It’s time for my last installment of my #LA16SCBWI recap. I apologize for taking so long. I’m usually well done with these by this point, but my kids, my own writing, and other life stuff has kept me busy. But I’m here now and I have lots of great information to share with you about the LA 2016 SCBWI Conference.

 

Lin and Steve strategically kicked off Sunday mornings #LA16SCBWI offerings with the Agent Panel. After an evening of dancing and kid lit shenanigans at the Gala–only the promise of finding an agent can get the sleepy masses out of their beds LOL!

Agent Panel: Acquisitions Today

VWA–Victoria Wells Arms (Victoria Wells Arms Literary)

GC–Ginger Clark (Curtis Brown, LTD)

KH–Kristen Hall (Catbird)

BS–Brooks Sherman (The Bent Agency)

ERS–Erica Rand Silverman (Stimola Literary Studio)

TW–Tina Wexler (ICM Partners)

MOD-Lin Oliver

Here are some interesting bits and pieces of the conversation…

KH–(Talking to her kids) On quitting her job and starting her own agency… I’m fine. I’m covered in hives, but really I’m fine.

TW–After her intro…”I should have just said I was a cat person.”

ERS–I’m looking for people who are purposeful in their craft.

TW–Do I love it? AND… Can I sell it?

KH–Relies on her instinct when picking clients.

BS–Doesn’t worry about what will sell. If he likes it, he’s willing to dive in.

GC–On queries: No voice of the MC. No gimmicks. Not overly personal. PROFESSIONAL! All authors used in comps should be no older than 5 years!

KH–Loves all the opposite query things that GC does ROTFL!

 

Then it was time for the Art Award Announcements!

The Mentorship Winners.

The Showcase Honors.

And Showcase Winner–Oge Mora

And speaking of fabulous illustrators, next up was a Keynote by Sophie Blackall: FORAGING FOR STORIES: HOW TO JUSTIFY EAVESDROPPING, LOITERING AND BUYING THINGS ON EBAY

Sophie was a natural storyteller and it was hard to pick out the individual threads to share because everything she said was woven together so interestingly. But I’ll do my best to pick out a few things for you…

*I collect things.

*I’m inspired by my fellows.

*One must always pay attention.

*Missed Connections–> the Measles Project.

*I rode the subway in NY, made eye contact with a stranger and ended up in Bhutan.

*Why is yoga still so hard? Because you are constantly pushing your limits. –>Apply that concept to your writing.

*Kids notice your trivial transgressions. Details matter.

*We make mistakes, but we should strive not to.

*The gestation of a book may be the best part.

*Toni Morrison writes into the light. “It’s not being in the light–it’s being there before it arrives.”

*The making part IS the best part. Do not hoard your ideas–use them all now. Something else will arrive.

Next up was my first Break-out Session of the day. I got so lucky picking Neal Schusterman-DON’T TELL DAD I TOTALED THE UNIVERSE: LESSONS IN WORLD BUILDING LEARNED THE HARD WAY

This was an incredible workshop. If you ever get a chance to talk world building with Neal–I suggest you take it. What I loved about his advice and techniques were how accessible they were. The focus was not on High Fantasy which isn’t what I write. And his approach was clear, logical and easy to assimilate into your own process. Plus he was inspirational and funny. Here is some of the best things I learned…

*There are no rules but the ones you make.

*Be prepared to live by your rules. There are ramifications to the rules that you make.

*Be LOGICAL!!!!

*You don’t have to address all the changes the butterfly effect has on your story, but you have to KNOW them.

*Rules can be problematic, but they can also be tools.

*Bring the reader in slowly.

*Stories are about people, no matter what world you are building–resist putting the world in front of the characters.

*Learn to write characters in the real world first–then move to world building.

*Master world building with shorter works.

*Too much info on the world can be confusing to the reader.

*When you are world building on existing mythology, you have to bring something new to the table, a twist.

*IF YOU CAN’T KEEP TRACK OF YOUR WORLD IN YOUR OWN HEAD, IT’S TOO COMPLICATED FOR YOUR READER!

*Start with the concept of the world. Find characters that fit into the world. Then work to balance the two.

*The world grows as you go along, that’s why revision is so important. By the end you know the world and the characters, then you have to go back and be sure that everything is consistent.

*Follow the exciting, shiny idea within your manuscript–even if you didn’t plan for it–otherwise the writing will be boring.

After lunch, Linda Sue Park did a fascinating afternoon Break-Out session on CHILDREN’S BOOK AWARDS: HOW JUDGING HAPPENS.

I took a picture–I swear I took a picture. But the phone goblins ate it. I’m still missing my good camera. I can’t believe I didn’t bring it. Maybe I need one of those lens attachments for my phone. Any recommendations?

Anyway–this break-out was Linda giving us back ground and information on the judging of kid lit awards and her personal experience doing the judging. There was so much interesting information woven into Linda’s narrative, but I’ll try to pull out some nuggets that will enlighten you.

*When judging the National Book Award in 2006

*Getting from 50 books down to the ones we wanted to discuss as a group was very difficult.

*Used a weighted math system to get down to the groups top 20 books.

*No one goes over these books the way the committee does–it is legit.

*The were the first committee to have a graphic novel as a finalist.

*The process was super time consuming. Linda couldn’t write for a year and sometimes resented not having a choice in what she could read.

*On judging–if you do this–you will never feel bad about not winning an award again. There are so many good books, deserving books out there.

*If you see Linda Sue Park–ask her how the truffles were? I promise, it’s a great story.

Next up was the always informative Deborah Halverson with the UP-TO-THE-MINUTE MARKET REPORT

Here is some of the newest market info complied by Deborah…

*Overall children’s publishing revenue dipped very little–not a lot of movement.

*YA fiction sales dipped by 3%–the Divergent factor. (dips following movie years)

*Non-fiction kids up by 17% due to adult coloring books

*Audiobooks up 24% making up 10-14% of children’s books

*Expansion as a theme. 60 new Indies this year. 660 since 2009. Stable but flat.

*New codes for YA on the bookshelves allowing for more customization and discovery.

*31 new imprints in the last four years.

Market Trend–How Your Current Projects Fit Into the Marketplace

PICTURE BOOKS

-vigorous

-quality and creativity are being rewarded. Think: LAST STOP ON MARKET PLACE

-creativity in language and text

-dominated by younger PB’s

-some have longer texts where hope is strong and feels justified

-plenty of room for the illustrator to have story telling room

-character driven

-Write a single title–>series possibility comes later

-diverse characters/actively looking for diversity

-historical fiction/biographies…ordinary people who change the world

-looking for marketing potential, story telling and personal connections

MIDDLE GRADE FICTION

-a great place to be

-agents say editors are asking

-open field–literary and commercial balance

-wants beautiful language, superb execution

-slow build that garners awards and longevity. Think OUT OF MY MIND by Sharon Draper

-room for serious subject matter

-historical fiction–there are lesser known people to explore or new twist on well knowns

-multi-author series are still strong

-stand alones embraced too

-risks that don’t feel gimmicky

-non-fiction–fresh engagement-something unexpected

-MG is not wrapped up in a single trend at the moment

-looking for humor, adventure, realistic fiction

-serves a diverse audience but doesn’t make diversity an issue

-story trumps trends

-sweet spot falls between literary and commercial

-voice that masters the MG sensibility and funny bone

-in historical fiction a contemporary voice gives access–think Hamilton on Broadway

-realistic fiction and fantasy

YOUNG ADULT
-still happening but market saturation

-there are the big stars and the rest of us are duking it out for a space

-everyone is super careful/cautious about what they take on

-you need something different and stand out in a crowded market

-be careful about realistic contemporary–its been done

-blending genres–create fresh magic systems–think GRACELING

-non-speculative

-layered female friendships*

-exploring grey areas*

-on twitter… #MSWL  (Manuscript Wish List)

The internal mood of publishing…

*We are in a good place.

*Not being lambasted by trends.

*Room for thinking creatively.

*Not relying on only one thing.

*Publishing has settled into the mind set that we CAN change and adapt.

*An active author contract initiative underway

*Discovered we were doing it right all along.

Next up was a Keynote by one of SCBWI’s best, Ellen Hopkins: KEEP YOUR EYES ON THE REAL PRIZE

Ellen had the whole place in tears as she told the story of how life and writing intersect…

*Garbage writing is why they invented revision.

*In this day and age, books are candles in the darkness. And for some children, they are a lifeline.

*Keep your eyes on the real prize: making a positive difference in young lives.

And the final and closing keynote came from the one and only RICHARD PECK <3

*We gather today because misery loves company. *giggle*

*The barbarians are at our gates now–with phones in their hands–playing Pokemon. And they might die never knowing WE are the people who augment reality.

*There are 250 million texts and not a semi-colon among them.

*Where do you get your ideas? Isn’t it odd to suggest we can’t THINK of them?

*Schools don’t build foundations–they build upon them.

*Readers are not looking for authors in their books–they are looking for themselves.

*Throw out and rethink the first chapter after you have the table of contents for your real story.

*It’s never to late to be who you might have been” -George Elliot

And now that Richard Peck has reminded you who you are meant to be, it’s time for the autograph party.

Richard signing a book for the Desmond Fish Library who gave me the Alice Curtis Desmond Award

If you can see the iPad on the table, with Richard Peck—it was a part of me having a beautiful, full circle moment. This spring I had the privilege of being awarded the Alice Curtis Desmond Award and had to give my very first speech. And this speech was in front of another award winner–Salman Rushdie. Yup, it was a sweaty palm, heart racer. But I lived to tell the tale and what I was showing Richard was how I quoted HIM in my speech. And how I also heard Richard speak at my very first NY conference and clearly he had an impact on me then and over the years. And how he used the quote from my speech in his keynote and I couldn’t stop smiling at having the chance to share it all with him. Here’s that speech…

 

Being here tonight is both thrilling and a little terrifying.

I’m in awe of the esteemed company I get to keep this evening.

Compared to my fellow award winners, I’m at the beginning of my career. This is my first professional nod of recognition.

Receiving the Alice Curtis Desmond award reminds me that sometimes, our FIRST experiences do the most to shape our middles and our endings.

The acclaimed children’s author, Richard Peck once said… “–nobody BUT a reader, ever became a writer.”

When I hear that, what immediately comes to mind–are families, schools and libraries. They are the gate keepers that shape so many first experiences.

I still have my FIRST library card. I was the girl who had more books than Barbies.

In fact, I never went into the stacks without a large, paper grocery bag. I needed something big enough to hold my treasures. Those books held the world.

In the 6th grade, my English teacher read to my class… “In Flanders fields the poppies blow. Between the crosses, row on row.”

It was the FIRST time I understood how powerful writing could be. The meanest teacher I knew, was moved to tears—by words.

In the 10th grade, my class read THE GIVER by Lois Lowry. It was the FIRST time I realized I wasn’t alone. There were other people in the world who asked the same strange questions I did.

The summer before my senior year in high school, I took stock of who I was and what I wanted to be. I compared myself to some of my heroes: Annie Sullivan, Helen Keller, Anne Frank and Mahatma Gandhi.

It was the FIRST time I declared myself woefully inadequate to be anyone’s hero. I lost something that day.

On January 1, 2005, eighteen years later, I lost my father, but I finally found my voice. It was the FIRST day I decided to bravely live up to my own potential.

After my FIRST novel was published, my Mom, an extremely avid reader, told me I was the FIRST author she’d ever met in person. It wasn’t the first time I made my Mom proud, but it was one of my favorites.

My husband has always been my FIRST and most enthusiastic supporter. And because of it, there is an exceptionally large group of twenty-something single males, who work in IT Audit, who’ve read my young adult novel. #uniquemarketing

And I shouldn’t admit it, but when my boys were 2, 4 and 6 they ran out of clean socks and underwear because I was writing. It wasn’t the first time it happened, but it was the FIRST time they called me out on it. We bought more.

Then the day came when I received my FIRST letter from a fan. I’d become someone’s hero after all.

And now, because the clock and good story telling demands it, I need to make my ending reflect my beginning–by returning to the library, where I started.

I want to thank everyone at the Desmond Fish Library, not just for honoring me with my FIRST award and hosting such an incredible evening, but also for all you do–you bring books and readers together. You share my FIRST love and I could not be prouder to be a part of this community. Thank you so much.

I adore this guy! <3

Pam Munoz Ryan and Esperanza Rising

Sophie Blackall had the longest line in the room.

Getting my CHALLENGER DEEP signed by Neal Schusterman

I had an amazing conversation with him. So fan-girling!

Totally goof-balling around with Drew Daywalt of Crayon fame!

Don’t ask–I don’t know ROTFL!

Jon Klassen–what would he have done if I’d grabbed his hat and run? And how often does that happen???

And then we were hungry! Because fan-girling is kind of hard work.

And ice cream after dinner will certainly do the trick!

And it might even work tonight as a reward for getting this last #LA16SCBWI blog post done.

Hope this helpful. If you have any questions about the conference or SCBWI conferences in general, feel free to ask. And remember–if you’re heading to your first conference and you don’t know anyone, let me know and I’ll be sure to help out and introduce you to some new friends.

Tags: #LA16SCBWI, Alice Curtis Desmond Award, Brooks Sherman, conference, Deborah Halverson, Desmond-Fish Library, Drew Daywalt, Ellen Hopkins, Erica Rand Silverman, Ginger Clark, Jon Klassen, Kristen Hall, Lin Oliver, Linda Sue Park, Missed Connections, National Book Award, Neal Schusterman, Oge Mora, Richard Peck, Salman Rushdie, SCBWI, Sophie Blackall, The Measles Project, Tina Wexler, Victoria Wells Arms

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I’m back! And ready for #LA16SCBWI Part 2–Saturday.

You can’t start your day wrong with Jon Klassen: FINDING YOURSELF IN THE WORK

In case you live under a rock, Jon is the fantabulous author/illustrator of the hat books and more.

 

And according to Lin, he’s also one of the two hottest Canadians on the planet.

And we have one of them with us at #LA16SCBWI! LOL!

 

 

The laughs never ended after that comment, but Jon also brought his depth to the table in addition to his humor…

*”The worst thing you can think about when you’re working is yourself.” Agnes Martin

*Don’t think about your style.

*Your style is mysterious and should be opened up–but not by you.

*Take care of the machine that makes the style.

*Write the stories your brain is able to produce then evolve with your instrument.

*Stop trying to be creative. Don’t try to get a butterfly, you’ll get a car. Embrace the car. Force vs. Flow

 

Next up was Marie Lu: THE CREATIVE LIFE

Marie was fabulous–I can not begin to tell you how professional, charming, sweet, honest and adorable she was. I was blown away by her work ethic and her ability to speak so eloquently about her experiences. Here’s some of her take aways…

*Was born in China and moved to the US when she was 5.

*New Orleans was VERY different than China LOL! Her first time out exploring was during Mardi Gras. ROTFL!

*Starting writing as a teen.

*Went to work at Disney and was surrounded by creatives for the first time in her life.

*Being published is NOT relevant to being a writer.

*Every writer proceeds at their own pace, in their own way. The process itself should be reward enough.

*Marie has received well over 500 rejections in her writer’s life so far.

*You can’t perfect something that doesn’t exist.

*With time and practice you will get there, but you have to finish something in order to progress.

*Rejection comes for all of us–don’t fear it. The sooner you understand this, the sooner you will thicken your skin in preparation for the really tough criticism.

*Talent is over rated–most of what gets you there is passion, perseverance and hard work.

*Accepting criticism is the key to growth.

*If the critique isn’t “correct” it only means that something isn’t working.

*A high tide lifts all boats. It’s difficult to tame the envy monster but know that books lift books and writers lift writers. <3

*Be brave and listen–none of know everything or are always right.

*Never defend yourself–listen.

*It’s scary to be called out but remember no one goes out with bad intentions.

*As scary as it is to put yourself out there as a writer–think about how scary it often is to be the reader.

*Those readers are worth the work of being brave. <3

*We are all in this together.

 

Then this happened…

My Eastern NY SCBWI RA was chosen to give the keynote from last year’s crop of Crystal Kite winners!!!

Nancy Castaldo: THE TERRIFYING PATH TO PUBLICATION AND HOW IT ENDS

Hahahaha! I took no notes during Nancy’s speech. I was in the audience cheering, smiling, preening and proud. It was an  excellent speech. It had dogs and writing inspiration. It was fabulous. You should book her for your next event.

 

Saturday’s first Break-Out session was with Justin Chanda: PRO-Track CAREER LONGEVITY

 

Justin is the Vice President and Publisher of the four flagship children’s imprints at Simon & Schuster: S&S Books for Young Readers, McElderry Books, Atheneum, and the new Salaam Reads. AKA—BAMS! Here’s a look at publishing through the Chanda Filter. As always, I could listen to him talk for hours.

*Always keep communication lines open. Establish the chain of command.

*Communication from an assistant is coming from your editor. Treat them with respect.

*Never think of your agent as a tool.

*A good editor is there to challenge you–not rewrite your book.

*No one wants an unsuccessful book.

*Creative differences happen, but we are all on the same page.

*Always be realistic about achievable deadlines. Advance notice of realistic expectations is better than missed deadlines.

*Make sure your working on your book, not just working on marketing it. At the end of the day readers want books, not marketing.

*Advertising doesn’t work–especially with children’s books. And $10,000 doesn’t even move the needle.

*What does work? Word of Mouth.

*If you do book tours, it’s inevitable you’ll be at an event where no one shows up. Use it as an opportunity to be professional, make connections and be charming.

*School Visits–there is an entire other industry set up to support us.

*It takes time to get traction as a speaker at schools and conferences.

*Social Media–don’t get caught up in the echo chamber.

*Twitter is the best/worst thing to happen in Kidlit.

*Unforgivable Practices–Never air your grievances on social media.

*The most important thing you can do for self promotion is to get other people to talk about your work.

*Keeping the book alive after the first year–work on the next book. Your next book promotes your first book.

 

Even at #LA16SCBWI there’s time for Lunch!!!! But then we are back for Carole Boston Weatherford: THE POWER OF PREMISE

I’m so sorry–I don’t have a lot of notes from Carole–she had one of those keynotes you just sit and soak in. She had me at… A premise is a promise that your manuscript will deliver on…

Next up was a panel discussion: INGREDIENTS OF A SUCCESSFUL PICTURE BOOK

MOD-Laurent Lin–LL

JB–Jessixa Bagley (author/illustrator)

JP–John Parra (illustrator)

SR–Susan Rich (Editor–Little, Brown)

BS–Barney Saltzberg (Author)

DT–Don Tate (author/illustrator)

 

WHAT MAKES A SUCCESSFUL PICTURE BOOK?

JB–the book has a completeness to it.

JP–magical feelings

SR–it has to stand up to weary parents and antsy toddlers.

BS–Rhythm of the page turn, element of surprise.

DT–Connection through emotions

SR–If we knew what the secret ingredient was we’d replicate it.

BS–Put Jon Klassen’s name on it. ROTFL!

ADDITIONAL GOOD ADVICE…

SR–there are hooks (curricular and seasonal) that can make your books stand out–don’t start with that.

BS–You have to be careful who you share your work with and at what stage.

JP–it’s up to us to define ourselves–be unique.

BS–Take your ego and bury it in a box in the backyard. There is wisdom out there to be heard. Show up daily.

 

And I was waiting all day for this one…

Neal Schusterman on MAKING MEANING: THE WRITER’S STRUGGLES TO FIND ORDER IN CHAOS, AND STORIES WORTH TELLING

Neal started with an “adorable” representation of his 3rd Grade Teacher…

I’ll let you use your imagination on how she influenced Neal. The good news is that he had a strong and persistent personality.

What doesn’t kill you makes you stronger.

Neal also talked about the fallacies he believes surround the writing process.

*This is how you do it.

          -There isn’t one way. Do what works for you.

*Focus on your strengths.

           -If you want to be a writer you have to be well rounded and work on your weaknesses.

*Writer’s Block is real.

           -There’s no such thing. It’s writing when it’s hard and calling it that gives you permission to walk away. Being stuck it part of the process.

*If you build it, they will come.

          -They’ll be walking by on their phones *snicker* Keep building over and over.

*Never ask for feedback from someone you feed.

          -Family can be honest. My kids call me out.

*If traditional publishers won’t publish you, then e-pub.

          -I know this probably isn’t a popular view, but if e-pub was available  I never would have been traditionally published.

          -Gate keepers are there with there rejections for a reason. When I look back, my work deserved to be rejected,

           -traditional to e-pub is a little different.

*You must have your writing place

            -In high school I had that–it was called detention. Now I write everywhere and get inspired. Check it out…

Why Do We Write?

-It’s all about the reader.

-Deep down we have a belief we have something to say.

And a reminder…If we are doing it right, we are always terrified we aren’t doing it right.

And that was the end of the instructional part of the day, but it don’t worry–the day was far from over…

I got to hang out and chat with Marie Lu and she signed my book!

I also got to check out all our fabulous illustrators at the Portfolio Showcase.

There were also Happy Hour Hangouts with the agents and editors.

Followed by the Red Carpet Ball

Our costume goal for the costume contest was to pull out all the stops and glam it up Hollywood style. Nothing says glamorous Hollywood then Fred Astaire!

I even had my tap shoes on.

A class of 2k12 fancy meet up for me and Lynne Kelly or maybe Ginger?

And I wasn’t the only one dressed up. The fashion police were on the scene. Some body was getting ticketed.

There was also a long line of red carpets LOL!

There were loads of people on the dance floor.

And even the balconies were full.

And later when things wound down, it was lovely to take off your top hat and sit outside.

And when you think there are no surprises left in the day…

You come back to your room and wonder if you’re having some unexpected company LOL!

Hoping all this good advice resonates with you. Which bit of inspiration speaks the loudest for you?

And don’t forget to stay tuned for #LA16SCBWI coming soon.

 

Tags: #LA16SCBWI, Barney Saltzberg, C, Carole Boston Weatherford, Don Tate, Fred Astaire, Gala, Holllywood, Jessixa Bagley, John Parra, Jon Klassen, Justin Chanda, Justin Trudeau, Lynne Kelly, Marie Lu, Nancy Castaldo, Neal Schusterman, SCBWI, Sniffer Dogs, Susan Rich, The Class of 2k12

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I think I mentioned earlier that this conference had some of the best panel discussions that I’ve been to at a SCBWI event. Up first on Sunday morning was the AGENTS PANEL–REALIZING YOUR CREATIVE DREAMS:WHAT THE PUBLISHING WORLD CAN OFFER YOU. (LO) Lin Oliver (Moderator)

(JC) Jill Corcoran

(DW) Deborah Warner (Filling in for Rubin Pfeffer)

(LP) Linda Pratt

(JA) Josh Adams

Here are their best pieces of advice…

What are you looking for?

JA-We don’t look for perfection, we look for potential that needs to be highly polished.

JC-Do your research. Pick 5 ideas you love , then pick the one that seems the most exciting. Be sure to research comp books. You can change the setting to make an idea you love more unique.

JA-We are looking for something that is truly unique. If we love something, we will find a home for it. What is expected of an author besides writing?

JA-Social media, tours, school visits, marketing. First books allow you take lots of time but after that, you’re expected to produce.

LP-Second books can’t be obscure and quirky. Your sales are being tracked (Book Scan) and you have to be pragmatic about what you pick in the beginning of your career.

JA-There is less time today to build a career.

Advice?

DW-Placing your second book is just as important as placing your first.

JA-Do your homework first. LP-Make decisions that progress your work, not just add another book. Selectivity. And be professional!

JC-About social media: Why do we all have to say EVERYTHING we feel. Have a filter. Be cautious and professional.

LO-Ask…Is this the highest and best use of your time.

Money?

JA-Children’s and YA have historically done thing differently than adult publishing and that is why we’re doing well.

 

Now on to the picture book panel. I’ve dabbled with picture books but don’t consider myself a picture book writer at this point in my career, but I am so glad that I stayed for this session. The wonderful insight and messages transcended the world of picture books and I walked away with a large amount of wisdom and inspiration–plus a whole bunch of laughs.

(JK) Jon Klassen

(AP) Antoinette Portis

(DY) Dan Yaccarino (Moderator)

(EY) Eugene Yelchin

(LW) Lee Wardlow

Trends?

EY-Trends? I don’t know what that means–we are in a very specific cultural moment. We must consciously be aware of being in THAT moment. We are helping to create the culture

JK-Trends apply more to novels because PB’s don’t have as much trouble explaining themselves. Don’t need comps the same way.

DY-We never get tired of hearing the same stories–we just want to have a unique delivery.

EY-You do your research, but it still has to filter through you.

JK-What makes a classic? It has something unreachable about it that makes you want to keep returning to it to try to figure it out. (GOODNIGHT MOON; GO, DOG, GO!)

 

The first breakout session of the day was one that is close to my heart. The Class of 2k7 (The founding class of 2k’s) is celebrating it’s 5th anniversary and of course that makes me a member of the 5th class to come through. Of course I had to attend this session by Greg Fishbone, Jay Asher and Greg Neri called CLASS OF 2K7: SOCIAL NETWORKING YOUR WAY TO THE VIRTUAL TOP.

Here are some of the stats on the Class of 2k7…

39 Members (13 Middle Grade and 26 Young Adult)

Releases: 17 Spring, 12 Summer and 10 Fall

When they started…

*They may have started as a group of balding male writers. LOL!

*Online marketing was very new and not the primary focus.

*MySpace was the big thing LOL! But it shows that social media is a moving target and you can put a lot of effort into something that just goes away.

Why group branding?

*Lends credibility to the authors–looks professional. There are groups beyond the Class of 2k series that do this also–like the Apocalypsies and the Lucky 13s.

*Joint presentations/signings make something an event.

*You better control your own spin.

 

Class of 2k’s Websites:

*Class of 2k7

*Class of 2k8

*Class of 2k9

*Class of 2k10

*Class of 2k11

*Class of 2k12

*Class of 2k13 They are just getting started!

Up next was the SCBWI Golden Kite Luncheon. If you’re not familiar with the SCBWI Golden Kite award, you can find out more about it HERE. The awards given out at this luncheon also include the illustrator awards, the humorous Sid Fleishman Award and the SCBWI Member of the Year Award, which was deservedly won by Suzanne Morgan Williams.

 And this year was also very special for me because Kate Messner won the Golden Kite Picture Book Award. Kate is a member of my SCBWI Eastern Upstate New York and one of the authors I used as a role model when I first started this journey. Congratulations Kate!!!!

And here are the other amazing winners…

So proud to see what the SCBWI is producing. Each book is a stone in a path that we are all creating together. I’m so amazingly proud to be a part of this tribe. After the luncheon I got to go to another breakout session with Ruta Sepetys!!! This allowed me to get an up close look at a Golden Kite award…too stinkin’ amazing!

Who needs an Oscar when you can have one of these? And of course, Ruta sent out a message of thanks to all of Verla Kay’s Blue Boarders when she saw Verla in her session too.

 

Okay, back to topic–which is–SELLING, PROMOTING & TOURING IN FOREIGN MARKETS. I wasn’t sure how much I’d get out of this session because I have 3 young kids and hopping on a plane and touring overseas isn’t going to be the easiest thing for me to do, but I’d learned so many fabulous things in my other sessions with Ruta that I couldn’t pass it up. I wasn’t disappointed. I learned a ton of information that will give me lots of advantages to dealing with foreign markets even if I’m staying right at home.

Here are some general tips that everyone will find useful…

*If you send video content–attach a script for easy translation.

*Have a selection of author photos because tastes vary widely.

*Create your own Q & A.

*Send thank you notes.

*sob* The last Keynote speaker of the conference. I hate saying goodbye to this kind of inspiration.  Gary Schmidt–THAT KID IN THE BACK ROW, THE ONE WITH THE RED SHIRT ON. Gary is the author of one of my favorite books–THE WEDNESDAY WARS.

*We are at our best with good and healthy routines. We need to pay attention to our surprises.

*I was put into Track 3 in first grade–I didn’t learn to read for a very long time.

*Never doubt your stories will effect kids.

*You write the stories that give your readers more to be a human being with.

*You will never learn to love art well until you learn to love what it mirrors better…the world.

-Love the world

-Love the stuff of your craft–words.

-Give your readers the deepest questions not easy answers.

-Pay attention

*Does the writing serve? We do not want to be hacks who simply seek fame and fortune. We are in a culture where we cease to cherish our children. We are called to cherish our readers.

The child deserves…

How do we get started?

Look.

 

Yes, it’s a miracle that I’m still alive today because by all rights, after that speech and all the others I heard at the conference, no one would have blamed me if my heart had burst. But that is how you should leave a conference so full of inspiration, hope and motivation that the touch of a feather would cause it to leak out of you. Now it’s time for the autograph party or as I like to call it…Kim gets to hug her heroes.

Of course, everyone feels the same way I do, so the line is outrageous LOL! But it goes rather quickly and it’s so worth it.

After hearing Eugene Yelchin in the Picture Book Panel I had to have this book, BREAKING STALIN’S NOSE. Can’t wait to read it with the boys!

 The second page of KINDRED SOULS by Patricia MacLachlan has a Red Tailed Hawk on it. Perfect.

Awww Bryan Collier blew me away with his keynote. From that moment on I became a life long fan. The SCBWI doesn’t get better than this.You must read DAVE THE POTTER!

I love Clare Vanderpool and can’t wait to read MOON OVER MANIFEST!

It’s Karen Cushman!!! Karen has published seven books since she started writing at age 50, including Newbery award winner THE MIDWIFE’S APPRENTICE.

OMG!!! My kids are going to be soooo jealous. They LOVED reading Gary Schmidt‘s  THE WEDNESDAY WARS together. It was such a wonderful experience to share my children’s enthusiasm for his writing with him. We can’t wait to read his next book, OKAY FOR NOW together.

Pictures are worth a 1,000 words and sometimes us writers CAN just leave it at that–or maybe I’ll have just a little bit more to say about Ruta on Wednesday LOL!

And then it’s over…waving goodbye to LAX.

This is still the only view I’ve ever had of the Pacific LOL!

Turning back around over the ocean and doing an LA fly by on my way home.

 

Can you spot the Hyatt Regency Century Plaza?  It’s the low building with a curved shape next to the white tower.

On Monday there was also a wonderful day of Intensives but I didn’t attend, I was ready to head home and see my family. On my way out, I did see this little cloud and I can only imagine that some day it will show up in one of my stories LOL!

Don’t forget that you still have a chance to win a Pre-order of TOUCHING THE SURFACE right HERE!

Now that you’ve had a virtual SCBWI Conference, what do you think? Interested in joining the tribe? Already a proud member? Find any authors that you would love to hear? Make sure you request them with your SCBWI RA for your local conferences. Or just check out their amazing books and if you do love them, be sure to take the time to write a review for Amazon, B&N and Goodreads. Your positive support means the world to all authors and illustrators. It will never go unappreciated.

Tags: Antoinette Portis, Bryan Collier, Clare Vanderpool, Class of 2k12, Dan Yaccarino, Deborah Warner, Eugene Yelchin, Gary Schmidt, Golden Kite Award, Gre Fishbone, Greg Neri, Hyatt Regency Century Plaza, Jay Asher, Jill COrcoran, Jon Klassen, Josh Adams, Karen Cushman, Kate Messner, Kim Sabatini, Kimberly Sabatini, LA12SCBWI, Lee Wardlow, Lin Oliver, Linda Pratt, Patricia MacLachlan, Rubin Pfeffer, Ruta Sepetys, SCBWI, Suzanne Morgan Williams, Touching the Surface, Verla Kay's Blue Boards

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