

http://la.curbed.com/2013/10/4/10190584/watch-the-many-film-roles-of-downtowns-biltmore-hotel

Tags: #LA16SCBWI, Alvina Ling, Arthur Levine, Biltmore hotel, David Diaz, Debbie Gonzales, Don Tate, Drew Daywalt, Emma Dryden, ghosts, Ginger Clark, J. Anderson Coats, Jack Gantos, Jennifer Holm, Justin Chanda, Kat Brzozowski, Kate Sullivan, LA, LAX, Lin Oliver, Linda Sue Park, Lisa Yee, Lynne Kelly, Martha Brockenbrough, Matt Ringler, Melissa Manlove, Millenium Biltmore, Nancy Castaldo, Neal Porter, Pam Munoz Ryan, Peter Brown, Reka Simonsen, Sara Sargent, SCBWI, Stacey Barney, Steve Mooser, study guides, The Class of 2k12, The Day the Crayons Quit, The Wicked and The Just, Touching the Surface

Comments

I had the perfect flight lined up for #LA15SCBWI. (The 44th Annual SCBWI Summer Conference) I was leaving NY at 1pm which gave me enough time to get the dog and the boys where they needed to be and plenty of time to get settled in LA before the conference kicked off on Friday morning. That was the plan, anyway. After getting through security I realized I had an hour delay on my Virgin America flight, so I grabbed a sit down lunch. Then that one hour delay turned into a two hour delay.

So I read my magazines–standing up so I’d be ready for that 5+ hour flight.

And I also checked on the puppy. Riley is the 10 month old GSD in the middle. I am the spy LOL!

And of course I checked the #LA15SCBWI twitter feed, where I discovered that @alioop7 (Sky Pony Editor Alison Weiss) was on the same flight. Let’s just say we bonded by the time we arrived in LA–MUCH later than we’d planned. After the 2 hour mechanical delay, this is how it went down…

Everyone is loaded, but it’s starting to drizzle.

Hmmm doesn’t look like we’re getting off the runway. A big storm is rolling in.

The airport closes completely and we are stuck on the runway for over 3 hours. But…is that a light at the end of the proverbial tunnel? Yeah–not so much. It’s back to the gate to fuel up and hear more potential bad news. Now I’ve got my fingers crossed we get off the ground some time tonight. And I’m grateful that I didn’t have my kids stuck on the plane for five hours prior to the five hour flight. All those kiddos were fabulous BTW! And eventually, as the sun was setting, we were finally heading out.

We arrived at the hotel at 11:37pm which was 2:37am EST. *yawn*

I’d like to tell you I went right to bed, but I was in a room with my favorite writing roommate–Jodi Moore and her baby dragon!!!!

I think we both fell asleep mid-sentence. Basically nothing unusual.

After coffee and breakfast and more coffee, the first order of business was finding my RA the fabulous Nancy Castaldo.

I was proud to be her one and only Eastern Upstate NY attendee. We need to at least quadruple that number next year–start your conference fund NOW!

And then we are in conference mode. Poor Lin Oliver, she was suffering with a horrible tooth ache, but you’d never know it. Such a trooper!

Every year the faculty lines up to introduce themselves and they are each responsible for shouting out one word that is representative of them at the LA conference. Here were some of my favorite words…

community

backbone

intentionality

perspective

preparation (the H is silent)

juggle

codpiece

AND

YES!

anticip…

flip flops

curiouser

These words and my experiences over the conference always help me to come up with my own word or words as a takeaway. So watch for that in my last recap post.

And you can’t forget Lin’s Conference Stats. No Conference is complete without them…

*1173 Attendees

*437 Published

*736 Pre-published

*19 Countries in attendance

*48 States

          -This year we were missing West Virginia and New Hampshire.

There were also 225 different occupations listed on applications…

*pediatrician

*car pool coordinator

*choreographer

*VP of transformation

*event planner

*trucker

*opera singer

*bonsai artist

*incentives manager for Victoria’s Secret

and my personal favorite…

*International small arms dealer–mostly doll arms LOL! 

You’ve got to love us wacky children’s writers.

The first Keynote of the conference was with the legendary Mem Fox: INSIDE THE WRITER’S HEAD–THE WRITERLY THOUGHTS THAT LEAD TO SUCCESS. 

If her rich voice and hilarious expressions weren’t enough, Mem also shared tons of wonderful and inspirational information with us. Here were my favorite bits of advice and encouragement…

*Adults love soggy sentimentality that makes kids want to throw up.

*Timeless books arise from genuine events that touch the author, not necessarily sadness.

*When writing picture books she keeps four children in mind…

          -One on her lap

          -One on the couch

          -One in bed

          -And the rest in the classroom.

*Mem WANTS to write books that kids don’t completely understand. She’s not here to keep kids trapped in familiar language.

*I can kindle a love of language or I can kill it.

*Rhythm is in the marrow of your bones if you’re a picture book writer. Often books are written as if word choice doesn’t matter–rhythm matters.

*Without the right words, the death of a book is imminent, which gives new meaning to the end.

Next up was the Editor’s Panel.

AW—Alison Weiss (Sky Pony Press)

SS—Sara Sargent (HarperCollins)

RM—Rotem Moscovich (Disney-Hyperion)

AJ—Allyn Johnston (Beach Lane/Simon & Schuster)

JSG—Julie Strauss-Gabel (Dutton/Penguin-Random House)

JB—Jordan Brown (Balzer+Bray/Walden Pond Press/HarperCollins)

Moderator: WL—Wendy Loggia (Delacort/Penguin Random House)

I’ve heard MANY editor panels over my years of attending conferences, this one was very, very good. Lots of laughs, information, support and tough love. Here are the highlights…

WL–Dream Submissions?

SS–Fantasy–think escapism, swoony, transportive.

RM–Send me your awesome things.

AJ–Fresh take on universal themes. I want goosebumps. I want to read it again. Lots of room for illustrations.

JB–Character. We are doing our best work when we are expanding the reader’s capacity for empathy.

AW–Something that shakes up my own perspective.

JSG–Sense of humor.

Other bits of wisdom I jotted down…

JSG–I admire risk–even if it falls apart. I’m willing to work with that. It speaks to ambition.

JB–On the flip side, envy can be a powerful and useful emotion.

Time for our first Workshop of the conference. SMALL PRESSES: THOUGH THEY BE SMALL THEY BE FIERCE with Alison Weiss (Sky Pony Press), Rana DiOrio (Little Pickle Press) and Emma Dryden.

This was awesome new information for me. I haven’t had a ton of small press exposure. Here are some of the things I learned…

*Small presses are very collaborative and involved with their authors.

*Accessibility–you know who is touching your book.

*Small presses think outside the box with how they market.

*They are often very involved with unique collaborations that are very helpful for their books.

LUNCH TIME!!!!!!!

And now that I’m full, it’s back to work LOL!

Time for Meg Wolitzer and SWITCHING HATS: WRITING FOR ADULTS AND YOUNG ADULTS

And here is some of her random awesome…

*The hilarious writers say they get their ideas from Cleveland.

*A novel is a sort of concentrated version of who a person is. A bullion cube of sensibility.

*We want novels to feel like an approximation of life.

*If you know what preoccupies you, then you know what to write. Write what obsesses you.

*Self censorship is to be avoided–write as if everyone you know is dead.

*Write the book that reflects who you are when no one else is looking.

*The world will whittle your daughter down, but a mother never should.

Next up was Adam Rex–HOW I MAKE PICTURE BOOKS

LOVE THIS…There should be picture books for every age. It’s not a form that people should grow out of.

Next was another workshop with Wendy Loggia–FINDING YOUR YA VOICE

*I think it’s possible to hone a voice that’s authentic to you and captures your reader.

*Voice is the first thing I look for and it’s non-negotiable.

*I know I’m reading something good when I’m swept away and not thinking about the author.

Oh boy–sorry to interrupt this workshop with a critique. This was my first LA crit–I was looking for a little guidance on an unusual project I’ve been messing around with. Just so you know, Bonnie Bader was super awesome and helped me so much.

***NOW BACK TO WENDY***

*Establishing multiple voices is HARD!

*What sets Delacorte apart? We do our own editing.

The last Panel of the day was the SUCCESS STORY PANEL: TIPS ON HOW TO REALIZE YOUR DREAM

This was a GREAT panel!!!!

MB—Martha Brockenbrough

MC—Mike Curato

SL—Stacey Lee

LN—Lori Nichols

AS—Anna Shinoda

Moderator LW—Lee Wind

Across the board, every single person on this panel was persistent, putting in years of effort and hard work to cross into success. My biggest take away was there are no short cuts. Here are some of their best bits of advice…

SL–On attending an SCBWI conference…I felt as if I owed it to my story to go.

MB–Family comes first, but you shouldn’t be making sandwiches when you can be making stories.

MB–There is always a moving target in publishing–what satisfies us are the meaningful relationships.

MB–Resistance makes you stronger.

LW–The pressure is making us diamonds! #sparkleandshine

MC–It should ultimately be a joyful process.

MB–Just finish the draft–it’s got to be finished.

After a full day of conference fun, there was the PAL bookstore where I adopted a whole bunch of baby dragons!!!

And–because I love you–I bought an extra signed copy of WHEN A DRAGON MOVES IN AGAIN by Jodi Moore for a special giveaway.

Coming… September 1, 2015 from Flashlight Press

A dragon friend understands the ups and downs of becoming a big brother

Preparations are in full swing to welcome a new family member in this sequel to the award-winning When a Dragon Moves In. A young boy has become a big brother and he and his beloved dragon dedicate themselves to entertaining the little baby. But when the drooling, crying baby somehow charms the dragon and his attention, the boy decides he’s had enough of this baby business. Adult readers will see the dragon as the boy’s alter ego—eager to cuddle with the new baby before the boy himself feels quite ready, then as a conduit to the boy’s acceptance of the baby, and finally as kindred spirit with whom the boy can commiserate. Younger readers will love the boy’s wonderful, though perhaps invisible, dragon friend who helps him be a good big brother.

a Rafflecopter giveaway

Please spread the word about the contest if–I’d love to see this dragon find a wonderful new home. And watch for the rest of my conference recap blogs coming next week. 

Tags: #LA15SCBWI, Adam Rex, Alison Weiss, Allyn Johnston, Anna Shinoda, Balzer + Bray, Beach Lane Books, conference, Delacort, Disney-Hyperion, Dutton, Emma Dryden, Flashlight Press, Harper Collins, Jodi Moore, Jordan Brown, Julie Strauss-Gabel, Kim Sabatini, Kimberly Sabatini, Lee Wind, Lin Oliver, Little Pickle PRess, Lori Nichols, Martha Brockenbrough, Meg Wolitzer, Mem Fox, Mike Curato, Nancy Castaldo, Penguin Random House, Rana DiOrio, Rotem Moscovich, Sara Sargent, SCBWI, Simon & Schuster, Sky Pony, Stacey Lee, Virgin America, Walden Pond Press, Wendy Loggia, When A Dragon Moves In Again

Comments