Posts Tagged ‘scbwiny10’

Feb

10

2010

The NY SCBWI 2010 Conference-Part 5-Sunday Afternoon

Filed under: Conferences

This is it…the missing blog. I know you’ve been wondering how it all ends. Let me see if I can get you there.

As Jane Yolen would say, it all starts with BIC (Butt in Chair). What is everyone waiting for? The Agent Panel Discussion of course.
ASK THE AGENTS: 3 AGENTS ANALYZE THE MARKET
LO-Lin Oliver (Moderator)
GN-George Nicholson, Sterling and Lord Literistic
RS-Rosemary Stimola, Stimola Literary Studio
TW-Tina Wexler, ICM
The session started with everyone telling a little bit about themselves, their agency etc…
Due to unfortunate technical difficulties, George Nicholson was very difficult to hear for his opening remarks.
RS-You should have come to the conclusion that an agent is an important thing to have.
-Things in publishing are moving at lightening speed.
-The area of sub-rights is changing drastically.
-Stimola Literary Agency is a boutique agency (home office/flexible hours/virtual staff)
-Publishers are in a "land grab" because no one knows what is coming down the road.
TW-Agreed with the earlier comments, but added a reminder…All of us are here because we love books. We (agents) don’t have a job without all of you.
LO-How would you characterize the current climate?
RS-Its challenging, but that is what makes it exciting.
-Write a kick ass story and then let the professionals help with the rest of the process.
GN-Mediocre and ordinary simply will not sell
-Remember that this business is subject to personal taste.
TW-Be mindful of the market but understand that what you see now was bought 1+ years ago.
-Be passionate and smart.
-Know who your competition is.
LO-Do you believe in trends?
RS-I SET TRENDS!!!!!! (She reps Suzanne Collins author of the HUNGER GAMES. This gives her HUGE bragging rights LOL!)
-After the Hunger Games, all the Dystopian/Futuristic subs she is receiving seem familiar.
GN-Suggests reading adult books also, to know what is going on in children’s fiction.
TW-The manuscripts that she’s sold in the current market had one thing in common, the authors all had interests in other areas. It informs their writing. Your outside passions make your writing better.
LO-Are you willing to look at writers who have not yet been published?
TW-75% of my clients were unpublished when I took them on.
RS-Nothing more exciting that finding a new fabulous voice out there.
-Everyone you bring in is deserving of a portion of my time. So I have to ask myself…."Can I do this?" That is why I am selective.
-Publishers are being selective too, but that may not be a bad thing.
My thoughts? That last line is both frustrating and reassuring at the same time. I can live with the idea that the best get published and it motivates me to keep working harder to be one of the best. I know its not an easy venture but won’t it feel sweeter when you’ve had to work that hard? We can always use some extra guidance and the next speaker has rolled out the yellow brick road for us.
Now its our job to have enough brains, courage and heart to make the journey.
Yes, yes, yes! It is none other than Jane Yolen with a keynote speech titled I STILL LOVE BOOKS.
*Too many of us want to be famous millionaires instead of being writers (whole room hangs head in shame). Trying to win the big prize is like looking for fairy dust. All YOU can count on is the joy of discovery, the process.
*Why do authors network?
-To avoid a lot of mistakes.
-To keep current of the who, what, when, and where in children’s publishing.
-You will make good friends on your own level and above.
Look around you right now…you may be sitting to the next award winner or best seller, if you’re not one yourself.
Remember, when you do make it…we can’t pay back what we’ve gotten, but we can pay it forward.
Being part of SCBWI gives you knowledge to help protect you from being disenfranchised and screwed…or at least it helps you understand why you were.
JANE’S 20 WRITING POINTS
1. Eschew the exclamation point. Use your words to paint the emotion instead.
2. Go easy on adverbs.
3. Don’t let your characters float on the page…anchor them with action.
4. Have fun writing.
5. BIC-Butt in Chair
HOP-Heart on the Page
P no F- Passion not Fashion
6. Don’t write what you are allergic to.
7. No one expects everything to have a happy ending. Don’t be afraid of a different ending, of hard choices.
8. Fall through the words into the story. Sometimes simply simple is the best.
9. Not everything should be simple.
10. You need to find the right word. One word is the difference between the lightning bug and the lightening.
11. Call me Ishmal. Its not the opening line itself, but how it carries the DNA for the whole book.
12. Exercise the writing muscle. Work on your craft every day.
13. Every writer/artist is either nurtured or a nurturer…few claim to be both.
14. You NEED an editor. Our words are like wayward children-they need tough love. Learn to love the revision process.
15. Money flows towards the author, not away from the author.
16. Too many writers ignore landscape to their peril. Learn to see, then hear.
17. Read what you’ve written aloud-it gives you an unusual perspective.
18. Writer’s Block…its all in your mind. Turn to a different writing project.
19. There are actually projects you will never complete.
20. Write small while waiting to prepare for a larger project.
After hearing Jane, everyone wanted to crawl into a quiet corner with their over-excited thoughts and begin writing. We might have if there weren’t so many wonderful author’s signing books.
Lin Oliver signs some HANK ZIPZER and DANIEL FUNK books for the boys and the Fishkill Elementary PARP Program.
Does Jim Benton remind you a little of Happy Bunny?
Me and *SQUEE* Libba Bray, the 2010 Michael Printz award winner and fantabulous author of GOING BOVINE!
The amazing and inspirational Jacqueline Woodson. All I can say is that if she’s written it, we should be reading it.
Francesco Sedita and Paul Zelinsky autograph some books for some very special readers of the Fishkill Elementary PARP Program.
Linda, Jodi and I hanging out with Jane Yolen. WOW! (Sorry Jane…had to use that exclamation point.)
Last but not least, Peter Sis and I had a good laugh together. I spent some time telling him how (while living Germany) I went to visit Poland and The Czech Republic. In fact, I was the first person in my immediate family to visit either place. Unfortunately, on the trip I encountered a mean stomach virus and made a spectacle of myself in numerous public places. (By spectacle I mean that I suddenly lost all control over the contents of my stomach) Peter’s response was…"That was you?"
As we both had a good laugh, he happened to glance at my name tag and see that I was from Fishkill. I wasn’t sure why he was laughing so hard, but it turns out that he once stopped in Fishkill so that his daughter "could make a spectacle of herself." Who knew? We decided to call a truce. :o)
Kim and John on the St. Charles Bridge in Prague-May 1995 (A spectacle free moment LOL)
Its time to close the book on another wonderful NY SCBWI Conference. I’ll be attending the Eastern PA Poconos Conference in April so until then…its back to our regularly scheduled programing.

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Feb

6

2010

The NY SCBWI 2010 Conference-Part 4-Sunday Morning

Filed under: Conferences

It was a tough morning. My roommate Linda Hanlon and I were very happy in our cozy little beds when the alarm went off. Ugh…time to check out, store the luggage, haul the giant cache of books to be signed, hunt down a muffin and make it in time for the first speaker of the morning. Illustrators…I tried my best. I didn’t mean to miss you. I love you, but I love coffee too. Please forgive me…you all ROCK!

We started off the morning with Susan Raab and WHAT’S SELLING, WHAT’S NOT? Let me give you a run down…
*Middle readers are very popular right now.
*Vampires (although the duration of this trend is in question).
*Mystery and Ghost Stories are growing. Shout out to my very own GHOST GIRL.
*Dystopian…kicked off by the HUNGER GAMES.
*Picture Books are sticking close to the classics or to books that feel classic like LIBRARY LION.
*Books with staying power.
*Girl books, particularly series that have a quick turn over rate ex.-GOSSIP GIRLS.
*Inspirational/Spiritual/Hopeful…but not religious. (Very encouraging news for TOUCHING THE SURFACE and THE OPPOSITE OF GRAVITY) :o)
*Interesting nonfiction (not institutional) story based.
Things you can do…
*School visits
*1 to 1 relationships are critical
*Know Booksellers
*Network and build attachments
*Social Media
*Web Site
*Help generate traffic at store visits
*Be a strong community member-be actively involved.
*Try to look strategically and at the whole picture.
*Use your strengths
*Focus on a particular aspect of the market and make it work for you.
*Give people an idea of what your voice is in the industry.
*It may take time for things to grow and establish.
And some final tidbits…
*Publishers are streamlining the number of books published and the number of books printed.
*Cost IS a factor.
*Multimedia approaches to books plays a roll.
*Things are changing so quickly. Don’t freeze and get stuck. Push forward knowing that the answers are unclear for everyone.
*Write from the heart
*Be persistent.
Next up is Sheldon Fogelman…talking about SHAPING A CAREER IN CHILDREN’S BOOKS.
First off, I wanted to hug Sheldon Fogelman of of the Sheldon Fogelman Agency. He’s that adorable. Then you realize how savvy he is and you want him for an agent. He represents children’s authors and illustrators, not books. See, you’re falling in love already. His mantra is to support authors and illustrators for as long as he can, in good times and bad. Where do I sign up?
So let me give you a few of the nuggets that he shared…
*If you are going to be an author-keep writing.
*You have to be professional and remember your job-your job is to write.
*Once you submit your work, you are in the "business" of writing.
*The best way to get published is to have a good agent.
*You can’t really work effectively if you are burdened with unreasonable financial pressure.
*Understand the pulse of the market.
*Be willing to expand to new areas.
*Work with at critique group.
*In order to proceed you will have to have a plan.
*Read as many books as you possibly can.
*Be open to editorial input.
*Self promotion depends on how much time you have.
Sheldon spoke highly of Jerry Pinkney. He told the story of how Jerry’s ability (with the guidance of Sheldon) to rethink his plan and branch out in other directions, led him to multiple awards and recognitions with the most recent being the 2010 Caldecott Award for THE LION AND THE MOUSE.
Sheldon left us with a few key ideas…
*Learn as much about the business as you can.
*Be open to criticism-LOOK FOR IT!
*Don’t be distracted, this is hard work in a hard business. It is a serious business even though it is a fun one.
*When submitting, the work speaks for itself. Don’t tell me how to use it. Don’t tell me what your kids think.
Now, fasten your seatbelt….things are about to get seriously funny. There is the possibility of an injury from laughing. Our next speaker is funny man, Jim Benton, THE COMPULSIVE CREATOR.
Jim was kind enough to agree to let me post some of the work he shared with us, so don’t forget to stop by and give him a big thank you on Facebook.
Jim started off by admitting that he had a "problem"…he’s a compulsive creator. By the end of his talk the whole audience wanted to snag a just a small piece of his creativity. He’s that good folks. He started taking us through his process…
His specialty is licensing and he loves it because he can draw something once and sell it over and over again. He also wanted us to know that he’s never done just one thing. He’s always got a pan on the fire somewhere. In fact he even spent 12 years illustrating articles for Writer’s Digest. Because he had to read all the articles in order to illustrate them, he’s quite the expert on everything you need to know to be a successful writer.
Jim encouraged everyone to follow the creative impulse even if it doesn’t take you anywhere in the end…some times you just have to go down that road LOL!
Jim openly admits that he has boxes of orphan art all over the place, but sometimes there is that one piece that nobody wants but just keeps hanging around.
Although no bunny loved happy bunny in the beginning, he’s was eventually picked up by Hot Topic and became go-to wardrobe item for teens who wanted to tick off their parents, (but not get their shirt taken away.)
By the way…if you are interested in licensing, remember the community is small, so keep your nose clean and don’t tick anyone off…
Jim also passed along a couple other nuggets from working on his books DEAR DUMB DIARY and FRANNY K STEIN
*Your editor will make you better if you listen to them. They are rooting for you!
*If you are a writer you should write everyday for fun.
*As tough as this business is, it beats the hell out of REAL WORK! In fact his message to kids is that when the lawyers and the scientists go home at night, they put on music, look at art, read books…It is the artists who feed the workers.
Before he let us go we had a little creative fun. Throwing out random ideas so we could see how the creative process worked…
A platypus and a blender. Who knew you could do that? LOL!
I’m going to leave you with one more Jim Benton masterpiece…this is for all the dad’s (spouses) who stayed home with the kids for "DADDY PARTY WEEKEND" so that we could attend the SCBWI Conference…
The final blog installment coming soon…

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Feb

4

2010

The NY SCBWI 2010 Conference-Part 3-Saturday Afternoon

Filed under: Conferences

Lunch is over and now I’m going to admit the truth. I had no real idea who the post-festivus luncheon keynote speaker was. Let me clarify, I did know that it was going to be Jacqueline Woodson and that she would be speaking about LOCKING THE DOOR TO OURSELVES:THE IMPORTANCE OF WRITING IN TODAY’S WORLD. (I can read the little green schedule.) What I’m trying to say is that I didn’t KNOW. I had no idea that I would start listening to her words and my jaw would hang down to my feet in awe. I had no idea that my ears would be captivated by the perfectly captured rhythm of her voice. I had no idea that my eyes would fill will tears as her thoughts resonated with me soul.
Now I know.
I must apologize…I took less than stellar notes because I simply sat in the audience stunned, mesmerized. I can share the bits and pieces that did manage to make it to my notebook.
*We all start with the work of someone else…reading, observing, listening.
*There are lots of people who don’t read our work because we write for children.
*…"I have a right to tell my story."
*…"Shut up and go write it." LOL!
Madeleine L’Engle-we should write for the child we were. The essence of the emotion doesn’t change.
*A lot of stuff I learn about my books, I find out when I read the reviews of them.
*Fiction is so the reader can have an experience. It should also be "emotionally biographical."
Jacqueline doesn’t believe in outlining (Shout out to her and Richard Peck) and she also doesn’t believe in writer’s block.
-What stops us from writing is our fear.
See…I told you that I spent all my time being captivated. Check her out, read her books, listen to her voice, aspire…you won’t regret it!
Break-out Session #3 was a complete change of pace but loaded with wonderful information.

Jennifer Bailey’s session was THE REAL DEAL ABOUT: VIRAL MARKETING AND PROMOTION. Jennifer is a Graphic Designer and Professional Blogger.
WHAT IS VIRAL MARKETING?
*Generating word of mouth.
*Passing on a message.
*increasing Brand awareness.
*Increasing product sales (the end result).
Jennifer gave a historical example of good and bad viral marketing.
PAUL REVERE-silver smith and patriot
WILLIAM DAWES-tanner and patriot
On the night of that famous midnight ride, it might surprise you to know that William traveled further and faster than Paul, but Paul Revere was the messenger who made the most impact. He was the "virus" because he knew who to target to get his message out there.
STEPS TO GOOD VIRAL MARKETING
1. Build your community
-what are your other areas of interest?
2. Create a "Call to Action" list.
-have an easy message (The Redcoats are Coming!)
-relinquish control…let the message go out on its own. (Paul didn’t stop to chat.)
3. Plant it in fertile soil.
-connect with the right people in your community.
4. Encourage conversation and sharing.
5. Reward
-have a free product.
-feeling good for participating can be its own reward.
6. Give ’em a sequel.
-once your community is riled up, then you have to do something to keep the message going.
SOME CURRENT PAUL REVERE’S IN THE WRITING COMMUNITY
*Cynthea Lui
-She had an auction to raise funds for a school who needed books. She raised over $15,000 in a few short weeks.
*Neil Gaimon
-Had a Halloween Party Contest for Independent Book Sellers. He would come to the best party.
*John Green
-Created a movement. Nerdfighters.com where people gather to increase awesome and decrease suck!
*Tammi Sauer
-The book Launch. A video contest of people doing the chicken dance. The video idea didn’t work as well as she had hoped but despite that her book went into a second printing before it was released.
HOW DID THESE SUCCESS STORIES UTILIZE THE STEPS TO GOOD VIRAL MARKETING?
1. Building a community.
-Cynthea Lui linked all her sites together. She made it very easy to get from one place to another. If you were participating in the auction you had easy access to her books and other information about her.
-John Green and his brother started an interactive message board.
-They also created Nerdfighters, giving everyone a name that they could own.
2. What was their call to action?
-Cynthea Lui used Twitter and combined the name of her book PARIS PAN TAKES THE DARE with the auction calling it the DARE Auction.
-Neil Gaimon uses his blog and writes very personal posts, posts pictures and even answers fan mail on the blog.
-Tammi Sauer had her videos on YouTube. (Remember every 1 in 2 searches takes you to YouTube)
-The Green Brothers did video blogs with public "punishment" if they missed an installment. They also had a clear message…Decrease World SUCK! They made it fun to be a nerd.
*Don’t forget to ASK. If you ask, people will help you.
3. Fertile soil
-Know who your back up is. Who is your wing man?
4. The Conversation and the Love
-Show passion. It was a snowball effect of authors, editors and agents donating critiques. Everyone wanted to help and be a part of Cynthea’s passion.
5. Reward
-Decreased world suck! Can’t beat that.
-Neil Gaimon showed up to 2 book stores instead of two (for the Party Contest)
-Cynthea Lui allowed everyone to see the kids and the books that were a result of her effort.
6. The Sequel
-We are all interested to see what will be done next.
GETTING YOUR MIND RIGHT
*It takes patience-building your social media reputation takes time.
-Charlotte from Charlotte’s Web…she had to write more than one message to save that pig.
*Follow the 80/20 Rule
-80% of what you do should be about other people
-20% should be about yourself
-You’ve got to be a friend to get a friend.
*Know your audience
-Tom Sawyer knew how to get those boys to paint that fence LOL
-Gear the message towards your audience.
*Beware of TMI (Too Much Information)
*Be yourself, everyone else is taken.
*Listen to your "Jedi Council" the people that you trust in your life.
*Its social for a reason
-You have to be having fun for your community to have fun.
*You’re the BRAND, the book is the PRODUCT.
The last speaker of the day was not the least. Peter Sis was another powerful and amazing speaker, illustrator and writer. His journey was a story in and of itself…once again I was so engrossed listening to him, that I barely wrote enough notes. Just so you know…
*He was born in a country that no longer exists-Czechoslovakia. He grew up in Prague. His father was a film maker and his mother was an artist and they encouraged him to draw from a very early age.
*Growing up behind the Iron Curtain, he is very aware that children are brainwashed because they don’t know that they are being brainwashed. From time to time, something from his youth will still surface, reminding him how impressionable children are.
*Someone once told him that his books are for dreamers and seekers…
Read his books and you will know that it is true. We are very lucky to have him.
Time to brave the NYC chill…
What would make a tired group of writers wander out into the freezing cold NYC night? THE VERLA KAY BLUE BOARD DINNER of course!
Here I am with the FANTABULOUS Stacy Moser, who organized the whole event. Thank you, thank you, thank you Stacy! We had a wonderful evening. :o)
Catching up with old friends and meeting new ones.
Jeff told a lovely story reminding us to "feed each other" and of course…mingle during dessert! Here are some of the Blue Boarders doing just that.
I know what you’re thinking, this must be the end. No day could be that good and still have more fun left it? You are wrong. If you haven’t gone GEOCACHING in the dark in 19 degree weather…you, my friend, have not lived.
Amy even wrote my name down because I was a great sleuth. I would have made Nancy Drew super proud! And after a mad cap search through the city, there is nothing nicer than warming up with friends and planning the future for District 14.
What is District 14? I’ll have more information on that in the weeks to come…come on, a girl has to have a few secrets *wink*
I’ll be back soon with another blog post and I just want to let you know…Sunday was just as awesome as Friday and Saturday!

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Feb

2

2010

The NY SCBWI 2010 Conference-Part 2-Saturday Morning

Filed under: Conferences

I’m just going to dive right in because nothing starts a conference better than an infusion of …

Stephen Mooser and Lin Oliver!
As always, Lin got everyone’s funny bone flexed when she gave us the stats on this years conference. Despite the stinky economy, the 2010 conference had the highest attendance in history. A whopping 1,047 children’s writers and illustrators gathered to be inspired and informed. We came from 14 different countries and 45 states. I won’t tell you which states have fallen down on the job. Just know that they’ve been severely reprimanded and feel rather silly after learning that Lin was in attendance after having heart surgery in November. The entire room was pleased that “the heart of SCBWI” was healthy and doing well. We don’t know what we’d do without her. She is the only one who can commander the men’s room for the ladies. Thanks Lin!

Are you excitedto hear about our first speaker? You should be because its the brand new Printz Award winner of Going Bovine….

Libba Bray!
It is going to be hard for me to express the sheer awesomeness of her speech…its hard to take notes when you are in simultaneous awe and hysterics. I can tell you that her first inclination for the title of her speech was PUNCTUATION. Lin Oliver shot that down LOL! So she spoke about WRITING AS AN EXTREME SPORT. Since everything Libba said was a double edge sword, both full of great insight and hilarity…I’ll just post some of her best phrases and thoughts and let you digest them at your leisure…
*Every time you write a cliche the terrorist win.
*I’m not known for my reckless abandon unless its in my writing.
*You take the neurotic things you spend your whole life trying to hide from everyone and you jam all of that into your writing.
*In reference to saying “serious sacks”…once you get a Printz you can reference testicles all you want. LOL!
Libba continued on by telling us to BE THE GIRAFFE. One evening she asked her son what he wanted to be when he grew up. She was half listening and expecting him to give a typical answer when he announced that he wanted to be a giraffe. She was a bit surprised LOL! This story was to remind us to take the road less traveled when we make choices in our writing. Where your mind goes first should be the last place where you actually end up. She recommended the book HOW TO SPEAK IN ROBOT as an example. She also reminded us that people ARE frustrating. Strive for the small unexpected moments in your writing. Her example was from the movie Star Wars.
Princess Leia-“I love you.” Han Solo-“I know.”
Kim-*Sigh* I love you too Han Solo…Han Solo? OK back to Libba and some more advice…
*Give your characters gritty bits.
*Sit at the kitchen table with your characters.
*Look at the layers…look past the stereotypical.
*It doesn’t pay to fall in love with your characters because if you do then you can’t “see” them.
Libba also cautioned us to say no to the Teradactyl boyfriend. As in…”should I add in a hot Teradactyl boyfriends with with a wing span into my YA novel? Everyone else has one!” *Don’t follow trends.
*Don’t let the “Should I’s” creep in.
*You have to write for yourself-listen to your pages.
*Make your writing true and then dig a little more.
As Ray Bradbury said…”First you jump off the cliff-then you build the wings.”
Before leaving the stage Libba implored everyone to join her in the YEAR OF WRITING DANGEROUSLY. I’m there! Hope you’ll be too. Like Libba said, “Write like it matters and it will.”
*Kim bows her head for a moment of silence*
I did get up from my homage eventually. Of course I needed a potty break and then it was off to Break-out session #1. But before we could get to the heart of the matter, we had to take care of our feet first. After acquiring the last pair of boots in Phoenix, AZ Amy Nichols, found that extended days in 2 inch heels had undesirable side effects. Lucky for her NYC has shoe stores!
Now back to our regularly scheduled programing with Ben Schrank, Publisher of Razorbill (an imprint of Penguin).
The topic for this break-out session was THE REAL DEAL ABOUT TEEN NOVELS. Ben started off by letting us know that there is a dream for writers of teen novels and we as writers should shoot for it. What he meant was that there was a real wild card factor in teen writing. No one knows for sure what is going to be the next big thing.
His biggest example of this was Jay Asher’s THIRTEEN REASONS WHY. Jay’s book was published two and a half years ago and is still out in hardcover and has spent 57 weeks on the NY Times Best Seller List. Why did this book go viral? According to Ben there was an almost 1 in 100,000 odds of this happening. He called Thirteen Reasons Why the GO ASK ALICE of this generation. How did all the stars align?
*Jay wrote a great book. *The packaging of the book was excellent, from the cover to the back-copy.
*Jay was great at connecting with his readers.
*The public consciousness was open to the book.
*Word of mouth was instrumental.
In summation, the perfect storm took happened, with all the components falling into at the right time. Ben also cautioned that really good writers can have one or more of these factors work against them. It does not make them bad writers, but it can make their books much less successful. So we should always dream big, because the dream can happen, but we shouldn’t be discouraged if it doesn’t.
Ben also gave a list of common mistakes:
*Writing for the market. The market is a weird beast that is hard to control, but be aware because there is a market. At the end of the day, if you try to write for the market AND don’t enjoy what you are writing, it will show.
*Don’t try to talk like a teen. People read all over the country and the world and the slang is different everywhere.
*Don’t introduce your character on the nose. *Don’t windmill-use lots of words that don’t progress the book.
*If you are telling a story that has been done before (and they all have been) you have to tell it in a unique way. His example was THE REPLACEMENT, a horror story version of Catcher in the Rye due out in September 2010.
*If what you’re writing doesn’t connect with the pecking order of what would happen in a school cafeteria, then it is unlikely that it will connect with readers.
Ben said he is looking for the book that nobody saw coming and cautioned us, as writers, to be nice, confident, secure and above all don’t yell at people. Behaving like that isn’t going to help you.
When asked what he expected from his authors, he responded by saying that he didn’t like them to talk about the inner workings of Razorbill. He didn’t want to “reduce the magic.” He also said that trust was an issue and it was important promote yourself.
Over the course of his presentation Ben highlighted Suzanne Young (One of the fabulous SCBWI Conference Bloggers) and her new series The Naughty List. He mentioned quite a few other great books that would be hitting the shelves soon, but I apologize for not catching all the pertinent information. A friend of mine Lara Zeisis (met her at the Easter PA Poconos Conference last year) also writes with Razorbill, so check out her Lola Douglas book TRUE CONFESSIONS OF A HOLLYWOOD STARLET.
Time for Break-out session #2 PICTURE BOOKS WITH ALLYN JOHNSTON.
Allyn is the Vice President and Publisher for Beach Lane Books and she made me and almost everyone else in her sessions cry. She is passionate about her Picture Books. She has strong memories of being read to as a child and believes that a good book changes the emotional temperature of the reader.
Things to pay attention to: *Your job is to make the words so fabulous that the reader wants to read them again.
*Example HADDIE AND THE FOX By Mem Fox-beautiful rhythm and repetition. *Picture Books are for an audience who can’t read. You are writing a play/performance for them. *You need to right a book so fabulous that you are making the reader the star.
Great Picture Book Beginnings:
If you are choosing to be a great picture book writer, you have to trust that if you’ve done your job well enough, then the illustrator will have something special to use to begin their own creation. Trust the artist. Embrace the mystery of the story.
Don’t forget to apply the same great story telling to non-fiction.
I mentioned earlier that I got misty eyed during while Allyn read some of these wonderful books. It was this last book that that pulled at my heart strings the most. You should all know it. So simple. So perfect. The next time you read it, just think of it in terms of the writer’s journey…or the journey of anyone who has a dream.
TIME FOR LUNCH!!!!!!!
Lin Oliver slaved over that chicken all day! We also have to say a big thank you to AMAZON for stopping by with some great news. Amazon is donating $25,000 to SCBWI for work in progress grants.
Amazon’s Jon Fine
I’m going to stop here. We have food in our belly and money in the bank. Next blog installment coming your way soon. :o)

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Feb

2

2010

The NY SCBWI 2010 Conference-Part 1-Writer’s Intensive

Filed under: Conferences

Writer’s Intensive-Friday January 29,2010 Getting to the NY SCBWI Writer’s Conference always entails an early morning train ride. In fact I usually take my husband’s train, the 5:32 into the city, making me appreciate the fact that I’m not a commuter. But for one day, its not so bad, especially since I could spend that time on the train reading a fabulous book by Elizabeth Scott called LOVE YOU, HATE YOU, MISS YOU.


I arrived with plenty of time to spare and met up with some of my favorite writers in the world…Eileen Feldscott, Justin Brancato, Jeff Faville, Amy Nichols, Amy Sundberg and Allan. All of us were attending the Writer’s
Intensives.
The morning started off with a panel discussion called LISTENING TO FEEDBACK WITH AN OPEN MIND.

Moderator: Aaron Hartler
CB-Courtney Bongiolatti, Simon and Schuster
NC-Nancy Conescu, Little Brown
MN-Michelle Nagler, Bloomsbury
Aaron started us off by reminding us that he was the Oprah of SCBWI and he got a two thumbs up from me! We then jumped into the advice right away. How should we approach the day?
CB-Remember you are getting feedback from EVERYONE at your table. -Listen to the advice of the professionals.
NC-Is looking for writing that captivates everyone at the table.
-Value everyones opinion, its part of your research because your audience is equally diverse.
-Give others helpful feedback.
-After you read your piece…JUST LISTEN.
MN-Write it down so later you can understand the information you might have missed.
-The moderator at your table is professional and objective.
AH-The professionals at the table are expert readers, trust their input.
NC-Be open to changing genres. A PB might actually be a chapter book.
CB-If we suggest a genre change it means we see something that works in your writing.
-“Every draft you send to an editor is a first draft.”
-Every editor/agent is different. They can point out the problems, its your job to find the solution.
NC-We look to see how someone takes and receives feedback.
MN-The Writer’s Intensive is nice because the editor gets a chance to interact directly with the writer.
AH-Told a Jennifer Hunt story, saying “You have a beautiful smile, but you have spinach in your teeth.” No matter how great your book is, all anyone will notice is the spinach and that editors would be remiss in not pointing it out if they see it.
NC-Children’s writers are particularly collaborative because they focus on helping you make your writing better.
CB-Our job is to see the good writing within the problems.
-Its to your advantage to have your critique time spent focused on the problems, not the good stuff.
MN-Sometimes we are the hardest on the writing that has the most potential, although we will be kind.
NC-Our job is to make people fall in love with your writing starting as early as the acquisitions process.
MN-Revelations can come when you are listening to other people’s pieces. Its easier to hear feedback when it is directed at someone else.
NC-If your first 500 words sounds familiar, confused etc…then you need to figure out what is going to make the reader understand from the beginning.
CB-If you are hearing the same thing over and over again, you need to change it and move on.
-You can love your stuff, but “reader love” trumps your love because they are the ones who are going to buy your book.
NC-Try Changes and suggestions before you decided the advice doesn’t work for you.
MN-Welcome to the BIG LEAGUES, a lot of what you write is not going to be in your stories.
NC-Even I hold editorial letters and read them later to make sure my writing makes sense and I’m saying what I want to say.
After all that great advice it was time to break into our first groups. Jeff Faville is getting ready for his first critique session of the day.
The first session runs from 10:15 to 12:15 but it flies by like its a half hour. Each writer has 12 minutes to read 500 words of their choice and receive feedback from the table moderator and other writers. I had a wonderful first table with Eddie Gamarra, Literary Manager/Producer, The Gotham Group. I read the first 500 words from my first novel TOUCHING THE SURFACE and got great suggestions and wonderful feedback from everyone at the table.
After a whirlwind morning and then a trip to the food court in Grand Central for lunch, we were ready to kick off the afternoon critique session which ran from 1:45 to 3:45. Once again I was given a fantastic moderator and learned so much from Jordan Brown, Editor, Walden Pond Press and another fantastic table of fellow writers. To change things up a little bit, I read the first 500 words of my current work in progress, THE OPPOSITE OF GRAVITY. Once again I left the table with lots to think about and a tremendous amount of support. The afternoon panel was titled THE NEXT STEP.
The Moderator for the panel discussion was the lovely
LO-Lin Oliver.
WL-Wendy Loggia, Random House
AL-Ari Lewin, Hyperion
AJ-Allyn Johnston, Beach Lane Books
AL-Thinks that there are lots of negotiations between an author and an editor. Not all suggestions have to be taken, but can you find a way to solve the problem in a different way?
AJ-Overall, in the PB’s she sees, the rhyme isn’t strong enough.
AL-Novels-lots of people started in the middle of a pivotal moment. They gave lots of exposition, but I would rather have it unfold in the scene.
WL-Saw a lot of front loading those first pages. You don’t need it. She wants to see voice and writing. -Think of the reader who is buying the book.
AJ-Do your market research and don’t do something that has already been done before. It puts you at an automatic disadvantage. -Check out Indiebound to see what kinds of book are getting the buzz.
-Having said that, remember you can spend so much time doing research that you don’t actually do the writing.
AL-DO NOT SEND A MANUSCRIPT WITH ART NOTES.
WL-She likes to get out and talk to booksellers as a consumer. Its good to get out in the field and hear what they have to say.
AJ-quoted Ellen Hopkins, “You guys need to buy book too!”
Lin Oliver asked about the best way to begin a story in this fast-paced technological world we currently live in…
WL-Every book is different. Its what feels right and organic to that book.
-Its tempting to start with a high octane moment, but in the end you need solid writing.
AJ-Lots of Picture Books aren’t actually PB’s, but the beginning of Chapter Books. -Wants a CLEAR beginning. Example-HATTIE AND THE FOX by Mem Fox
Lin Oliver also asked what are some “warning phrases” that might be a subtle way of saying it might be a good time to “step away” from this story and work on something new LOL!
AL-Who is the for?
-Why would someone care about this place or character?
WL-Who is this for? (Keep your reader in your head) -Is there anything else you are working on?
AJ-I ask about their writing career and continue to talk about it LOL!
Lin Oliver then reminded us that WE ARE WRITING FOR THE LONG HAUL, NOT JUST FOR ONE STORY. With one of her favorite quotes being…”In writing, nothing is wasted but the paper” by Sid Fleischman. She reminded us that we come here to develop our skills.
AJ-We wouldn’t do this if we weren’t looking for something.
Everyone then sent us off with some last words of wisdom…
AL-Wait a little while before you make any changes.
WL-Watch American Idol…talent rises to the top and everyone gets criticism. -Be yourself in your writing.
AJ-Don’ take yourself too seriously and get some exercise!
Good advice is one thing, but pondering it with friends and food is the icing on the cake.
Justin, Amy, Jeff, Allan and Kim
Of course no night is complete without Kidlit at the Wheel Tapper…
We had a blast and it was only the anticipation of Day 2 that got us up in the morning…oh, and the bagels and coffee. :o)
Stay tuned…more blogs coming as fast as I can write them. :o)

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